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Hunting the Wild Pineapple single work   short story  
Issue Details: First known date: 1981... 1981 Hunting the Wild Pineapple
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AbstractHistoryArchive Description

A brash and flashy fruit-farmer has a manner of entertaining his guests that fails to favourably impress at least one of them.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Hunting the Wild Pineapple and Other Related Stories Thea Astley , Ringwood : Nelson , 1979 Z266606 1979 selected work short story

    'Leverson, the narrator at the centre of these stories, calls himself a 'people freak.' Seduced by north Queensland's sultry beauty and unique strangeness, he is as fascinated by the invading hordes of misfits from the south as by the old established Queenslanders. Leverson's ironical yet compassionate view makes every story, every incident, a pointed example of human weakness – or strength.'

    Source: Publisher's blurb (Penguin).

    Ringwood : Penguin , 1981
    pg. 61-76
  • Appears in:
    y separately published work icon Contemporary Classics 65-95 : The Best Australian Short Fiction 1965-1995 Don Anderson (editor), Milsons Point : Vintage Australia , 1996 Z254156 1996 anthology short story poetry extract Milsons Point : Vintage Australia , 1996 pg. 39-55
  • Appears in:
    y separately published work icon Collected Stories Thea Astley , St Lucia : University of Queensland Press , 1997 Z453513 1997 selected work short story St Lucia : University of Queensland Press , 1997 pg. 89-102

Works about this Work

Thea Astley : Writing in Overpoweringly a Male Dominated Literary World Megha Trivedi , 2010 single work criticism
— Appears in: The Indian Review of World Literature in English , July vol. 6 no. 2 2010;
This paper is an attempt to explore different themes in the novels of Thea Astley.(p. 1)
Rejected by America? Some Tensions in Australian–American Literary Relations Louise Poland , Ivor Indyk , 2010 single work criticism
— Appears in: Reading Across the Pacific : Australia-United States Intellectual Histories 2010; (p. 309-322)

'This chapter focuses on the period from the mid-1970s to the late 1980s, a watershed period in Australia-US literary relations, which saw the publication in the US of Australian novelists Peter Carey, David Malouf, Jessica Anderson, Thea Astley, Elizabeth Jolley, Helen Garner, Tim Winton and Beverley Farmer among others, but which was also crossed by tensions and contradictions which led to confusion, disappointment, lost opportunities, and sometimes the outright rejection of important Australian authors and their books. Among these tensions, we look at three in particular: the promising but limited role played by the multinational publisher (in this case Penguin Books) offering Australian titles through its US affiliate (Viking Penguin); the intervention by literary agents in Australia - US literary publishing relations; and the difference in values between the two cultures, which served to hinder the appreciation of important works of Australian writing.' (p. 309)

Mapmaking and the Spatial Politics of Power in Thea Astley's 'Hunting the Wild Pineapple' Jacqueline Shin , 2006 single work criticism
— Appears in: Ariel , April-July vol. 37 no. 2-3 2006; (p. 49-69)
Thea Astley : Interview Daniel R. Willbanks (interviewer), 1992 single work interview
— Appears in: Speaking Volumes : Australian Writers and Their Work 1992; (p. 26-42) Thea Astley's Fictional Worlds 2006; (p. 21-35)
Mapmaking and the Spatial Politics of Power in Thea Astley's 'Hunting the Wild Pineapple' Jacqueline Shin , 2006 single work criticism
— Appears in: Ariel , April-July vol. 37 no. 2-3 2006; (p. 49-69)
Rejected by America? Some Tensions in Australian–American Literary Relations Louise Poland , Ivor Indyk , 2010 single work criticism
— Appears in: Reading Across the Pacific : Australia-United States Intellectual Histories 2010; (p. 309-322)

'This chapter focuses on the period from the mid-1970s to the late 1980s, a watershed period in Australia-US literary relations, which saw the publication in the US of Australian novelists Peter Carey, David Malouf, Jessica Anderson, Thea Astley, Elizabeth Jolley, Helen Garner, Tim Winton and Beverley Farmer among others, but which was also crossed by tensions and contradictions which led to confusion, disappointment, lost opportunities, and sometimes the outright rejection of important Australian authors and their books. Among these tensions, we look at three in particular: the promising but limited role played by the multinational publisher (in this case Penguin Books) offering Australian titles through its US affiliate (Viking Penguin); the intervention by literary agents in Australia - US literary publishing relations; and the difference in values between the two cultures, which served to hinder the appreciation of important works of Australian writing.' (p. 309)

Thea Astley : Writing in Overpoweringly a Male Dominated Literary World Megha Trivedi , 2010 single work criticism
— Appears in: The Indian Review of World Literature in English , July vol. 6 no. 2 2010;
This paper is an attempt to explore different themes in the novels of Thea Astley.(p. 1)
Thea Astley : Interview Daniel R. Willbanks (interviewer), 1992 single work interview
— Appears in: Speaking Volumes : Australian Writers and Their Work 1992; (p. 26-42) Thea Astley's Fictional Worlds 2006; (p. 21-35)
Last amended 24 Oct 2017 16:31:25
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