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Notes
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This poem won first prize in a competition conducted by the Sydney Morning Herald, at the time of the 1879 Sydney International Exhibition.
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The poem appears in Songs from the Mountains with the accompanying note: 'A Prize Poem published with the kind permission of the proprietors of the "Sydney Morning Herald".'
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Note that this is a different work to the Sydney Exhibition Cantata, for which Kendall wrote the libretto.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Romantic Hangover in Australian Poetry
2016
single work
criticism
— Appears in: The Poetic Eye : Occasional Writings 1982-2012 2016; (p. 3-8) 'Atsuko Kouda's remarks on landscape in Australian poetry are particularly interesting because they provide us with an 'outside; view of how the land is perceived by Australian poets. Kouda uses as models Douglas Stewart and Judith Wright. In the first case, Stewart displays a correspondence between himself and the landscape , and a sense of the perfection of creation, in the light of this, the poet can at times 'escape' into a symbolic perfection away from the unpleasant aspects of social life. Kouda concludes that Stewart's poems 'take no further new meanings than we find in the traditional ballads.' (Introduction) -
No Easy Age for Faith or Verse : "Songs from the Mountains" and Henry Kendall's Burden of Election
1992
single work
criticism
— Appears in: Henry Kendall : The Muse of Australia 1992; (p. 385-404) -
Acta Populi
1879
single work
column
— Appears in: The Freeman's Journal , 27 September vol. 30 no. 1856 1879; (p. 13)
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Acta Populi
1879
single work
column
— Appears in: The Freeman's Journal , 27 September vol. 30 no. 1856 1879; (p. 13) -
No Easy Age for Faith or Verse : "Songs from the Mountains" and Henry Kendall's Burden of Election
1992
single work
criticism
— Appears in: Henry Kendall : The Muse of Australia 1992; (p. 385-404) -
Romantic Hangover in Australian Poetry
2016
single work
criticism
— Appears in: The Poetic Eye : Occasional Writings 1982-2012 2016; (p. 3-8) 'Atsuko Kouda's remarks on landscape in Australian poetry are particularly interesting because they provide us with an 'outside; view of how the land is perceived by Australian poets. Kouda uses as models Douglas Stewart and Judith Wright. In the first case, Stewart displays a correspondence between himself and the landscape , and a sense of the perfection of creation, in the light of this, the poet can at times 'escape' into a symbolic perfection away from the unpleasant aspects of social life. Kouda concludes that Stewart's poems 'take no further new meanings than we find in the traditional ballads.' (Introduction)
Last amended 29 May 2013 18:30:08
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