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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Writing East Timor for Children : Mobilizing Sympathy
2016
single work
criticism
— Appears in: New Review of Children's Literature and Librarianship , September vol. 22 no. 2 2016; (p. 108-123) 'Novels about East Timor in English and Portuguese for children have been scarce. Despite a contemporary background of revisionist approaches to history, the nationalist focus of such material means that certain stories are handled rarely, even those that interpellate the nation in some way. This article examines ways in which support for East Timor is underwritten in the few novels for children and young adults that deal with East Timor in English and Portuguese, concluding with a brief assessment of the extent to which they realize Herbert Kohl’s suggestions of appropriate strategies for what he terms “Radical Children’s Literature.”' -
Australian Popular Fiction and the Moral Drama of East Timor
2013
single work
criticism
— Appears in: Understanding Timor-Leste 2013 : Proceedings of the Timor-Leste Studies Association Conference, 15-16 July 2013 2013; (p. 246-250) 'From the invasion of East Timor by Indonesia in 1975 until the referendum on independence in 1999 and up until the present, East Timor has been a place whose destiny Australian governments have felt they have the right to intervene in. Indeed, this assumed right goes back to the invasion of neutral Portuguese Timor by Australian forces in World War II, thereby condemning thousands of Timorese to their deaths at the hands of Japanese soldiers. Of this initial assumption of Australia’s agency in East Timor there has been surprisingly little creative remediation, although there has been much and moving commentary in nonfiction. The marginality of Portuguese Timor to Australia in the 1940s may be read both in the decision to invade and in subsequent uninterest in interpreting what is one of Australia's closest neighbours. Although the Indonesian invasion and brutal occupation vastly increased the amount of coverage given to the territory, somehow this too was almost never accompanied by the analytical possibilities of creative work. From Tony Maniaty’s anguished representation of the period immediately before the invasion, The Children Must Dance (1987), through Gail Jones’s theoretically reflective short story ‘Other Places’ (1992), Bill Green’s satire on Australian political immorality, Cleaning Up (1993), or Libby Gleeson’s book for children Refuge (1998), to take some of the registers through which the country was dealt with, East Timor was rarely processed in Australia through the protocols of imaginative narrative (on these texts, see Callahan 2010; 2012a; 2012b).' (Introduction) -
History and Shame : East Timor in Australian Fictions
2010
single work
criticism
— Appears in: Interventions : International Journal of Postcolonial Studies , November vol. 12 no. 3 2010; (p. 401-414) This essay examines a series of Australian texts in an attempt to perceive the ways in which East Timor has functioned as a test of the operation of Australian memory and the processing of national shame over the failure of the nation to aid a neighbouring people who had aided Australia at great cost during the Second World War. After introducing the notion of shame and the contrast between official Australian policy and public sentiment over the issue of East Timor from the date of the Indonesian invasion in 1975, a contrast rooted in the nation's sense of itself as being a sponsor of freedom, democracy and the fair go, the essay examines a series of fictional texts dealing with East Timor in some way, and then returns to the concept of shame and its relevance in this context. The texts dealt with include fiction for adults and children: Tony Maniaty's The Children Must Dance (1984), Gail Jones's Other Places (1992), Bill Green's Cleaning Up (1993), Kerry Collison's The Timor Man (1998), Libby Gleeson's Refuge (1998) and Josef Vondra's No-name Bird (2000), along with the Australian-Canadian miniseries Answered by Fire (2006) and the Australian film Balibo (Robert Connolly, 2009). As expected, concerned observers share many features of their reaction to events in East Timor, but inevitably, as they read East Timor they are also reading Australia and its relation to an ethics of conviction that might have dealt more honourably with the invasion and oppression on its doorstep. The analysis draws on the work of Jeffrey Olick, Avishai Margalit and Michael Morgan in its approach to regret, shame and memory. -
Reality Tinged with Satire
1993
single work
review
— Appears in: The Newcastle Herald , 19 June 1993; (p. 48)
— Review of Cleaning Up 1993 single work novel -
Keeping the Cause
1993
single work
review
— Appears in: Australian Book Review , April no. 149 1993; (p. 15-16)
— Review of Cleaning Up 1993 single work novel
-
Memories of a Maori Life
1993
single work
review
— Appears in: The Weekend Australian , 8-9 May 1993; (p. rev 7)
— Review of Men, Women and Other Necessities 1992 single work novel ; Cleaning Up 1993 single work novel -
What's New in Books
1993
single work
review
— Appears in: Australian Jewish News (Life/Style) , 7 May vol. 59 no. 32 1993; (p. 10)
— Review of The Lovers 1993 single work novel ; Cleaning Up 1993 single work novel ; Crocodile on the Thames 1993 single work novel -
A Nice Little Prime-Time War in Mongolia
1993
single work
review
— Appears in: The Sydney Morning Herald , 8 May 1993; (p. 49)
— Review of Crocodile on the Thames 1993 single work novel ; Cleaning Up 1993 single work novel -
Forecasts
1993
single work
review
— Appears in: Australian Bookseller & Publisher , March vol. 72 no. 1035 1993; (p. 31)
— Review of Cleaning Up 1993 single work novel -
Canberra but One Target of Laconic Novel
1993
single work
review
— Appears in: The Canberra Times , 3 April 1993; (p. C9)
— Review of Cleaning Up 1993 single work novel -
History and Shame : East Timor in Australian Fictions
2010
single work
criticism
— Appears in: Interventions : International Journal of Postcolonial Studies , November vol. 12 no. 3 2010; (p. 401-414) This essay examines a series of Australian texts in an attempt to perceive the ways in which East Timor has functioned as a test of the operation of Australian memory and the processing of national shame over the failure of the nation to aid a neighbouring people who had aided Australia at great cost during the Second World War. After introducing the notion of shame and the contrast between official Australian policy and public sentiment over the issue of East Timor from the date of the Indonesian invasion in 1975, a contrast rooted in the nation's sense of itself as being a sponsor of freedom, democracy and the fair go, the essay examines a series of fictional texts dealing with East Timor in some way, and then returns to the concept of shame and its relevance in this context. The texts dealt with include fiction for adults and children: Tony Maniaty's The Children Must Dance (1984), Gail Jones's Other Places (1992), Bill Green's Cleaning Up (1993), Kerry Collison's The Timor Man (1998), Libby Gleeson's Refuge (1998) and Josef Vondra's No-name Bird (2000), along with the Australian-Canadian miniseries Answered by Fire (2006) and the Australian film Balibo (Robert Connolly, 2009). As expected, concerned observers share many features of their reaction to events in East Timor, but inevitably, as they read East Timor they are also reading Australia and its relation to an ethics of conviction that might have dealt more honourably with the invasion and oppression on its doorstep. The analysis draws on the work of Jeffrey Olick, Avishai Margalit and Michael Morgan in its approach to regret, shame and memory. -
Writing East Timor for Children : Mobilizing Sympathy
2016
single work
criticism
— Appears in: New Review of Children's Literature and Librarianship , September vol. 22 no. 2 2016; (p. 108-123) 'Novels about East Timor in English and Portuguese for children have been scarce. Despite a contemporary background of revisionist approaches to history, the nationalist focus of such material means that certain stories are handled rarely, even those that interpellate the nation in some way. This article examines ways in which support for East Timor is underwritten in the few novels for children and young adults that deal with East Timor in English and Portuguese, concluding with a brief assessment of the extent to which they realize Herbert Kohl’s suggestions of appropriate strategies for what he terms “Radical Children’s Literature.”' -
Australian Popular Fiction and the Moral Drama of East Timor
2013
single work
criticism
— Appears in: Understanding Timor-Leste 2013 : Proceedings of the Timor-Leste Studies Association Conference, 15-16 July 2013 2013; (p. 246-250) 'From the invasion of East Timor by Indonesia in 1975 until the referendum on independence in 1999 and up until the present, East Timor has been a place whose destiny Australian governments have felt they have the right to intervene in. Indeed, this assumed right goes back to the invasion of neutral Portuguese Timor by Australian forces in World War II, thereby condemning thousands of Timorese to their deaths at the hands of Japanese soldiers. Of this initial assumption of Australia’s agency in East Timor there has been surprisingly little creative remediation, although there has been much and moving commentary in nonfiction. The marginality of Portuguese Timor to Australia in the 1940s may be read both in the decision to invade and in subsequent uninterest in interpreting what is one of Australia's closest neighbours. Although the Indonesian invasion and brutal occupation vastly increased the amount of coverage given to the territory, somehow this too was almost never accompanied by the analytical possibilities of creative work. From Tony Maniaty’s anguished representation of the period immediately before the invasion, The Children Must Dance (1987), through Gail Jones’s theoretically reflective short story ‘Other Places’ (1992), Bill Green’s satire on Australian political immorality, Cleaning Up (1993), or Libby Gleeson’s book for children Refuge (1998), to take some of the registers through which the country was dealt with, East Timor was rarely processed in Australia through the protocols of imaginative narrative (on these texts, see Callahan 2010; 2012a; 2012b).' (Introduction)
Last amended 7 Sep 2004 14:17:42
Subjects:
- Canberra, Australian Capital Territory,
Settings:
- 1990s
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