AustLit
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
The Moving Image of Place : Judith Wright
2009
single work
criticism
— Appears in: Intimate Horizons : The Post-Colonial Sacred in Australian Literature 2009; (p. 141-163) -
'It's a Hungry Home' : Postcolonial Displacements, Popular Music and the Sacred
2007
single work
criticism
— Appears in: Journal of Postcolonial Writing , August vol. 43 no. 2 2007; (p. 216-231) 'This essay, through a theorized analysis of Australian popular song lyrics, investigates a range of understandings of "home", including the exclusions and sacred connotations that inform the term. Against accusations of mere sentimentality or nostalgia regarding a desire for "home" as familiar and comforting and in response to Levinas's related arguments that a desire for home is at the root of "splitting humanity into natives and strangers", it argues that it is necessary for postcolonial Australia to embrace "homelessness at the heart of any understanding of "home"' (216). McCredden's essay draws on the lyrics of Icehouse, Goanna, Midnight Oil, and Yothu Yindi, as well as a poem by Judith Wright to argue that 'for colonized and colonizers, holding together the human need for home with an understanding of the constant reality of human dislocatedness is a riven, necessary and unending process' (230).
-
'It's a Hungry Home' : Postcolonial Displacements, Popular Music and the Sacred
2007
single work
criticism
— Appears in: Journal of Postcolonial Writing , August vol. 43 no. 2 2007; (p. 216-231) 'This essay, through a theorized analysis of Australian popular song lyrics, investigates a range of understandings of "home", including the exclusions and sacred connotations that inform the term. Against accusations of mere sentimentality or nostalgia regarding a desire for "home" as familiar and comforting and in response to Levinas's related arguments that a desire for home is at the root of "splitting humanity into natives and strangers", it argues that it is necessary for postcolonial Australia to embrace "homelessness at the heart of any understanding of "home"' (216). McCredden's essay draws on the lyrics of Icehouse, Goanna, Midnight Oil, and Yothu Yindi, as well as a poem by Judith Wright to argue that 'for colonized and colonizers, holding together the human need for home with an understanding of the constant reality of human dislocatedness is a riven, necessary and unending process' (230). -
The Moving Image of Place : Judith Wright
2009
single work
criticism
— Appears in: Intimate Horizons : The Post-Colonial Sacred in Australian Literature 2009; (p. 141-163)
Last amended 11 May 2010 11:29:11
Settings:
- 1940s
Export this record