AustLit
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
AbstractHistoryArchive Description
'Set in the thirtieth century, Egan's novel has sentient software on centre stage, with humans as bit players. Egan has always placed ideas above characterisation, and readers of this novel almost need a degree in physics
and information technology to follow it. Nonetheless, perseverance will be rewarded, as Egan explores spatial dimensions while trying to define what is humanity, especially when
humanity is not involved' (Colin Steele, SF Commentary No 77, p.54).
Notes
-
Part of this novel was adapted from the story 'Wang's Carpets'.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Geopolitics in Greg Egan's Science Fiction
2014
single work
criticism
— Appears in: Southerly , vol. 74 no. 1 2014; (p. 186-198) -
Discovering a Higher Plane: Dimensionality and Enlightenment in Flatland and Diaspora
2012
single work
criticism
— Appears in: Mathematics in Popular Culture: Essays on Appearances in Film, Fiction, Games, Television and Other Media 2012; (p. 304-313) -
The Fiction of the Future : Australian Science Fiction
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 128-140) 'According to Russell Blackford 'commercial science fiction is the most international of literary forms.' He observes that 'Australian SF continues to flourish, even if it trails heroic fantasy in mass-market appeal.' Australian SF writers although published internationally, with a dedicated fan followings in USA, UK and Europe, were overlooked for a very long time by Australian multinational publishers. The international editions had to be imported and were then distributed in Australia (Congreve and Marquardt 8). Blackford in his chapter throws light on the history of Australian SF and observes how Australian SF writers, with their concern for the future, achieved a powerful synthesis in form and content. The progress of Australian SF, maturity of style in the work of younger writers, and massive worldwide sales make Blackford optimistic as he asserts that 'the best Australian writers in the genre will be prominent players on the world stage.' (Editor's foreword xii-xiii) -
Future in the Flesh
1998
single work
review
— Appears in: The Sydney Morning Herald , 3 October 1998; (p. 12)
— Review of Diaspora 1997 single work novel ; The White Abacus 1997 single work novel -
Science Fiction
1998
single work
review
— Appears in: The New York Times Book Review , 15 March 1998; (p. 36)
— Review of Diaspora 1997 single work novel
-
Untitled
1997
single work
review
— Appears in: Science Fiction : A Review of Speculative Literature , vol. 14 no. 2 (Issue 40) 1997; (p. 46-50)
— Review of Diaspora 1997 single work novel -
Rock 'n' Roll Dystopia
1997
single work
review
— Appears in: The Weekend Australian , 27-28 December 1997; (p. rev 24)
— Review of The Art of Arrow Cutting 1997 single work novel ; The Encyclopedia of Fantasy 1997 single work criticism biography ; The Infernal 1997 single work novel ; Diaspora 1997 single work novel -
Defining What Humanity Is
1997
single work
review
— Appears in: The Canberra Times Sunday Times , 21 December 1997; (p. 22)
— Review of Diaspora 1997 single work novel ; Zones 1997 single work novel ; Time Marches Off : 2000 Years from Now 1942 single work novel -
The Next Three Milennia
1998
single work
review
— Appears in: Australian Book Review , February-March no. 198 1998; (p. 49-50)
— Review of Diaspora 1997 single work novel -
Science Fiction
1998
single work
review
— Appears in: The New York Times Book Review , 15 March 1998; (p. 36)
— Review of Diaspora 1997 single work novel -
The Fiction of the Future : Australian Science Fiction
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 128-140) 'According to Russell Blackford 'commercial science fiction is the most international of literary forms.' He observes that 'Australian SF continues to flourish, even if it trails heroic fantasy in mass-market appeal.' Australian SF writers although published internationally, with a dedicated fan followings in USA, UK and Europe, were overlooked for a very long time by Australian multinational publishers. The international editions had to be imported and were then distributed in Australia (Congreve and Marquardt 8). Blackford in his chapter throws light on the history of Australian SF and observes how Australian SF writers, with their concern for the future, achieved a powerful synthesis in form and content. The progress of Australian SF, maturity of style in the work of younger writers, and massive worldwide sales make Blackford optimistic as he asserts that 'the best Australian writers in the genre will be prominent players on the world stage.' (Editor's foreword xii-xiii) -
Discovering a Higher Plane: Dimensionality and Enlightenment in Flatland and Diaspora
2012
single work
criticism
— Appears in: Mathematics in Popular Culture: Essays on Appearances in Film, Fiction, Games, Television and Other Media 2012; (p. 304-313) -
Geopolitics in Greg Egan's Science Fiction
2014
single work
criticism
— Appears in: Southerly , vol. 74 no. 1 2014; (p. 186-198)
Awards
- 1997 shortlisted Aurealis Awards for Excellence in Australian Speculative Fiction — Science Fiction Division — Best Novel
Last amended 17 Aug 2021 10:54:20
Settings:
- 2300-
Export this record