An Author Arrives, with a Work of Love single work   criticism   biography  
Issue Details: First known date: 1993 1993
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Publication Details of Only Known VersionEarliest 2 Known Versions of

Notes:
portrait: Alex Miller
  • Appears in:
    y The Age 26 May 1993 Z653826 1993 newspaper issue 1993 pg. 1,2

Works about this Work

Alex Miller : Migrant Writer Ingeborg van Teeseling , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 66-77)
'Alex Miller, a two-time winner of the Miles Franklin Literary Award, as written ten novels, all of them featuring protagonists who are outsiders, often in more ways than one. In most, if not all of them, Miller's narrators grapple with personal and societal questions of alienation. Miller's books offer sophisticated literary investigations into issues relating to the 'ownership' of place and landscape, the impossibility of an uncomplicated identity after migration, the role of history, and the nature of belonging and home. Critical reviews of his work have, over time, acknowledged this presence of migrant themes, but the connection between the migrancy of the writer and the content of his work has hardly ever been noted clearly. In fact, the Oxford Literary History of Australia categorises Miller, a little mystifyingly, as a 'non-migrant Australian writer' (Lever, 325). My argument here is that this is not just factually false, but that reading Miller's work as unproblematically Australian takes the sting out of what he is trying to say, and not just about the migrant experience but about Australia as well.' (Author's introduction 66)
Alex Miller : Migrant Writer Ingeborg van Teeseling , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 66-77)
'Alex Miller, a two-time winner of the Miles Franklin Literary Award, as written ten novels, all of them featuring protagonists who are outsiders, often in more ways than one. In most, if not all of them, Miller's narrators grapple with personal and societal questions of alienation. Miller's books offer sophisticated literary investigations into issues relating to the 'ownership' of place and landscape, the impossibility of an uncomplicated identity after migration, the role of history, and the nature of belonging and home. Critical reviews of his work have, over time, acknowledged this presence of migrant themes, but the connection between the migrancy of the writer and the content of his work has hardly ever been noted clearly. In fact, the Oxford Literary History of Australia categorises Miller, a little mystifyingly, as a 'non-migrant Australian writer' (Lever, 325). My argument here is that this is not just factually false, but that reading Miller's work as unproblematically Australian takes the sting out of what he is trying to say, and not just about the migrant experience but about Australia as well.' (Author's introduction 66)
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