yAustralian Verse : An Oxford AnthologyJohn Leonard
Melbourne:Oxford University Press,1998Z4612071998anthology poetry (taught in 1 units)A thorough survey of poetry by Australians in English, beginning with a selection of contemporary work by younger poets, and going backward in time to the early colonial period. In addition to poems in the literary tradition, it indudes performance poetry, convict songs and old bush ballads. An extensive selection has been provided from the work of five major twentieth-century poets: Les Murray, Gwen Harwood, Judith Wright, A.D. Hope and Kenneth Slessor. Several features are provided to assist the reader: the date of first publication of each poem is provided; footnotes explain unfamiliar words and allusions; and brief biographical notes assist in locating each poet in his or her place in time.Melbourne:Oxford University Press,1998
yGrass Script : Selected Earlier Poems.Robert Gray,
Manchester:Carcanet,2001Z9425762001selected work poetry The poems in this representative collection were written between 1968 and 1987 and are drawn from Creek Water Journal (1974), Grass Script (1978), The Skylight (1983) and Piano (1988).Manchester:Carcanet,2001
y80 Great Poems from Chaucer to NowGeoff Page
Sydney:University of New South Wales Press,2006Z13139992006anthology poetry criticism A collection of Page's criticisms previously published separately in the Canberra Times under the title 'ReVerse'.Sydney:University of New South Wales Press,2006
yCumulus : Collected PoemsRobert Gray,
St Kilda:John Leonard Press,2012Z18934352012selected work poetry 'This book is a landmark in Australian poetry. For Cumulus, Robert Gray has chosen all he wishes to retain from his eight volumes of poetry, some of it considerably and significantly revised. He has included here a new book, "Nameless Earth", not previously published in Australia.
'Gray has been a daring and original experimenter in the free verse line, and also at times with traditional forms. Equally, his work is notable for its frequent, uncanny rightness in the creation of images. His thinking shows a remarkable fluency in both Eastern and Western philosophies (Gray has referred to himself as a Buddhist heretic). These are all modernist pathways, and this poetry negotiates them with a lucid, classical temper.
'Most striking is an ever-alert immediacy—a perception and reflectiveness in the fluid moment. Whether through his sensuous language or his powerful engagement with ideas, Gray's poetry continually opens us to a fresh involvement with the physical world.' (From the publisher's website.)