'Set in nineteenth-century Australia, Voss is the story of the secret passion between an explorer and a naïve young woman. Although they have met only a few times, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent. As hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.
From the careful delineation of Victorian society to the sensitive rendering of hidden love to the stark narrative of adventure in the Australian desert, Patrick White's novel is a work of extraordinary power and virtuosity.'
Source: Random House Books (Sighted 21/09/2012)
This essay takes into consideration some of the themes dear to Veronica
Brady’s heart and present in her profound critical analysis of Australian literature. Veronica often read Patrick White’s work in the light of a spiritual quest and a mystical-mythical vision. Aim of this essay is to investigate how the figure of the aunt, in The Aunt’s Story (1948), embodies one of the isolated and visionary characters in White’s work who transmits a message that superficial contemporary society is unable to understand. I will show how Theodora Goodman’s role as explorer in the inner land of the Self connects her with ancient partnership (Eisler 1987), Goddess’ archetypes, in particular that of the Crone, embodying a “woman of age, wisdom and power” (Bolen 2001). This figure had an important but now forgotten role in ancient gylanic societies (Eisler 1987). Theadora, the Goddess’ gift, as the protagonist’s name should read, is a powerful reminder of the sacred spiritual function of ancient
women-priestess. Theodora is Theadora, a priestess beloved by the Goddess. Contemporary society, being unable to see beyond the ordinary, can only catalogue these sacred figures as ‘mad’.
'Mark McKenna traces the ups and downs of another queer relationship, the oftentimes unreciprocated love of Australia's 'great' historian Manning Clark for the visionary he saw in White. He shows how Clark's monumental multi-volume History of Australia expresses greater allegiance to the preoccupations of Australia's 'elite' mid-century writers and artists, notably White and Sidney Nolan, than to the work of Clark's contemporaries in the academic discipline of history.' (Introduction 7-8)
In this essay Angus Nicholls gives a 'new reading of the German romanticism in Voss (1957)' [and] 'provides an inspiring example of what practised hands can do with the hoard.' (Introduction 7)