AustLit logo

AustLit

From Ancestral Shadows single work   poetry   "I'm so tired"
Issue Details: First known date: 1998... 1998 From Ancestral Shadows
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

All Publication Details

  • Appears in:
    y separately published work icon Friendly Street Poets : Twenty-Two Susan McGowan (editor), David Cookson (editor), Adelaide Kent Town : Friendly Street Poets Wakefield Press , 1998 Z377138 1998 anthology poetry

    'The "Friendly Street" philosophy is to include poets who acknowledge the diversity of thoughts on modern social issues and the complexities of today's living, scattered among the delights of life. This is a collection of the best of their poetry in 1997.' (Publication summary)

    Adelaide Kent Town : Friendly Street Poets Wakefield Press , 1998
    pg. 80-81
  • Appears in:
    y separately published work icon Contemporary Asian Australian Poets Michelle Cahill (editor), Kim Cheng Boey (editor), Adam Aitken (editor), Glebe : Puncher and Wattmann , 2013 6169988 2013 anthology poetry (taught in 3 units)

    This ground-breaking anthology collects poems written by Australian poets who are migrants, their children, and refugees of Asian heritage, spanning work that covers over three decades of writing. Inclusive of hitherto marginalised voices, these poems explore the hyphenated and variegated ways of being Asian Australian, and demonstrate how the different origins and traditions transplanted from Asia have generated new and different ways of being Australian. This anthology highlights the complexity of Asian Australian interactions between cultures and languages, and is a landmark in a rich, diversely-textured and evolving story. Timely and proactive this anthology fills existing cultural gaps in poetic expressions of home, travel, diaspora, identity, myth, empire and language. [from Trove]

    Glebe : Puncher and Wattmann , 2013
    pg. 224
X