The Mystery of Dave Regan single work   short story  
  • Author: Henry Lawson http://www.poetrylibrary.edu.au/poets/lawson-henry
Issue Details: First known date: 1894 1894
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AbstractHistoryArchive Description

Dave Regan is frequently being reported as dead, but usually turns up again. When the narrator, Jim, sees him in dry, dusty clothes after a drenching thunderstorm he becomes convinced he has seen Dave's ghost.

Adaptations

form y Dave Regan and Party Cliff Green , Australia : ABC Television , 1980 7140382 1980 single work film/TV

'Dave Regan and his best mate Jim Bently are well known in the district as horsemen and odd-job men who can spin a good yarn with the best of them. When Ma Middleton's husband passes away they hit on the grand idea of digging for gold underneath his grave, which just happens to be above a rumoured mineshaft. When Ma discovers the plot she is outraged.'

Source:

[Television guide], The Canberra Times, 29 February 1980, p.26.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Between Living and Dying : The Ground of Lawson's Art Harry Payne Heseltine , 1982 single work criticism
— Appears in: Overland , July no. 88 1982; (p. 19-26) The Uncertain Self : Essays in Australian Literature and Criticism 1986; (p. 42-55)
Heseltine employs a musical metaphor to show that the integrity of Lawson's great tales of the 1890s "resides in his determination to hold the balance between the spiritual wasteland he perceived in his own and other lives and the tantalising but illusory promise of rebirth he could not help but entertain".
Dave Regan and Party Cliff Green , 1980 single work screenplay
— Appears in: Lawson's Mates 1980; (p. 248-296)
Dave Regan and Party Cliff Green , 1980 single work screenplay
— Appears in: Lawson's Mates 1980; (p. 248-296)
Between Living and Dying : The Ground of Lawson's Art Harry Payne Heseltine , 1982 single work criticism
— Appears in: Overland , July no. 88 1982; (p. 19-26) The Uncertain Self : Essays in Australian Literature and Criticism 1986; (p. 42-55)
Heseltine employs a musical metaphor to show that the integrity of Lawson's great tales of the 1890s "resides in his determination to hold the balance between the spiritual wasteland he perceived in his own and other lives and the tantalising but illusory promise of rebirth he could not help but entertain".
Last amended 21 Apr 2010 11:48:46
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