Issue Details: First known date: 1992 1992
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AbstractHistoryArchive Description

Discusses the problematics of the nature and construction of Aboriginality, and examines the epistemological discourses and institutional frameworks through which Morgan authenticates her Aboriginality, particularly the role which My Place plays in this process (history/myth).

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Talking About `My Place'/My Place : Feminism, Criticism and the Other's Autobiography Annabel Cooper , 1995 single work criticism
— Appears in: Southern Review , July vol. 28 no. 2 1995; (p. 140-153)
Who Speaks for Whom? : Mikhail Bakhtin and the Idea of Chronotopic Nature of Speaking and Listening Subhash Jaireth , 1995 single work criticism
— Appears in: Imago : New Writing , Summer vol. 7 no. 3 1995; (p. 78-83)
Afterword Tim Rowse , 1993 single work criticism
— Appears in: After Mabo : Interpreting Indigenous Traditions 1993; (p. 128-133)
Always Was Always Will Be Jackie Huggins , 1993 single work criticism
— Appears in: Australian Historical Studies , April vol. 25 no. 100 1993; (p. 459-464) Blacklines : Contemporary Critical Writing by Indigenous Australians 2003; (p. 60-65)

‘This article might come as a surprise to some, but to many of my colleagues, both Black and white, who know me more intimately, the following is a brief synopsis of my construction of Aboriginality in response to Bain Attwood's 'Portrait of an Aboriginal as an Artist: Sally Morgan and the Construction of Aboriginality'.’ (Opening lines.)

Sally Morgan's Kaftan Tim Rowse , 1993 single work criticism
— Appears in: Australian Historical Studies , April vol. 25 no. 100 1993; (p. 465-468)
Sally Morgan: A Black Tall Poppy? Elizabeth Reed , 1993 single work criticism
— Appears in: Australian Historical Studies , October vol. 25 no. 101 1993; (p. 637-639)
Afterword Tim Rowse , 1993 single work criticism
— Appears in: After Mabo : Interpreting Indigenous Traditions 1993; (p. 128-133)
Always Was Always Will Be Jackie Huggins , 1993 single work criticism
— Appears in: Australian Historical Studies , April vol. 25 no. 100 1993; (p. 459-464) Blacklines : Contemporary Critical Writing by Indigenous Australians 2003; (p. 60-65)

‘This article might come as a surprise to some, but to many of my colleagues, both Black and white, who know me more intimately, the following is a brief synopsis of my construction of Aboriginality in response to Bain Attwood's 'Portrait of an Aboriginal as an Artist: Sally Morgan and the Construction of Aboriginality'.’ (Opening lines.)

Sally Morgan's Kaftan Tim Rowse , 1993 single work criticism
— Appears in: Australian Historical Studies , April vol. 25 no. 100 1993; (p. 465-468)
Talking About `My Place'/My Place : Feminism, Criticism and the Other's Autobiography Annabel Cooper , 1995 single work criticism
— Appears in: Southern Review , July vol. 28 no. 2 1995; (p. 140-153)
Sally Morgan: A Black Tall Poppy? Elizabeth Reed , 1993 single work criticism
— Appears in: Australian Historical Studies , October vol. 25 no. 101 1993; (p. 637-639)
Who Speaks for Whom? : Mikhail Bakhtin and the Idea of Chronotopic Nature of Speaking and Listening Subhash Jaireth , 1995 single work criticism
— Appears in: Imago : New Writing , Summer vol. 7 no. 3 1995; (p. 78-83)
Last amended 11 May 2001 11:34:22
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