Naked Girl and Mirror single work   poetry   "This is not I. I had no body once-"
Issue Details: First known date: 1966 1966
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y Australian Poetry 1966 David Campbell (editor), Sydney : Angus and Robertson , 1966 Z305011 1966 anthology poetry Sydney : Angus and Robertson , 1966 pg. 67-68
  • Appears in:
    y The Other Half : Poems Judith Wright , Sydney : Angus and Robertson , 1966 Z560795 1966 selected work poetry Sydney : Angus and Robertson , 1966
  • Appears in:
    y Poetry from Australia : Judith Wright, William Hart-Smith, Randolph Stow Howard Sergeant (editor), Oxford : Pergamon Press , 1969 Z187906 1969 anthology poetry Oxford : Pergamon Press , 1969 pg. 23-24
  • Appears in:
    y Judith Wright : Collected Poems, 1942-1970 Judith Wright , Cremorne : Angus and Robertson , 1971 Z563360 1971 selected work poetry Cremorne : Angus and Robertson , 1971 pg. 241-242
  • Appears in:
    y Australian Verse from 1805 : A Continuum Geoffrey Dutton (editor), Adelaide : Rigby , 1976 Z399014 1976 anthology Adelaide : Rigby , 1976 pg. 287-288
  • Appears in:
    y Two Centuries of Australian Poetry Mark O'Connor (editor), Melbourne : Oxford University Press , 1988 Z322247 1988 anthology poetry criticism Contains poems grouped into 18 thematic sections (19 in 2nd. ed.) ; each section has an introduction, notes and suggestions for study activities and further study. Biographical notes on authors and indexes also included. Melbourne : Oxford University Press , 1988 pg. 160
  • Appears in:
    y A Human Pattern : Selected Poems Judith Wright , North Ryde : Angus and Robertson , 1990 Z9022 1990 selected work poetry (taught in 3 units)

    'Judith Wright's own definitive selection of her poetry, covering the best and most memorable of her remarkable oeuvre.

    'From the elegant and moving precision of the first collection, The Moving Image (1946), to the political passion of Phantom Dwelling (1985), Wright's poetry speaks with intelligence and courage - and gracefully sensuous imagery.

    'Forty years of poetic production from Australia's best-loved poet.' (Publication summary)

    North Ryde : Angus and Robertson , 1990
    pg. 138-139
  • Appears in:
    y Collected Poems 1942-1985 Judith Wright , Pymble : Angus and Robertson , 1994 Z501989 1994 selected work poetry war literature satire (taught in 8 units) Pymble : Angus and Robertson , 1994 pg. 239-240
  • Appears in:
    y Seven Centuries of Poetry in English John Leonard (editor), South Melbourne : Oxford University Press , 2003 Z1058257 2003 anthology poetry (taught in 6 units) Contains poetry from twelve countries, including Australia, and spans the development of English poetry over seven centuries. South Melbourne : Oxford University Press , 2003 pg. 109-110
  • Appears in:
    y The Penguin Anthology of Australian Poetry John Kinsella (editor), Camberwell : Penguin , 2009 Z1553543 2009 anthology poetry (taught in 16 units)

    'This is a comprehensive survey of Australian poetic achievement, ranging from early colonial and indigenous verse to contemporary work, from the major poets to those who deserve to be better recognised.' (Provided by the publisher).

    Camberwell : Penguin , 2009
    pg. 180-181
  • Appears in:
    y Sense, Shape, Symbol : An Investigation of Australian Poetry Brian Keyte (editor), Putney : Phoenix Education , 2013 6310209 2013 anthology criticism poetry

    'Sense, Shape, Symbol is an investigation of Australian poetry. It explores the ways in which poets succeed, or fail, in their attempts to bring their experience to life.

    Their primary raw materials are the five senses - sight, sound, smell, taste and touch - the means by which we all experience our world.

    Poets also like to experiment with the shape of their writing, starting with the qualities of vowels and consonants, of syllables, and of rhyme, metre and rhythm.

    Working poets make particular use of the metaphor, of the connections that they suggest between normally unlike things, to express their response to their subject.

    The collection explores the work of five poets who have played an important, influential part in the development of Australian poetry: Judith Wright, Oodgeroo Noonuccal, David Malouf, Les Murray and Mark O’Connor.

    The final chapter looks at some of the common concerns that can create conflict in our lives, such as gender, race, age, and socio-economic status, and other issues that create fear and that encourage hope.

    The collection is intended to allow readers to become familiar with the techniques that poets use, and to develop their own poetic writing in an informed way.' (Publisher's blurb)

    Putney : Phoenix Education , 2013
    pg. 123

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Last amended 23 Sep 2013 13:45:06
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