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Notes
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Includes reference to the influence of Robert Browning on Adam Lindsay Gordon.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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‘Singing Up’ the Silences : Australian Nature Writing as Disruption and Invocation
2011
single work
criticism
— Appears in: Australasian Journal of Ecocriticism and Cultural Ecology , Summer vol. 1 no. 2011; 'There is a strong, though not uncontested view, that a tradition of 'place' or 'nature' writing has, until relatively recently, been largely absent in Australia. This essay examines the veracity of this claim, and suggests reasons for this alleged gap or 'silence' in our literature. It also considers the distinctive characteristics of Australian place writing as it has emerged over more recent decades and the ways in which this writing disrupts early representations of the continent as 'empty', particularly of Indigenous presence, but also of sound, of speech, of agency. This essay also suggests the potential for Australian nature writing to function contrapuntally, as both a form of response to this lively and expressive land, and as a means by which this same land may be invoked or 'sung' into the communicative space.' (Author's abstract)
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"Through Clear Australian Eyes" : Landscape and Identity in Australian Writing
1986
single work
criticism
— Appears in: Mapped but Not Known : The Australian Landscape of the Imagination : Essays and Poems Presented to Brian Elliott LXXV 11 April 1985 1986; (p. 86-104)
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‘Singing Up’ the Silences : Australian Nature Writing as Disruption and Invocation
2011
single work
criticism
— Appears in: Australasian Journal of Ecocriticism and Cultural Ecology , Summer vol. 1 no. 2011; 'There is a strong, though not uncontested view, that a tradition of 'place' or 'nature' writing has, until relatively recently, been largely absent in Australia. This essay examines the veracity of this claim, and suggests reasons for this alleged gap or 'silence' in our literature. It also considers the distinctive characteristics of Australian place writing as it has emerged over more recent decades and the ways in which this writing disrupts early representations of the continent as 'empty', particularly of Indigenous presence, but also of sound, of speech, of agency. This essay also suggests the potential for Australian nature writing to function contrapuntally, as both a form of response to this lively and expressive land, and as a means by which this same land may be invoked or 'sung' into the communicative space.' (Author's abstract)
-
"Through Clear Australian Eyes" : Landscape and Identity in Australian Writing
1986
single work
criticism
— Appears in: Mapped but Not Known : The Australian Landscape of the Imagination : Essays and Poems Presented to Brian Elliott LXXV 11 April 1985 1986; (p. 86-104)
Last amended 10 Sep 2009 15:06:59
43-46
Sea Spray and Smoke Drift : Preface
188-191
Sea Spray and Smoke Drift : Preface
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