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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Time's Abyss : Australian Literary Modernism and the Scene of the Ferry Wreck
2013
single work
criticism
— Appears in: Scenes of Reading : Is Australian Literature a World Literature? 2013; (p. 101-114)'The desire to challenge or escape colonial provincialism in search of a freer, more cosmopolitan modernity finds expression in three works of fiction by women writers that stage the drama of ferry wreck on Sydney Harbour, and that thread - as Wai Chee Dimock would say - local Australian scenes into the deeper time of world literature: Christina Stead's short story 'Day of Wrath' (1934), Eleanor Dark's novel Waterway (1938) and The Transit of Venus (1980) by Shirley Hazzard' [p. 102].
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`The Nothing... Neither Long Nor Short' : Attitudes to Death in the Work of Kenneth Slessor
1992
single work
criticism
— Appears in: Reconnoitres : Essays in Australian Literature in Honour of G. A. Wilkes 1992; (p. 115-127)
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`The Nothing... Neither Long Nor Short' : Attitudes to Death in the Work of Kenneth Slessor
1992
single work
criticism
— Appears in: Reconnoitres : Essays in Australian Literature in Honour of G. A. Wilkes 1992; (p. 115-127) -
Time's Abyss : Australian Literary Modernism and the Scene of the Ferry Wreck
2013
single work
criticism
— Appears in: Scenes of Reading : Is Australian Literature a World Literature? 2013; (p. 101-114)'The desire to challenge or escape colonial provincialism in search of a freer, more cosmopolitan modernity finds expression in three works of fiction by women writers that stage the drama of ferry wreck on Sydney Harbour, and that thread - as Wai Chee Dimock would say - local Australian scenes into the deeper time of world literature: Christina Stead's short story 'Day of Wrath' (1934), Eleanor Dark's novel Waterway (1938) and The Transit of Venus (1980) by Shirley Hazzard' [p. 102].
