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Notes
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Dedication: to Graeme Hetherington
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Herongate was the name of a seaside shack owned by Harwood's son. It burned down in May 1989. In a letter to her friend Father William Paton, Harwood describes the experiences inspiring the poem: 'After Herongate burned I had a terrible recurrent dream: I would be at the door putting the key in the padlock, drawing back the bolt, putting the house key in the lock: all is well, I'd think in the dream, the fire was a dream and the house is as it was. As I opened the door I'd see that my hand was a skeleton: I had died and a ghost was returning.' (A Steady Storm of Correspondence, p.422)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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The Other Shore Is Here : Contemporary Poetry of the Sacred
2009
single work
criticism
— Appears in: Intimate Horizons : The Post-Colonial Sacred in Australian Literature 2009; (p. 243-286) -
'Lines of Confusion, Stones of Emptiness': The Place of Mourning in Gwen Harwood's 'Herongate'
2005
single work
criticism
— Appears in: Southerly , vol. 65 no. 3 2005; (p. 146-155) -
Littoral : A Beach Gathering for Gwen Harwood, Sunday Morning 4th February 1996
1996
single work
prose
biography
— Appears in: Famous Reporter , June no. 13. 1996; (p. 66-67)
-
'Lines of Confusion, Stones of Emptiness': The Place of Mourning in Gwen Harwood's 'Herongate'
2005
single work
criticism
— Appears in: Southerly , vol. 65 no. 3 2005; (p. 146-155) -
The Other Shore Is Here : Contemporary Poetry of the Sacred
2009
single work
criticism
— Appears in: Intimate Horizons : The Post-Colonial Sacred in Australian Literature 2009; (p. 243-286) -
Littoral : A Beach Gathering for Gwen Harwood, Sunday Morning 4th February 1996
1996
single work
prose
biography
— Appears in: Famous Reporter , June no. 13. 1996; (p. 66-67)
Last amended 4 Jun 2003 12:47:06
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