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'In London in 1583, the mathematician John Dee and the seer Edward Kelly began summoning up a succession of spirits, who instructed them in the secrets of the universe and warned them of imminent apocalyptic change. Attaching themselves to the visiting Polish Count Laski, they set off for Europe, taking with them a mysterious alchemical elixir discovered in the Cotswolds. When Laski went bankrupt, they sought out the Emperor Rudolph in Prague and King Stephen in Krakow. Expelled from the Empire for necromancy, they settled under the protection of Count Rozmberk in Southern Bohemia, successfully transmuted gold and, on instruction from the spirits, exchanged wives. Queen Elizabeth summoned them back to England to share their alchemical expertise and sent the poet Edward Dyer to collect them.' (Publication summary)
Notes
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Dedication : To Lyndy Abraham
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
The Next Book
2019
single work
essay
— Appears in: Wild about Books : Essays on Books and Writing 2019; (p. 59-62) 'Every new book I begin seems to present a different sort of problem. In theory, having written one, the next should be easy. Just follow what you did before. But in practice it does not always work out like that. For a start, doing what you did before can all too readily be a recipe for boredom. The times I’ve roughed out the outline of a book and thought, ah, that section will be simple, that’s what I did with this story or that novel, I know how to do that, it hasn’t proved simple at all. I would find I couldn’t do it again a second time. The novelty, the creative energy, the creation through discovery wasn’t there.' (Introduction) -
Interview with Michael Wilding
Teresa Burns
(interviewer),
2013
single work
interview
— Appears in: Journal of the Western Mystery Tradition , Vernall Equinox vol. 3 no. 23 2013; -
A Spirited Narrative
2001
single work
review
— Appears in: Overland , Winter no. 163 2001; (p. 115)
— Review of Raising Spirits, Making Gold and Swapping Wives : The True Adventures of Dr John Dee and Sir Edward Kelly 1999 single work novel -
Talk of Angels
2000
single work
review
— Appears in: Australian Book Review , June no. 221 2000; (p. 27-28)
— Review of Raising Spirits, Making Gold and Swapping Wives : The True Adventures of Dr John Dee and Sir Edward Kelly 1999 single work novel -
True Adventures of an Alchemist
2000
single work
review
— Appears in: The Canberra Times , 10 June 2000; (p. 21)
— Review of Raising Spirits, Making Gold and Swapping Wives : The True Adventures of Dr John Dee and Sir Edward Kelly 1999 single work novel
-
Of Angels and Other Enigmas
2000
single work
review
— Appears in: The Sydney Morning Herald , 10 June 2000; (p. 12)
— Review of Raising Spirits, Making Gold and Swapping Wives : The True Adventures of Dr John Dee and Sir Edward Kelly 1999 single work novel -
True Adventures of an Alchemist
2000
single work
review
— Appears in: The Canberra Times , 10 June 2000; (p. 21)
— Review of Raising Spirits, Making Gold and Swapping Wives : The True Adventures of Dr John Dee and Sir Edward Kelly 1999 single work novel -
Talk of Angels
2000
single work
review
— Appears in: Australian Book Review , June no. 221 2000; (p. 27-28)
— Review of Raising Spirits, Making Gold and Swapping Wives : The True Adventures of Dr John Dee and Sir Edward Kelly 1999 single work novel -
A Spirited Narrative
2001
single work
review
— Appears in: Overland , Winter no. 163 2001; (p. 115)
— Review of Raising Spirits, Making Gold and Swapping Wives : The True Adventures of Dr John Dee and Sir Edward Kelly 1999 single work novel -
Interview with Michael Wilding
Teresa Burns
(interviewer),
2013
single work
interview
— Appears in: Journal of the Western Mystery Tradition , Vernall Equinox vol. 3 no. 23 2013; -
The Next Book
2019
single work
essay
— Appears in: Wild about Books : Essays on Books and Writing 2019; (p. 59-62) 'Every new book I begin seems to present a different sort of problem. In theory, having written one, the next should be easy. Just follow what you did before. But in practice it does not always work out like that. For a start, doing what you did before can all too readily be a recipe for boredom. The times I’ve roughed out the outline of a book and thought, ah, that section will be simple, that’s what I did with this story or that novel, I know how to do that, it hasn’t proved simple at all. I would find I couldn’t do it again a second time. The novelty, the creative energy, the creation through discovery wasn’t there.' (Introduction)
- Europe,
- 1500-1599