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Notes
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Dedication: For Big Jim Phelan.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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A Poetics of Sacred and Secular in Australia
2020
single work
criticism
— Appears in: JASAL , vol. 20 no. 2 2020;'This essay examines the claims to secularity of contemporary Australia, arguing that in the context of Indigenous Australians' declaration, in the document 'Uluru: Statement from the Heart', and of many poetic expressions, we must more fully explore the category of the sacred. Further, the essay argues that in contemporary Australia, sacred and secular domains need to be mutually engaged. The essay offers the idea of the poetic sacred - where secular (political, earthed, civic) and sacred (numinous, transcendent, meaning-making) possibilities can be seen in dialogue. 'Uluru: Statement from the Heart', as well as the poetry of Bruce Dawe, Les Murray, Lionel Fogarty and Judith Beveridge are examined, as exemplars of the poetic sacred.' (Publication abstract)
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Making an Ocean of a River: Reading Australian Poems on Sport
2006
single work
criticism
— Appears in: Australia and India : Interconnections : Identity, Representation, Belonging 2006; (p. 238-248) -
Much More Could You Say : Bruce Dawe's Poetry
1998-1999
single work
criticism
— Appears in: Sydney Studies in English , vol. 24 no. 1998-1999; (p. 102-117) 'Bruce Dawe's reputation as a vernacular poet can be a disadvantage. I once heard an eminent Australian critic remark that once you'd read his poems there wasn't much more you could say. The implication was that his work had an immediate appeal but no depth and that to exercise one's critical faculties on work so colloquial in pitch and perspective would be a waste of a well-trained mind. At the same time I encountered the poetry of Philip Martin. Martin is a writer Dawe acknowledges as his friend and mentor, yet Martin's poetry seems at first very different: the accent is more cultivated and the focus more personal. There is, however, at least one important similarity: both practise 'the art that conceals art', exercising great control of rhythm and speech stress to create an apparently uncomplicated voice. It is only when you do read their poems — that is, read within rather than over their poems — that you find there is much more you could say.' (Author's abstract)
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Poetry in Motion
John Harms
,
Ian Jobling
,
1997
single work
criticism
biography
— Appears in: The Weekend Australian , 13-14 September 1997; (p. rev 26) - y A Study Guide to Bruce Dawe's Sometimes Gladness Ballarat : Wizard Books , 1996 Z516198 1996 single work biography criticism
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Making an Ocean of a River: Reading Australian Poems on Sport
2006
single work
criticism
— Appears in: Australia and India : Interconnections : Identity, Representation, Belonging 2006; (p. 238-248) -
Much More Could You Say : Bruce Dawe's Poetry
1998-1999
single work
criticism
— Appears in: Sydney Studies in English , vol. 24 no. 1998-1999; (p. 102-117) 'Bruce Dawe's reputation as a vernacular poet can be a disadvantage. I once heard an eminent Australian critic remark that once you'd read his poems there wasn't much more you could say. The implication was that his work had an immediate appeal but no depth and that to exercise one's critical faculties on work so colloquial in pitch and perspective would be a waste of a well-trained mind. At the same time I encountered the poetry of Philip Martin. Martin is a writer Dawe acknowledges as his friend and mentor, yet Martin's poetry seems at first very different: the accent is more cultivated and the focus more personal. There is, however, at least one important similarity: both practise 'the art that conceals art', exercising great control of rhythm and speech stress to create an apparently uncomplicated voice. It is only when you do read their poems — that is, read within rather than over their poems — that you find there is much more you could say.' (Author's abstract)
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Bruce Dawe
Dagmar Strauss
(interviewer),
1990
single work
interview
— Appears in: Facing Writers : Australia's Leading Writers Talk with Dagmar Strauss 1990; (p. 79-92) -
Reticent Desire: The Poetry of Bruce Dawe
1992
single work
criticism
biography
— Appears in: Outrider : A Journal of Multicultural Literature in Australia , June vol. 9 no. 1-2 1992; (p. 82-97) -
Poetry in Motion
John Harms
,
Ian Jobling
,
1997
single work
criticism
biography
— Appears in: The Weekend Australian , 13-14 September 1997; (p. rev 26)
- Victoria,