AustLit

'This article examines how Aboriginal conceptions of time and space in Alexis Wright’s Carpentaria and Janette Turner Hospital’s Oyster affect representations of personal, cultural and ecological trauma through privileging sites of wounding that embody Country. The four elements of air, water, earth and fire are central to understanding how each text navigates the complex relational matrices of Aboriginal traumas and respond to ongoing issues of genocide and dispossession that are part of Australia’s tragic history. Elemental energies in these novels are connected to powerful spaces that pain inhabits and moves through, providing insights into the significance of their engagement with Aboriginality and trauma, particularly when situated within the context of legislature including the Native Title Act of 1993 and the Wik decision of 1996. Elemental motifs perform a cyclical function that begins with deep connectedness to oceanic imagery in Carpentaria, then transitions to trauma inflicted on Country and culminates in a cathartic watery Armageddon. While Oyster’s consideration of elemental traumatic space is primarily attributed to land, cartography and wounded bodies, the novel’s narrative threads reach a similar apocalyptic denouement. Oyster’s cataclysmic fires of destruction are eclipsed by the regenerative potencies of water that rejuvenate Country and supplant horror with beauty.' (Publication abstract) 

'As global climate change shifts seasonal patterns, local and uncertain seasons of Australia have global relevance. Australia’s literature tracks extreme local weather events, exploring ‘slow catastrophes’ and ‘endurance.’ Humanists can change public policy in times when stress is a state of life, by reflecting on the psyches of individuals, rather than the patterns of the state. ‘Probable’ futures, generated by mathematical models that predict nature and economics, have little to say about living with extreme weather. Hope is not easily modelled. The frameworks that enable hopeful futures are qualitatively different. They can explore the unimaginable by offering an ‘interior apprehension.’' (Publication abstract)