The Sea-Shell single work   poetry   "White as crockery,"
Issue Details: First known date: 1984 1984
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y The Skylight Robert Gray , Sydney : Angus and Robertson , 1984 Z375823 1984 selected work poetry Sydney : Angus and Robertson , 1984 pg. 23
  • Appears in:
    y Selected Poems 1963-1983 Robert Gray , North Ryde : Angus and Robertson , 1985 Z264699 1985 selected work poetry North Ryde : Angus and Robertson , 1985 pg. 119-120
  • Appears in:
    y Selected Poems Robert Gray , North Ryde : Angus and Robertson , 1990 Z425541 1990 selected work poetry North Ryde : Angus and Robertson , 1990 pg. 125
  • Appears in:
    y The Faber Book of Modern Australian Verse Vincent Buckley (editor), London : Faber , 1991 Z563845 1991 anthology poetry war literature satire humour London : Faber , 1991 pg. 231-232
  • Appears in:
    y New and Selected Poems Robert Gray , Port Melbourne : Heinemann , 1995 Z284053 1995 selected work poetry Port Melbourne : Heinemann , 1995 pg. 118-119
  • Appears in:
    y New Selected Poems Robert Gray , Potts Point : Duffy and Snellgrove , 1998 Z247102 1998 selected work poetry Potts Point : Duffy and Snellgrove , 1998 pg. 118-119
  • Appears in:
    y Grass Script : Selected Earlier Poems. Robert Gray , Manchester : Carcanet , 2001 Z942576 2001 selected work poetry The poems in this representative collection were written between 1968 and 1987 and are drawn from Creek Water Journal (1974), Grass Script (1978), The Skylight (1983) and Piano (1988). Manchester : Carcanet , 2001 pg. 80
  • Appears in:
    y Cumulus : Collected Poems Robert Gray , St Kilda : John Leonard Press , 2012 Z1893435 2012 selected work poetry 'This book is a landmark in Australian poetry. For Cumulus, Robert Gray has chosen all he wishes to retain from his eight volumes of poetry, some of it considerably and significantly revised. He has included here a new book, "Nameless Earth", not previously published in Australia.

    'Gray has been a daring and original experimenter in the free verse line, and also at times with traditional forms. Equally, his work is notable for its frequent, uncanny rightness in the creation of images. His thinking shows a remarkable fluency in both Eastern and Western philosophies (Gray has referred to himself as a Buddhist heretic). These are all modernist pathways, and this poetry negotiates them with a lucid, classical temper.

    'Most striking is an ever-alert immediacy—a perception and reflectiveness in the fluid moment. Whether through his sensuous language or his powerful engagement with ideas, Gray's poetry continually opens us to a fresh involvement with the physical world.' (From the publisher's website.)
    St Kilda : John Leonard Press , 2012
    pg. 85
    Note: With title: A Sea-Shell
Last amended 6 Feb 2013 10:42:33
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