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Limelight Productions Limelight Productions i(A90330 works by) (Organisation) assertion
Born: Established: 1975 ;
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1 1 form y separately published work icon Emerald City David Williamson , ( dir. Michael Jenkins ) Australia : Limelight Productions , 1988 Z867337 1988 single work film/TV The film tells the tale of a married couple and their desperate search to keep in tune with the pressures and the pleasures of modern-day life. The pressure is intensified when the family moves from Melbourne to Sydney, where the husband pursues his career in screen writing and the wife works in the publishing industry. The story satirises both modern-day family life and the world of Australian movie-making.
1 3 form y separately published work icon Silver City Thomas Keneally , Sophia Turkiewicz , ( dir. Sophia Turkiewicz ) Australia : Limelight Productions , 1984 Z1692595 1984 single work film/TV historical fiction

Set in a migrant camp during the years following World War II, a period when some four thousand Polish families came to Australia, the narrative focuses on Julian. Although married to Anna and with a son, he falls in love with Nina and she with him. As they and others face the new situations and prejudices that await immigrants and as they take on aspects of Australian culture, old-country values reassert themselves. Julian is eventually forced to make a decision between love and family.

1 18 form y separately published work icon Puberty Blues Margaret Kelly , ( dir. Bruce Beresford ) Sydney : Limelight Productions , 1981 Z826184 1981 single work film/TV (taught in 3 units)

Debbie and Sue are accepted into Greenhill Beach's gang, an elite group of teenagers occupying a particular stretch of Cronulla beachfront. As surfie groupies, Debbie and Sue find out that they are expected to submit to male whims and play out 'strange' rituals, such as not eating or going to the bathroom when a boy is around. The girls' life mainly consists of doing what everyone else does: watching the boys surf, having sex with them (in the back seat of cars and at home-alone parties), and getting drunk. The narrative maintains a humorously ironic distance from the awfulness of the scene, particularly through the use of narration. The boys, though portrayed as collectively dominant, are individually consigned to the margins, while Debbie and Sue ultimately break out of the confines of male-imposed rules.

1 1 form y separately published work icon The Picture Show Man Joan Long , ( dir. John Power ) Australia : Limelight Productions , 1977 7192854 1977 single work film/TV historical fiction

'In the 1920s Mr Pym, his son and his pianist travel the backroads to bring the excitement and sophistication of the silver screen to small country towns. Pym is an old-fashioned showman who comes into conflict with an American rival trying to take over his territory.'

Source: Screen Australia. (Sighted: 1/4/2014)

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