AustLit

'Emily Stewart is the author of numerous chapbooks, including Like and The Internet Blue. Her debut poetry collection Knocks (Vagabond Press 2016) won the inaugural Noel Rowe Poetry Award and reflected an assuredly varied approach as it experimented with multiple voices (not just in monologues but polyphonic within poems), erasure as a feminist poetics (with homage-like condensations of Lydia Davis, Helen Garner, Susan Sontag, Clarice Lispector and more), post-digital affect (extracting poetic value from online idioms in particular, though sometimes overwhelming the poetic value), all while interleaving themes of climate change, the cost of living, and more in an exploration of what it means and feels like to live in so-called Australia in the Anthropocene.'  (Introduction)

'Best of Australian Poems is a new annual anthology collecting previously published and unpublished poems to create a poetic snapshot of the year that was. Capturing the richness and diversity of Australian poetry, across a timeframe of 1 July 2020 - 30 June 2021, the series will explore how poetic responses to the contemporary moment develop with each passing year.

'The book opens with an introduction by its 2021 editors, award-winning poets Ellen van Neerven and Toby Fitch. They discuss their approach to curating the 'aural events' of this inaugural anthology, which features 100 poems across a considered, also provocative at times, range of poetic voices, approaches and themes.

'The Best of Australian Poems (BoAP) series is published by Australia's national poetry organisation, Australian Poetry, and will feature two different guest editors each year.' (Publication summary)

'Sydney Spleen takes Baudelaire’s concept of spleen as melancholy with no apparent cause, characterised by a disgust with everything – and combines it with a contemporary irony so as to articulate the causes of our doom and gloom: corporate rapacity, climate change, disaster capitalism, the plague, neo-colonialism, fake news, fascism, and how to raise kids in a world fast becoming obsolete. The backdrop of this collection of poems is sparkling Sydney and its screens, through which the poet mainlines global angst. Fitch’s ‘spleen poems’, with their radical use of form and tone, are as much an aesthetic experience as a literary one – translation becomes homage, satire, song; essays become lyrics, rants, dreams. What is a poem when ‘no one believes in the future now anyway’? Nor is the collection lacking in humour. Sydney Spleen mocks everything in its crystal glass, yet still finds real moments of connection to cherish.'

Source : publisher's blurb

'In the first half of 2020, Overland received a small grant to help the magazine provide writing and publishing opportunities during the pandemic lockdown, part of a broader scheme by Creative Victoria to save the arts sector when so many jobs and gigs completely disappeared for so many artists. ‘Poetry in Lockdown’ is one outcome of this—a standalone poetry special issue containing new work by twelve poets from across Australia. In commissioning these new works we imposed no theme on the poets. However, with the pandemic as background to all our lives, it is impossible not to read the poems in that context. Collating these poems has been a salve for us. We hope you enjoy reading them as much as we have.' (Publication summary)