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Gillian Wills Gillian Wills i(A83811 works by)
Gender: Female
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Works By

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1 The Australian Musical from the Beginning by Peter Pinne and Peter Wyllie Johnston Gillian Wills , 2020 single work review
— Appears in: Australian Book Review , March no. 419 2020; (p. 67)

— Review of The Australian Musical : From the Beginning Peter Pinne , Peter Wyllie Johnston , 2019 multi chapter work criticism
'What is the musical’s appeal? Performing arts venues in Australia’s capital cities stage them year after year; a lucrative box office seems to be virtually guaranteed. The feel-good mix of song, melodrama, and vibrant dance – not forgetting the bonus of a happy ending – can lift the spirits and entertain the entire family. Recently, Chicago (Melbourne, Brisbane), West Side Story, and Billy Elliot (Adelaide) secured packed houses.' (Introduction)
1 For the Love of a Horse Gillian Wills , 2015 single work review
— Appears in: The Courier-Mail , 10 November 2015; (p. 46)

— Review of Elvis and Me Gillian Wills , 2015 single work autobiography
1 2 y separately published work icon Elvis and Me Gillian Wills , Sydney : Finch , 2015 8704534 2015 single work autobiography

'A world-weary musician and a broken racehorse rescue each other in this inspirational memoir about second chances. At 56 years of age, Gillian Wills bought her first horse on a whim. Elvis was emaciated, scarred, unruly, saddle-phobic and imbued with attitude. However, she sensed in him the remnants of a fierce pride that resonated with her own almost-lost sense of self-worth, depleted after leaving a high status job as head of a prestigious music conservatorium in Melbourne to move across the country with her partner to Queensland. Owning a horse pushed the need for paddocks to the top of Gillian's wish list. Since her artist partner also craved land on which to build a studio, they bought a dilapidated weatherboard farmhouse on 2.5 acres and swapped city living in Brisbane for the pleasures of semi-rural Ransome. Gillian gave up her lecturing position, weekly spot on radio, and an array of exhausting consultancies to focus on freelance writing. For a year she wore mud-stained boots and dusty jeans by day and shiny heels and black cocktail gear at night to mingle with the art cogniscenti at functions, give pre-concert talks for the Australian Chamber Orchestra and review concerts for the Australian newspaper. And she tried to ride Elvis. Elvis had been pitched to Gillian as a quiet, beginner's 'I'll-do-whatever-you-want-kind-of-horse' that could hardly summon up the energy to trot. the truth was very different. Rehabilitating Elvis through natural horsemanship methods (horse whispering) with the help of a laconic yet seriously gifted trainer introduced Gillian to a whole new world where music was incidental and daily discussions centred on the weather, how to tell good grass from bad, and fear of the Hendra virus. She persevered with her riding lessons, ignoring the often not-so-subtle doubts that she would ever learn to ride competently, let alone be able to control a spirited mount like Elvis. Gradually Elvis' behaviour improved and Gillian's confidence grew. Learning to assert her leadership over Elvis' daily rehabilitation program slowly but surely transformed her world. Gillian says, 'I was supposed to help Elvis, but instead he led me on an unexpected trail of self-discovery. I learned to like myself. I realised I didn't have to prove to the world I was worthy, be defined by a profession, or prove that I could achieve an impossible goal. I began to stand up for myself with my partner, employers, children, friends ... and with Elvis, of course!'' (Publication summary)

1 Review : Boy, Lost Gillian Wills , 2013 single work review
— Appears in: Good Reading , October 2013; (p. 70)

— Review of Boy, Lost : A Family Memoir Kristina Olsson , 2013 single work biography
1 Talented Cast Can't Save Clunky Adaptation Gillian Wills , 2013 single work review
— Appears in: The Courier-Mail , 28 August 2013; (p. 48)

— Review of Tequila Mockingbird Les Wicks , 1999-2002 single work poetry
1 Coming out of the Wardrobe to Real and Imagined Worlds Gillian Wills , 2012 single work review
— Appears in: The Weekend Australian , 9-10 June 2012; (p. 24-25)

— Review of Life, Literature, Legends : Collected Essays 1996-2011 Sophie Masson , 2011 selected work essay
1 Grab-Bag of Thoughts on Road to Discovery Gillian Wills , 2012 single work review
— Appears in: The Weekend Australian , 10-11 March 2012; (p. 18-19)

— Review of As I Was Saying Robert Dessaix , 2012 selected work essay autobiography prose
1 Fresh Light on Dark Days of Sugar Gillian Wills , 2011 single work review
— Appears in: The Australian , 1 August 2011; (p. 16)

— Review of Behind the Cane Margery Forde , Michael Forde , 2011 single work musical theatre
1 Untitled Gillian Wills , 2010 single work review
— Appears in: The Courier-Mail , 4 -5 September 2010; (p. 24)

— Review of The Vintage and the Gleaning Jeremy Chambers , 2008 single work novel
1 Unlikely Success, on the Whole Gillian Wills , 2009 single work review
— Appears in: The Australian , 5 October 2009; (p. 17)

— Review of Miracle in Brisbane 2009 single work musical theatre
1 Top State in Arts Gillian Wills , 2009 single work criticism
— Appears in: Limelight , June 2009; (p. 42-45)
1 Twins Fade to Pink but Opera Hits Home Gillian Wills , 2009 single work review
— Appears in: The Australian , 27 July 2009; (p. 30)

— Review of The Pink Twins Sue Rider , 2009 single work musical theatre ; Dirty Apple Shaun Charles , 2009 single work musical theatre
1 Ring of Renewal Gillian Wills , 2009 single work review
— Appears in: Australian Book Review , July-August no. 313 2009; (p. 67)

— Review of Brown Skin Blue Belinda Jeffrey , 2009 single work novel
1 Wild Ride of the Navigator Gillian Wills , 2008 single work review
— Appears in: The Australian , 1 August 2008; (p. 10)

— Review of The Navigator Patricia Sykes , 2008 single work musical theatre
1 Books Fiction Gillian Wills , 2008 single work review
— Appears in: The Courier-Mail , 1 - 2 March 2008; (p. 22)

— Review of The Sixth Partita Juliet Hoey , 2007 single work novel
1 The Prodigy Who Chose Marriage over Music Gillian Wills , 2008 single work review
— Appears in: The Weekend Australian , 2-3 February 2008; (p. 8-9)

— Review of An Exacting Heart : The Story of Hephzibah Menuhin Jacqueline Kent , 2008 single work biography
1 Books Fiction Gillian Wills , 2007 single work review
— Appears in: The Courier-Mail , 13 - 14 October 2007; (p. 22)

— Review of Dead Birds Trevor Shearston , 2007 single work novel
1 Poetically Predictable Gillian Wills , 2007 single work review
— Appears in: The Courier-Mail , 4 - 5 August 2007; (p. 25)

— Review of Secrets of the Sea Nicholas Shakespeare , 2007 single work novel
1 Surviving on Hope Alone Gillian Wills , 2007 single work review
— Appears in: The Courier-Mail , 12 - 13 May 2007; (p. 19)

— Review of Since I Was a Princess Jacqueline Pascarl , 2007 single work autobiography
1 Untitled Gillian Wills , 2006 single work review
— Appears in: Limelight , October 2006; (p. 69)

— Review of More than a Musician : a Life of E. Harold Davies Doreen Bridges , 2006 single work biography
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