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Helen Klaebe Helen Klaebe i(A76483 works by)
Gender: Female
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Works By

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1 Making Stories Matter : Using Participatory New Media Storytelling and Evaluation to Serve Marginalized and Regional Communities Ariella Van Luyn , Helen Klaebe , 2015 single work criticism
— Appears in: Creative Communities : Regional Inclusion & the Arts 2015; (p. 157-173) 'Van Luyn and Klaebe discuss innovative use of digital technologies to enhance storytelling from regions that have experienced crisis. In this way, they point to new ways to improve community resilience and inclusion. (8-9)
1 Mediatisation and Institutions of Public Memory : Digital Storytelling and the Apology Jean Burgess , Helen Klaebe , Kelly McWilliam , 2010 single work criticism
— Appears in: Australian Historical Studies , June vol. 41 no. 2 2010; (p. 149-165) 'Institutions of public memory are increasingly undertaking co-creative media initiatives in which community members create content with the support of institutional expertise and resources. This paper discusses one such initiative: the State Library of Queensland’s ‘Responses to the Apology’, which used a collaborative digital storytelling methodology to co-produce seven short videos capturing individual responses to Prime Minister Kevin Rudd’s 2008 ‘Apology to Australia’s Indigenous Peoples’. In examining this program, we are interested not only in the juxtaposition of ‘ordinary’ responses to an ‘official’ event, but also in how the production and display of these stories might also demonstrate a larger mediatisation of public memory.' (Publisher’s abstract p. 149)
1 Digital Storytelling as Participatory Public History in Australia Jean Burgess , Helen Klaebe , 2009 single work criticism
— Appears in: Story Circle : Digital Storytelling Around the World 2009; (p. 155-165)

'The model for digital storytelling first developed by Joe Lambert and others at the Center for Digital Storytelling (CDS) has been adopted and variously transformed for use in an ever-increasing number of mainly institutional contexts, many of which are represented in the present volume. In most forms of digital storytelling understood in this way, everyday storytelling, life narrative, and the domestic archive of biographical images are re-mediated through the production and distribution of digital stories, transforming them from one-to-one, private forms of communication and translating them into contexts here they can potentially contribute to public culture (Burges 2006a, Burgess, Klaebe, and Foth 2006).'
1 Using Digital Storytelling to Capture Responses to the Apology Jean Burgess , Helen Klaebe , 2009 single work essay
— Appears in: Journal of Community, Citizen's and Third Sector Media and Communication , October 2009 no. 5 2009; 'This article discusses a pilot project that adapted the methods of digital storytelling and oral history to capture a range of personal responses to the official Apology to Australia’s Indigenous Peoples delivered by Prime Minister Kevin Rudd on 13 February 2008. The project was an initiative of State Library of Queensland and resulted in a small collection of multimedia stories, incorporating a variety of personal and political perspectives. The article describes how the traditional digital storytelling workshop method was adapted for use in the project, and then proceeds to reflect on the outcomes and continuing life of the project. The article concludes by suggesting that aspects of the resultant model might be applied to other projects carried out by cultural institutions and community-based media organizations. ...'
1 Life Cycle Helen Klaebe , 2001 single work short story
— Appears in: Dotlit : The Online Journal of Creative Writing , November vol. 2 no. 2 2001;
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