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Edwina Shaw Edwina Shaw i(A73854 works by)
Gender: Female
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Works By

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1 Breath of Life Edwina Shaw , 2020 single work short story
— Appears in: All We Could Do : Queensland Flu Stories 1918-20 2020; (p. 74)
1 The Gentleman Caller Edwina Shaw , 2020 single work short story
— Appears in: Our Inside Voices : Reflections on COVID-19 2020; (p. 111-118)
1 y separately published work icon Our Inside Voices : Reflections on COVID-19 Caroline Gardam (editor), Louise Martin-Chew (editor), Edwina Shaw (editor), Nathan Shepherdson (editor), Brisbane : AndAlso Books Paradigm Print Media , 2020 19725294 2020 anthology poetry short story essay autobiography

'The COVID-19 pandemic is the biggest story of 2020, causing severe and sudden changes that many people could never have imagined. Our Inside Voices is a collection of creative writing that looks beyond quick journalism or abstract statistics to offer deeper reflection on the cultural and social dimensions of the pandemic.

'Writers reflect on how the disease dramatically shaped our ways of living and dying: the abrupt, sometimes subtle, often challenging, changes brought to cultural, economic, and social aspects of everyday life during a global health emergency. Australians at home and abroad, stunned by a sudden shift in priorities as routine habits and occupations were fundamentally disrupted, faced so many changes that even time seemed inconstant.

'Pandemics are biological events with cultural and social implications. We hope (although, in mid-2020, we don’t yet know) that this virus will soon be managed by curative or preventative technologies, but the disease will have infected and killed millions before it is rendered harmless. 

'The voices gathered here are diverse and eloquent, capturing a vivid portrait of the COVID-19 pandemic as it grows towards its initial peak. They also capture various creative ways in which Australians adapt to rapidly changing realities.'

Source: Publisher's blurb.

1 Against the Roaring of the Fire Edwina Shaw , 2019 single work short story
— Appears in: Hidden Histories : Third FlatIron Anthologies : Spring / Summer 2019; (p. 94)
1 Katharine’s Place Edwina Shaw , 2019 single work short story
— Appears in: Kaleidoscope : The Colours of Katharine 2019; (p. 64)
1 Something No One Else Can See Edwina Shaw , 2019 single work short story
— Appears in: [Untitled] , no. 8 2019; (p. 110-117)
1 Last Days on the Fifteenth Floor Edwina Shaw , 2019 single work autobiography
— Appears in: Bjelke Blues : Stories of Repression and Resistance in Joh Bjelke-Petersen's Queensland 1968-1987 2019; (p. 228-235)
1 2 y separately published work icon Bjelke Blues : Stories of Repression and Resistance in Joh Bjelke-Petersen's Queensland 1968-1987 Edwina Shaw (editor), Brisbane : AndAlso Books , 2019 17251398 2019 anthology autobiography prose

'Bjelke Blues gives heart and soul to the remembrances of the men and women who were at the end of police batons... at the front line fighting for justice and decency.’ Matthew Condon, journalist and author of Three Crooked Kings, Jacks and Jokers, All Fall Down and The Night Dragon

'With stories by: Nick Earls, Melissa Lucashenko, Bob Weatherall, Sam Watson, Raymond Evans, Anne Jones, John Willsteed, Matt Mawson, David Margan, Dan O’Neill, Mandy Nolan, Andrea Baldwin, Sean Mee & many more.' (Publication summary)

1 Cloudland Edwina Shaw , 2018 single work short story
— Appears in: Within/Without These Walls 2018; (p. 18-30)
1 Cucumber Sandwiches Edwina Shaw , 2018 single work short story
— Appears in: Within/Without These Walls 2018; (p. 16-17)
1 Thirty Years Gone Edwina Shaw , 2017 single work short story
— Appears in: Grieve : Stories and Poems for Grief Awareness Month 2017 2017; (p. 31)
1 y separately published work icon In the Dark of Night Edwina Shaw , London : Ransom Publishing , 2016 19767754 2016 single work children's fiction children's 'When Nina and Sam hold a seance in their local cemetery, they stir up more than they bargained for - the ghost of a 14-year-old girl and a whole lot of trouble. Can Nina solve the puzzle of the girl's death in time to save her, and them all?' (Publication summary)

 
1 Writing the Body Edwina Shaw , 2015 single work column
— Appears in: Writing Queensland , December no. 251 2015;
1 She Is Only Empty Hands Edwina Shaw , 2015 single work short story
— Appears in: Grieve : Stories and Poems for Grief Awareness Month 2015 2015; (p. 25)
1 Mrs Sunshine Edwina Shaw , 2014 single work short story
— Appears in: The Best Australian Stories 2014 2014; (p. 50-56)
1 A Friendship Tested in the Shadow of Death My Favourite Novel Edwina Shaw , 2013 single work column
— Appears in: The Weekend Australian , 2-3 February 2013; (p. 20-21)
1 The Thrills and Spills of Being Published Overseas Edwina Shaw , 2013 single work essay
— Appears in: The Emerging Writer : An Insider's Guide to Growing Your Writing 2013; (p. 62)
1 Going It Alone Edwina Shaw , 2013 single work essay
— Appears in: The Emerging Writer : An Insider's Guide to Growing Your Writing 2013;
1 From the UK With Love : And a Massive Learning Curve Edwina Shaw , 2012 single work column
— Appears in: Writing Queensland , July no. 220 2012; Writing Queensland , September no. 222 2012; (p. 8-9)
1 5 y separately published work icon Thrill Seekers Edwina Shaw , United Kingdom (UK) : Ransome Publishing , 2011 Z1847182 2011 single work novel young adult

'Set in Brisbane, and told as a series of skilfully linked short first-person narratives, this is an account of the descent into thrills-at-any-cost of the Oxley Creek Boys: from excited young teens on a sinking home-made raft to self-seeking drug-crazed adolescents on an inexorable trail of self-destruction and deep personal loss. But their loyalty to each other remains strong, and it ends on a note of hope. A lump in the throat page-turner.

'This fast-paced read is dynamic and gripping, perfect for teen readers who want all the characteristics of a long novel, dealing with teenage issues and tough topics, in a strong, condensed book. From a series written by some amazing authors, this book is everything a reluctant reader would want to get them engaged. Note: this book contains some strong language, graphic scenes and/or tough topics, so is only suitable for older YA readers.' (Publication summary)

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