Born: Established: 1951 Brisbane, Queensland, ;
Text | Unit Name | Institution | Year |
---|---|---|---|
y
First Australians : An Illustrated History
Rachel Perkins /specialistDatasets/BlackWords
,
Marcia Langton /specialistDatasets/BlackWords
,
Carlton
:
Melbourne University Press
,
2008
Z1546617
2008
reference
single work
information book
(taught in 2 units)
'First Australians, the companion book to the epic SBS TV series, is the dramatic story of the collision of two worlds that created contemporary Australia. Told from the perspective of Australia's first people, it vividly brings to life the events that unfolded when the oldest living culture in the world was overrun by the world's greatest empire. 'Through a vast collection of images and historic documents, seven of Australia's leading historians reveal the true stories of individuals-both black and white-caught in an epic drama of friendship, revenge, loss and victory in Australia's most transformative period of history. 'Their story begins in 1788 in Warrane, now known as Sydney, with the friendship between an Englishman, Governor Phillip, and the kidnapped warrior Bennelong. It ends in 1993 with Koiki Mabo's legal challenge to the foundation of Australia. 'By illuminating a handful of extraordinary lives spanning two centuries, First Australians reveals, through their eyes, the events that shaped a new nation.' (Publisher's blurb) |
Australian Indigenous Societies and Colonisation | University of New England | 2009 |
y
First Australians : An Illustrated History
Rachel Perkins /specialistDatasets/BlackWords
,
Marcia Langton /specialistDatasets/BlackWords
,
Carlton
:
Melbourne University Press
,
2008
Z1546617
2008
reference
single work
information book
(taught in 2 units)
'First Australians, the companion book to the epic SBS TV series, is the dramatic story of the collision of two worlds that created contemporary Australia. Told from the perspective of Australia's first people, it vividly brings to life the events that unfolded when the oldest living culture in the world was overrun by the world's greatest empire. 'Through a vast collection of images and historic documents, seven of Australia's leading historians reveal the true stories of individuals-both black and white-caught in an epic drama of friendship, revenge, loss and victory in Australia's most transformative period of history. 'Their story begins in 1788 in Warrane, now known as Sydney, with the friendship between an Englishman, Governor Phillip, and the kidnapped warrior Bennelong. It ends in 1993 with Koiki Mabo's legal challenge to the foundation of Australia. 'By illuminating a handful of extraordinary lives spanning two centuries, First Australians reveals, through their eyes, the events that shaped a new nation.' (Publisher's blurb) |
Aboriginal and Torres Strait Islander Communities | University of New England | 2014 (Trimester 2) |
Text | Unit Name | Institution | Year |
---|---|---|---|
Out from the Shadows
Marcia Langton /specialistDatasets/BlackWords
,
2006
single work
criticism
(taught in 1 units)
— Appears in: Meanjin , vol. 65 no. 1 2006; (p. 55-64) Discusses the characterisation of the Aboriginal tracker in Australian films. |
Trauma, Memory & Culture | Australian National University | 2012 |
Text | Unit Name | Institution | Year |
---|---|---|---|
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
Marcia Langton /specialistDatasets/BlackWords
,
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity & Whiteness | University of Melbourne | 2013 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
Marcia Langton /specialistDatasets/BlackWords
,
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity & Whiteness | University of Melbourne | 2010 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
Marcia Langton /specialistDatasets/BlackWords
,
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity and Whiteness | University of Melbourne | 2014 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
Marcia Langton /specialistDatasets/BlackWords
,
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity & Whiteness | University of Melbourne | 2011 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
Marcia Langton /specialistDatasets/BlackWords
,
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity & Whiteness | University of Melbourne | 2012 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
Marcia Langton /specialistDatasets/BlackWords
,
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity & Whiteness | University of Melbourne | 2016 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
Marcia Langton /specialistDatasets/BlackWords
,
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Indigenous Australia in Literature: Listenin' Up | University of Newcastle | 2011 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
Marcia Langton /specialistDatasets/BlackWords
,
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Indigenous Australia in Literature: Listenin' Up | University of Newcastle | 2012 (Semester 1) |