AustLit

'In September 1883, the South Australian town of Fairly huddles under strange, vivid sunsets. Six-year-old Denny Wallace has gone missing during a dust storm, and the whole town is intent on finding him. As they search the desert and mountains for the lost child, the residents of Fairly - newlyweds, landowners, farmers, mothers, artists, Indigenous trackers, cameleers, children, schoolteachers, widows, maids, policemen - explore their own relationships with the complex landscape unsettling history of the Flinders Ranges.

'The colonial Australia of The Sun Walks Down is unfamiliar, multicultural, and noisy with opinions, arguments, longings and terrors. It's haunted by many gods - the sun among them, rising and falling on each day that Denny could be found, or lost forever.'  (Publication summary)

'A note on the text

'What follows is part of a larger work-in-progress in which a poet and a novelist respond to the archival records of every convict who set out for Botany Bay on the First Fleet. Italicised words are taken directly from contemporary sources; lineated sections, also taken directly from the sources, have been rearranged by the authors into found poems. 

'The authors acknowledge the Gadigal people of the Eora nation as the traditional owners of the place we now call Sydney, where many of these events take place.' (Introduction)

'I found my second-hand copy of The Dyehouse among the glorious chaos of Gould's Book Arcade in Sydney's Newtown. I had never heard of Mena Calthorpe, but after reading the first line I knew I'd buy it: 'Miss Merton came to the Dyehouse one windy afternoon when smoke from the railway-yards drifted darkly over Macdonaldtown.' (Introduction)

'The stories in this enthralling collection find those moments - and places - when life seems to do an about-face. The revelations of intimidating old friends on holiday, an accident on a dark country road, a lottery win and a lesson in the real nature of luck, the sudden arrival of American parachutists in a country town . . . here people are jolted into seeing themselves and their lives from a fresh and often disconcerting perspective.

'Ranging around the world from a remote Pacific island to the tourist haunts of Greece and written with great emotional insight, extraordinary invention and wry humour, each of these stories is as rich and rewarding as literature can be.' (Publication summary)

'The debut of a major Australian writer, The Night Guest is a mesmerising novel about trust, love, dependence, and the fear that the things you think you know may become the things you're least sure about.

One morning an elderly widow called Ruth wakes thinking a tiger has been in her seaside house. Later that day a formidable woman called Frida arrives, looking as if she's blown in from the sea, but who has in fact come to care for Ruth.

Frida and the tiger: both are here to stay, and neither is what they seem. How far can Ruth trust them? And as memories of childhood in Fiji press upon her with increasing urgency, how far can she trust herself?

The Night Guest, Fiona McFarlane's hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, power and perception; about how the past can colonise the present, and about things (and people) in places they shouldn't be. Above all, it's a brilliantly involving story about two very particular women.' (Publisher's blurb)