AustLit

An Australian-New Zealand co-production.

'When 14-year-old New Zealander Holly McKenzie arrives in the Australian seaside town of Woolich, her dreams of playing basketball with the RAMS, one of the best junior basketball teams in the district, are quickly shattered. Determined to prove her ability, Holly forms her own team—the OUTLAWS. With basketball as a backdrop, Holly's Heroes is a funny and light hearted exploration of being the new kid on the block, the importance of friendship, the value of teamwork, first love, and the rewards that come from participation and the simple love of sport. Holly learns that the feeling of belonging she achieves with her team is far more important than simply winning.'

Source: Publisher's blurb.

Two students--easy-going and not terribly academically inclined Toby and unpopular teacher's pet Elizabeth--are hit by an unusual magnetic pulse that transforms them both into scientific geniuses. While Toby is uncomfortable with his new power and not certain how to put it to use, Elizabeth revels in hers, hoping to dominate the school.

Creator Jonathan M. Shiff notes (in the media kit for season one) that

'I wanted the series to be grounded in real teenagers and an authentic school environment - bringing the chaos of teenage emotions and friendship to the backdrop of science and adventure. Wicked Science is very much driven by Elizabeth's desire to catch Toby's attention and instead of witchcraft or magic it is science she uses as the tool'.

The production company also liased with Australian Teachers of Media (ATOM) to create a study guide that would enable teachers to use Wicked Science as a starting point for classroom discussions of science, its place in society, and the specific scientific concepts explored in the series.

'Based on the popular books by Rose Impey, this comedy-drama series features five 12-year-old girls on their quest for identity, individuality, belonging, family, friendship and how to have the most fun while trying to deny the existence of boys.'

Source: Screen Australia. (Sighted: 3/12/2013)

Fifteen-year-old Kate and her two younger siblings, Nicholas and Sarah, are accidentally zapped inside Kate's current video-gaming obsession: Pirate Islands, a swashbuckling action-adventure game. Now the children--and the island's existing population of castaway children, led by the fearless Mars--must battle the fearsome Captain Blackheart if they wish to get back to their own world.

The program is structured around the generic conventions of video gaming: the protagonists must find a powerful object (the Golden Idol) in order to exit the game; the islands contain 'power ups', namely a jet-pack and magic boots, that give the protagonists super-human powers; and the location is divided into several distinct environments that the protagonists can explore (Castaway Island, Haunted Island, Plant Island, Main Island, and Secret Island).

The program has never been released on DVD in its entirety, but was cut down and released as two films.

'Set in the picture-postcard community on Sydney's northern beaches, SNOBS is the story of unlikely friends - Abby, the daughter of a wealthy, middle class traditional family and Marian, a boy from a group of modern day nomads who have come to be known as Ferals - the arrival of whom upsets the peace of the community and is the catalyst for conflict, adventure and intrigue.'

Source: Screen Australia.

A short-lived television series about idealistic young police officers in an inner-city Sydney area, Young Lions did not rate well, and was not renewed for a second season.

'The detectives of the Kingsway Major Crime Squad fight to preserve their Pacific Paradise. Crime knows no boundaries—from the Miami-like streets of Sylvania Waters, all dark glass and pontoons, to the towering cranes on the Container Wharves of Botany Bay, bordered by the white beaches and blue water between Monterey and Hungry Point. This is our world. It's tough. It's beautiful. Dangerous. A contradiction.'

Source: Australian Television Information Archive. (Sighted: 12/6/2013)

'They've each been given a $20,000 head start but there's still time for you to catch up with Loc Minh, Clare and Patrick Gormley, Basia Lem, Seth Wallace, Kyle Richter and Katherine Ingram as they take off in pursuit of their dreams. Shepherded by company representative Garret Quinn, a reformed maverick trying to redeem his reputation in the eyes of his multi-national banker bosses, seven young adults try to make their mark on the world with their own dynamic and innovative ideas. Will they accomplish their cherished objectives or go with their failed ambitions like lambs to the slaughter?'

Source: Australian Television Information Archive. (Sighted: 22/10/2012)

Thirteen-year-old Lauren's life is confusing enough, with her mother remarrying, moving to another country, and introducing Lauren to a new stepfather and little stepbrother. But that's not nearly as confusing as the day two Nelfs (Santa's helpers) jump from his sleigh and into Lauren's life. With Santa's rounds finished for another year, Lauren is stuck with the bickering, meddling siblings until next Christmas. But when only Lauren can see them, her family start to think she's going mad.

A prototype cybernetic human from a distant planet crash-lands on Earth in order to explore the species from which she was developed. To move safely around the city, she disguises herself as the human cousin of a local boy. But two evil replicants are sent after her.

In positioning this program for the media, Jonathan M. Shiff emphasised both similarities to and differences from his previous programs:

'With CYBERGIRL, I set out asking myself how to create a series which has a teenage girl as a principal lead star, in a hip and modern way for the 21st century. Whereas OCEAN GIRL dealt with environmental themes, CYBERGIRL deals with the balance between humans and technology. In a world where millions of our audience are comfortable with the Internet, I thought it would be fun to have our hero as a walking computer!'

Indeed, Shiff placed great emphasis on his choice of a young female protagonist:

'I believe it has been many years since young children had a female superhero - the last was probably WONDER WOMAN. The recent trend for children, especially girls, to identify with characters like CHARLIE'S ANGELS indicates a strong desire for them to see themselves in the media as quite proactive, intelligent and strong, whilst still being emotionally sensitive'.

Source: Cybergirl media kit: http://www.jonathan-m-shiff.com.au/downloads/cg_media_kit.pdf. (Sighted: 17/2/2012)

'Tells the story of Jack Dawkins, introduced in Charles Dickens' Oliver Twist as the Artful Dodger, the fastest-talking, nimblest-fingered young pick-pocket in London. As he side-steps and ducks his way from one disaster to another, the Dodger comes to realise that his voyage to Australia may be a real escape from his old life, an opportunity to be not a crook, but a hero.'

Source: Screen Australia.

'The Metro is a funky inner city block where there are as many stories as there are apartments, where a cafe and a community police station make up the ground floor, and where the penthouse (and indeed most of the building) is owned by a corrupt businessman who enjoys the irony of living 'above the law'.

'Created by veteran Australian television writer Tony Morphett (Blue Heelers, Water Rats) and wife Inga Hunter, Above The Law invites the viewer into a 'vertical village' where a host of colourful characters form firm friendships and relationships based on humour, respect, love and lust.

'When 'Vegas' Pete Murray is sent to jail, his unsuspecting daughter Olivia (Alyssa-Jane Cook) is forced to move into The Metro. While she confronts her father's murky past, she finds herself struggling to control his empire, and learning to live with the other inhabitants of The Metro.'

Source: McElroy All Media (http://www.mcelroyallmedia.com.au/index.php?page=above-the-law). (Sighted: 19/4/2013)

A live-action puppet show, Li'l Horrors followed the misadventures of the students at a school run by Morbidda Bates, a retired horror-film actress. The students included examples of key monsters from horror films: vampires, Frankenstein's monster, gorgons, mummies, zombies, werewolves, and swamp creatures.

According to December Films' press release for the series:

Li'l Horrors is a children's puppet sitcom specifically produced for the 5-8 year old age group. This is an age group who are currently not well catered for. Much programming is made for pre-schoolers and for 9 year olds and above. Li'l Horrors is created for this in between age group. It does not talk down to its audience or aim over its head. It is, however, infused with enough wit and off-the-wall humour to engage an even wider audience. Aimed well at [its] target audience, it is modern, slick, sly, funny and irreverent.

The program also focuses strongly on difference, with each of the characters quite strongly physically different from one another, as well as widely different in behavious and characteristics.

'All Saints is thrown into emergency status when an explosion creates chaos and carnage. The disaster becomes personal when the staff realise that Von is missing. Steph has to put aside her fears about her own pregnancy while Ben and Bron fight to save the life of a pregnant woman and her unborn child.'

Source: Australian Television Information Archive. (Sighted: 25/6/2013)

Chuck Finn follows Charles 'Chuck' Finn, a Canadian boy whose parents move from Toronto to the Australian country town of Tingalla. At first, he longs desperately to return to Toronto, but he soon finds the decommissioned and derelict paddle steamer the Tingalla Rose. Soon, he and his friends--some of whom are ghostly, rather than mortal--are enchanted by the possibility of getting the Tingalla Rose running again and seduced by life on the Murray River.

Unfortunately for Chuck Finn, Barron Entertainment declared bankruptcy during the production of season two. A truncated season of six episodes was completed and released, but the production was abandoned at that point.