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Matt Ottley Matt Ottley i(A47542 works by) (a.k.a. Matthew Ottley)
Born: Established: 1962 Goroka, Eastern Highlands,
c
Papua New Guinea,
c
Pacific Region,
;
Gender: Male
Arrived in Australia: 1975
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Works By

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1 2 y separately published work icon The Tree of Ecstasy and Unbearable Sadness Matt Ottley , Orange : Dirt Lane Press , 2022 23827716 2022 single work novel 'The Tree of Ecstasy and Unbearable Sadness is an allegorical story of a boy's experience of psychosis, with mental illness represented as a fantastical tree whose flowers are ecstasy and whose fruit is unbearable sadness. Stunning drawings and paintings lead the reader through the boy's early discovery of his strangeness, his surrender to the disease (an all-consuming tree), the ensuing psychotic journey, and eventual self-acceptance. The recording of a full orchestral score composed by the author-illustrator accompany the book.' (Publication summary)
 
1 y separately published work icon The Colour of Music Lisa Tiffen , Matt Ottley (illustrator), Adelaide : MidnightSun , 2021 20491560 2021 single work picture book children's

'Molly can see the music. Colours flash brilliantly as she listens. The music takes her on a journey into places filled with colour, revealing connections between music, emotions, and the world we live in.

'The Colour of Music mixes art, music and the written word in a truly synesthetic experience.' (Publication summary)

3 1 y separately published work icon How to Make a Bird Megan McKinlay , Matt Ottley (illustrator), Newtown : Walker Books Australia , 2020 19897910 2020 single work picture book

'Extraordinary imagery and rich language spark the reader's imagination as they enter the creative world of a young girl.

'From award-winning author Meg McKinlay and celebrated artist Matt Ottley comes a moving and visually stunning picture book that celebrates the transformative power of the creative process from inception through recognition to celebration and releasing into the world. We shadow the protagonist as she contemplates the blue print of an idea, collects the things that inspire from the natural world to shape a bird. And breathes life into it before letting it fly free. It shows how small things, combined with a little imagination and a steady heart, can transform into works of magic.'

(Source: publisher's blurb)

1 y separately published work icon Dumazi and the Big Yellow Lion Valanga Khoza , Matt Ottley (illustrator), Lindfield : Scholastic Australia , 2019 17060201 2019 single work picture book children's

'On her way to the waterhole, Dumazi finds a big yellow lion caught in a trap. ‘Please save my life and set me free,’ he begs. But Dumazi knows that lions roaming free eat little Zulu girls like her...'

Source: Publisher's blurb.

1 y separately published work icon Jack and the Beanstalk Matt Ottley , Matt Ottley (illustrator), Sydney : Scholastic Press , 2019 16434302 2019 single work picture book children's

'Jack sells their dear old cow for some magic beans. When they grow and grow and grow right up to the sky, what will Jack find at the top?

This classic tale has been illustrated and retold by Australian children’s book creator, Matt Ottley.'

Source: Publisher's blurb.

5 2 y separately published work icon The Incredible Freedom Machines Kirli Saunders , Matt Ottley (illustrator), Lindfield : Scholastic Australia , 2018 10329380 2018 single work picture book children's

'In this sumptuous story of exploration and breaking boundaries, a young girl uncovers her very own freedom machine vehicle that carries her to all kinds of wondrous places.'  (Publication summary)

2 y separately published work icon Sarah And The Steep Slope Danny Parker , Matt Ottley (illustrator), Richmond : Hardie Grant Children's Publishing , 2017 11610783 2017 single work picture book children's

'When everything feels like an uphill battle, your friends will get you through.
 
'Sarah wakes to find a steep hill has sprung up around the house overnight, preventing her from leaving. No matter what she tries, the hill won’t budge. When the Hill Doctor suggests she gets in touch with her friends, Sarah discovers how the healing power of friendship can transform the steepest slope.' (Publication summary)

1 2 y separately published work icon Crusts Danny Parker , Matt Ottley (illustrator), Richmond : Hardie Grant Children's Publishing , 2016 9662976 2016 single work picture book children's

'Jacob is just one of millions who won’t eat their crusts. But he is one in a million when it comes to bright ideas.

'When tiny creatures from a distant crumbling planet seek Jacob’s help, he sets out to do what he can with his big box of uneaten crusts.

'A story about crusts and intergalactic travel by powerhouse creative duo Danny Parker and Matt Ottley.' (Publication summary)

1 4 y separately published work icon Suri's Wall Lucy Estela , Matt Ottley (illustrator), Melbourne : Penguin , 2015 8841859 2015 single work picture book children's (taught in 1 units)

'Eva squeezed Suri's hand. 'What's there? What can you see?'

''What can I see?' Suri looked out over the wall. 'Oh, it's beautiful, let me tell you all about it.'

'A moving tale of the power of the human spirit brought alive by Lucy Estela and award-winning illustrator Matt Ottley.' (Publication summary)

5 7 y separately published work icon Teacup Rebecca Young , Matt Ottley (illustrator), Lindfield : Scholastic Australia , 2015 7207725 2015 single work picture book children's

'Once there was a boy who had to leave home ... and find another. In his bag he carried a book, a bottle and a blanket. In his teacup he held some earth from where he used to play. This is one boys story of leaving his homeland, surviving a long journey by sea ... and finding a safe, new place to call home.' (Publication summary)

6 1 y separately published work icon Parachute Danny Parker , Matt Ottley (illustrator), Richmond : Little Hare Books , 2013 6098780 2013 single work picture book children's

'It is the first thing he puts on each morning and it gives him the courage to deal with all kinds of tricky situations, such as getting out of bed, sliding off a chair, and climbing down stairs. But sometimes someone else’s trouble can be greater than your own, and this is what Toby discovers one day. What follows is the story of how an anxious child learns to be brave and find his independence. ' (Publisher's blurb)

2 5 y separately published work icon Tree : A Little Story about Big Things Danny Parker , Matt Ottley (illustrator), Ormond : Little Hare Books , 2012 Z1893063 2012 single work picture book children's 'A sapling grows in the shelter of an older tree, where he is happy and safe. One day a violent storm destroys everything the sapling knows, and he suddenly finds himself unprotected and alone. But as the sapling grows, he gradually discovers that every end is a new beginning.' (From the publisher's website.)
1 1 y separately published work icon No Kind of Superman Danny Parker , Matt Ottley (illustrator), Kew East : Windy Hollow , 2011 Z1896218 2011 single work picture book children's

'Dad doesn't always get the small things right. But then it's not always the small things that matter. When it comes to the big things... well, Dad has his own brand of superpowers to call on.' (Back cover)

1 4 y separately published work icon The Serpent's Tale Gary Crew , Matt Ottley (illustrator), Sydney : Lothian , 2010 Z1702059 2010 single work picture book children's

'This is a carefully designed, multi-layered picture book for older readers. At the most literal level of the story, a boy demands that his mother buy a bracelet or amulet at a fair in the town square. The artifact looks like a snake chasing or devouring its own tail in an endless cycle.

'Alone in his attic room, the boy puts the bracelet on and falls asleep. At this, the snake comes to life in the boy's dreaming, thus telling its story. Even as the boy sees visions in his dreaming, through his open attic window, we, the readers, look down on the town square and see high drama. Invaders attack the town and rob the boy s house as he sleeps, a girl is rescued from the attic window opposite, there are scenes of heroism and death.

'These events might be what leads the boy to dispose of the charm when he wakes, taking it for a bad omen But what is real and what is not? Are the boy's fantastic snake-induced dreams the real events, or the events that we see at the real-life story level, taking place in the town square?

'The snake serves as a metaphor for story and narrative itself. Story as world-creating, eternal, terrifying at times, but sublimely beautiful.' (From the publisher's website.)

2 4 y separately published work icon Me and My Dad Sally Morgan , Ezekiel Kwaymullina , Matt Ottley (illustrator), Surry Hills : Little Hare Books , 2010 Z1701374 2010 single work picture book children's

'Dad isn't afraid of anything . . . except, that is, for one thing. While spending a day on the beach together, a small child learns that his dad isn't afraid of very much–sharks, crazy crabs, angry dogs, and giant waves don't scare him one bit. But there is one thing that Dad is afraid of and there's only one person who can help him overcome it! They must be brave heroes together in this fun, gorgeously illustrated story about the special bond between father and son.' (Publication summary)

1 CBCA Awards - Acceptance Speeches : Matt Ottley Matt Ottley , 2008 single work column
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , November vol. 52 no. 4 2008; (p. 4-5)
1 13 y separately published work icon Home and Away John Marsden , Matt Ottley (illustrator), Melbourne : Lothian , 2008 Z1531267 2008 single work picture book children's Mum is a rehab counselor for people with alcohol problems. Grandma Raynor lives next door. Dad is a driver for Elgas. Then there's me, fifteen, into a lot of different stuff. Music, surfing, animals, tennis, swimming, computer games. And my sister, Claire, and brother Toby. We're a typical Australian family. Barbeques, footy, gardening, school, Holden Commodores. Then one day things change. April 26, Dad burns the toast, yells at Toby, thanks me for cleaning the cab of the truck, kisses Mum and Toby, then he's gone. April 27, the war starts. May 21, the city's in ruins, blackouts nearly all the time, food is hard to find. September 13, Dad's heard news of a boat. We might get out of here yet. September 28, it is just after dawn. A boat from their Navy has found us. We waved and cried and cheered. But then, slowly, we realised they were shouting at us, telling us to go away. September 30, we are in a huge prison, with razor wire all around us. The government says there's no room for us. The Prime Minister says that if they let us out into the community it'll just encourage other illegal immigrants. The Deputy Prime Minister says we're not genuine refugees. The Minister for Immigration says we should have gone through the proper procedures and applied to come here the prescribed way. Apparently there was a queue or a waiting list or something, and we were meant to find an Immigration Office and put our names down to be considered. I guess they're right. I feel terrible about the trouble we've caused them. (Source: Backcover)
1 How Requiem Came To Be Matt Ottley , 2007 single work column
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 21 no. 3 2007; (p. 13)
1 y separately published work icon King Hit Stephen Oliver , Matt Ottley (composer), Carindale : IP Digital , 2007 Z1522218 2007 selected work poetry
1 25 y separately published work icon Requiem for a Beast Requiem for a Beast : A Work for Images, Word and Music Matt Ottley , Matt Ottley (illustrator), South Melbourne : Lothian , 2007 Z1397580 2007 single work graphic novel young adult

'Requiem for a Beast is a remarkable exploration of the parallels between a young man's battle for psychological freedom and the processes that bind and blind us in society. Matt Ottley asks readers to be moved by beauty, truth and ultimately the knowledge of their own humanity.

The book contains a CD of orchestral music, composed by Matt Ottley, and Aboriginal song - another meeting of worlds like those in the words and images.' 

Source: Back cover.

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