AustLit

'Welcome back to the ABR Podcast. We begin 2024 with the Peter Porter Poetry Prize. First presented in 2005, the Porter Prize is one of the world’s leading competitions for a new poem in English. It is worth a total of $10,000, of which the overall winner will receive $6,000. This episode of the ABR Podcast features the five shortlisted poets reading from their work, with introductions from ABR Editor Peter Rose. The winning poem will be announced at an online ceremony on 23 January 2024.' (Production summary)

'Shirley Hazzard is widely regarded as one of Australia’s finest novelists, even though she published only four novels during her long lifetime. Now, Professor Brigitta Olubas from the University of New South Wales has written the first major literary biography of the writer in Shirley Hazzard: A writing life (Virago/Farrar, Straus and Giroux). In this week’s ABR podcast, ABR Editor Peter Rose interviews Professor Olubas about her study of the ‘complex, alluring, peripatetic artist’. Listen to the interview here.' (Production summary)

'In this week’s Podcast we’re delighted to present the five poems shortlisted in the 2023 Peter Porter Poetry Prize. This happily alliterative prize was created in 2005 and renamed in 2011, the year after the great poet’s death. Peter Rose introduces our far-flung quintet, who then introduce and read their poems. Further details and illuminating comments on the individual poems by the judges can be found here. We hope you enjoy these wonderful poems. It’s a great way to get to know them before the prize ceremony on Thursday, 19 January.' (Introduction)

'This week we draw on ABR’s expanding digital archive and head back to December 2010, when ABR Editor Peter Rose wrote at length about E.M. Forster, author of novels such as Howards End and A Room with a View. In this podcast, Rose discusses Wendy Moffat’s biography of Forster, before roaming more widely to revisit those influential novels and dipping into the immense Forster literature – and the even more gargantuan literature of Bloomsbury, of which Forster was a peripheral and somewhat wary member.' (Introduction)

'This week’s episode of the ABR podcast is devoted to the Books of the Year. ABR Editor Peter Rose, critic and writer Beejay Silcox and historian Frank Bongiorno discuss the books that stirred them most in 2022. This follows a Books of the Year feature in the December issue of ABR, with contributions from thirty-six writers and critics. Listen to Peter Rose, Beejay Silcox and Frank Bongiorno discuss the best books of 2022.' (Introduction)

'Fifteen years ago, the new Rudd government announced the creation of the Prime Minister’s Literary Awards (PMLAs), to be administered by the Minister for the Arts. There were two prizes at the outset – fiction and non-fiction – each worth $100,000 – tax free to boot. Given the precarious incomes of most Australian writers, the prizes could not have been more welcome. Later, after some lobbying, young adult and children’s fiction were added, followed by poetry and Australian history. Sensibly, like other literary prizes, the PMLA organisers decided in 2011 to reward all the shortlisted authors, not just the winner.'  (Introduction)

'In our October issue ABR Editor and award-winning memoirist Peter Rose reviews Childhood, a remarkable new memoir by Adelaide critic and writer Shannon Burns in which Burns relates the story of a childhood and adolescence spent in great poverty and neglect. 

'In this week’s episode of the ABR Podcast, listen to Peter Rose and Shannon Burns in conversation.' (Publication summary)

'That the boy depicted in Shannon Burns’s nightmarish memoir survived to write it at the age of forty reflects no credit on society or on those around him. His persistence seems remarkable, given the world he entered.' (Introduction)

'Ann-Marie Priest’s My Tongue Is My Own, published by La Trobe University Press and reviewed in our June issue, is the first authorised biography of the Australian poet Gwen Harwood (1920–1995). Unsurprisingly, this was not the first attempt to record the life of one of Australia’s most loved and admired poets. In an exclusive feature for ABR, John Harwood reflects on the conflicting motives behind his literary executorship of his mother’s estate – an estate holding the secrets to an at-times fractious marriage between two opposing temperaments.

'It’s a candid, fascinating addition to the vast literature surrounding Ian Hamilton’s Keepers of the Flame (1992) and the knotty ethics of literary biography.

'John Harwood has written poetry, fiction, biography, environmental journalism, literary criticism, and satire. His novels The Ghost Writer (2004), The Séance (2008), and The Asylum (2012) have been translated into several languages and won several awards. 

'This commentary is generously supported by the Copyright Agency’s Cultural Fund.' (Production summary)

The Writers on Writers series aims to tease some of Australia’s literary treasures out of the Aladdin’s cave of canonicity. A collaboration between publisher Black Inc., the University of Melbourne, and the State Library of Victoria, it began in 2017 with Alice Pung’s book on John Marsden and Erik Jensen’s on Kate Jennings. The series now boasts eleven titles, the most recent of which is Sean O’Beirne’s book on Helen Garner. In this week’s episode of The ABR Podcast, Beejay Silcox points out the difficulty of pairing any writer with Garner, who ‘deserves a well-armed opponent, not an acolyte’. For Silcox, this latest instalment encapsulates the idiosyncrasies of the entire series of ‘not quite memoirs and not quite primers’ – idiosyncrasies that have perhaps ‘set [O’Beirne] up to fail’.(Production introduction)

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