AustLit

'Who killed Martin Friedrich? From award-winning writer Steven Carroll comes the first book in a series of post-war literary crime novels featuring Detective Sergeant Stephen Minter, with shades of The Third Man and Brighton Rock.

'Cambridge, UK, 1947.

'Martin Friedrich, a German philosopher who is in Cambridge to give a series of lectures, is cycling through an intersection on his way to give a lecture when a speeding car runs through him and kills him. A grisly death for one of the finest minds of the age.

'Shortly afterwards, Detective Sergeant Stephen Minter, an Austrian-born, cockney Jew, whose parents were interned during the war as enemy aliens, stands over the body of Friedrich contemplating the age-old question - who did it? Because Friedrich might be one of the finest minds of his age, but he's also problematic. A brilliant philosopher whose lectures attracted students from all over Europe before the war and is regarded as the founder of modern existentialism, Friedrich was also, in the 1930s, a member of the Nazi Party. As Stephen is soon to discover, there is no shortage of suspects. Friedrich -arrogant, a womaniser dedicated solely to his own work over anything or anybody else - was hated by almost everybody, even those who loved him.

'Is there any sense to his death - a logic to the sequence of events that led to it - or was his death just a case of rotten, random luck? Has the universe spoken, and, in this sense, should Friedrich be pleased with the nature of his death as it is, after all, confirmation of his life's observations on our indifferent, random universe? Or are there more sinister factors at work?

'From one of Australia's finest, critically-acclaimed writers, The Death of an Existentialist is a playful mixture of detective story, farce and literary fiction that examines the quite serious question of how to live a meaningful life in an indifferent, random, post-god world.' (Publication summary)

'From one of our finest writers - winner of the Miles Franklin, the Commonwealth Writers Prize and the Prime Minister's Literary Award - comes a wistful and emotional story that imagines a happier ending for the mercurial and complicated Vivienne Haigh-Wood, first wife of the great poet, TS Eliot.

'London, June 1940. With help from friends, Vivienne Haigh-Wood, the wife of celebrated poet TS Eliot, is about to effect a daring escape from Northumberland House, the private insane asylum where she has been held for the past four years. Her family, and most particularly her husband, think she's insane - and maybe she has been, in the past, Vivienne thinks, mad with love, that is, but she is starting to finally feel like herself again.

'There is an old law, Vivienne has been told, that if a person can break out of an asylum and stay free for thirty days, proving they can look after themselves, they can't make you go back. But closing in on Vivienne is the young Detective Sergeant Stephen Minter, a man with a hidden past of his own, who has orders to track her down...

'With Goodnight, Vivienne, Goodnight, Steven Carroll completes his critically acclaimed, award-winning and much-loved Eliot Quartet. This novel is a poignant, deeply felt and intensely moving novel of beginnings, endings and reinvention, about the aftermath of a marriage and the reassembling of a broken woman. A delicate dance between what was and what might have been, between fact and fiction, the novel tells a daringly revisionary story of Vivienne - TS Eliot's first wife, the 'mad woman in the attic' - imagining a wholly different and entirely satisfying ending to her story.' (Publication summary)

'A woman writes a story for her married lover. Something she always thought of as a fairy tale. A fairy tale with a dark side, like the best of fairy tales...'

'Occupied France, 1943. France's most shameful hour. In these dark times, Dominique starts an illicit affair with a distinguished publisher, a married man. He introduces her to the Resistance, and she comes to have a taste for the clandestine life - she has never felt more alive. Shortly after the war, to prove something to her lover, she writes an erotic novel about surrender, submission and shame. Never meant to be published, Story of O becomes a national scandal and success, the world's most famous erotic novel. But what is the story really about - Dominique, her lover, or the country and the wartime past it would rather forget? 

'From one of our foremost writers, the acclaimed and multi-award-winning Steven Carroll, comes O, a reimagining of what might have been, the story of a novel that took on a life of its own and mirrored its times in a way the author never dreamt of.'

Source : publisher's blurb

'Melbourne, 1917: the times are tumultuous, the city is in the grip of a kind of madness. The Great War is raging, and it is the time of the hotly contested second conscription referendum. Fights are raging on the streets, rallies for 'YES' and 'NO' facing off against each other on opposing corners. Men, women and children, jostling, brawling, fighting and spitting.

'Through these streets walks Maryanne, forty years old, unmarried and seven months pregnant. These are uncertain, dangerous times for a woman in her position. And she is facing a difficult choice - a choice which gets more urgent by the day - whether to give her child up for adoption as the Church insists she does, or to keep her child and face an uncertain future.

'An extraordinary powerful novel of a time, a city and a woman, The Year of the Beast is Steven Carroll at his best. A rhythmic, insistent and pulsing novel that tells a compelling story of mothers, families, and what it means to be an individual, standing against the surge of the crowd.'  (Publication summary)

'In the late 1990s I had a vivid dream about my old street in Glenroy where I grew up. In the dream my father (who is now dead), my mother and I were standing on the street, pausing in front of a vacant paddock and staring at the swaying grass. I knew, the way we know things in dreams, that it was summer. That it was a Saturday night in 1957 and from the colour of the sky that it was early evening. We all had our best clothes on: my father in a starched, white shirt, my mother in her best summer dress, and me in a striped shirt with a button-down collar that I'd forgotten all about until the dream retrieved it.' (Introduction)

'Why do some nights feel as though they were always waiting to happen? Or have already happened and will again? And why don't we know it then? Why is it only afterwards we say, yes, that was when my life turned?'

'1965. The great poet, TS Eliot, is dead. Hearing the news, the seventy-two year old Emily Hale points her Ford Roadster towards the port of Gloucester, where a fishing boat will take her out to sea, near the low, treacherous rocks called the Dry Salvages, just off Cape Ann, Massachusetts. Over the course of that day, clutching a satchel of letters, Emily Hale slips between past and present, reliving her life with Eliot – starting with that night in 1913, the moment when her life turned, when the young Tom Eliot and Emily Hale fell deeply in love with each other. But Tom moved to London to fulfil his destiny as the famous poet ‘TS Eliot', and Emily went on to become his muse – the silent figure behind some of the greatest poetry of the 20th century – his friend and his confidante. But never did she become his lover or his wife.' (Publication Summary)

'The thing that makes you, it never goes.

'A sleek high-speed train glides silently through the French countryside, bearing Michael, an Australian writer, and his travelling world of memory and speculation.

Melbourne, 1946, calls to him: the pressure cooker of the city during World War II has produced a small creative miracle, and at this pivotal moment the lives of his newly married parents, a group of restless artists, a proud old woman with a tent for a home, a journalist, a gallery owner, a farmer and a factory developer irrevocably intersect. And all the while the Spirit of Progress, the locomotive of the new age, roars through their lives like time's arrow, pointing to the future and the post-war world only some of them will enter.' (Publication summary)