AustLit logo

AustLit

Paul Kane Paul Kane i(A30320 works by)
Born: Established: 1950 New York (State),
c
United States of America (USA),
c
Americas,
;
Gender: Male
Visitor assertion
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 y separately published work icon The Other Side of Never : Dark Tales from the World of Peter & Wendy Marie O'Regan (editor), Paul Kane (editor), London : Titan , 2023 27748002 2023 anthology short story
1 Essays on Earth : Linear A Paul Kane , Brodie Ellis (illustrator), John Wolseley (illustrator), 2023 single work poetry art work
— Appears in: Axon : Creative Explorations , July vol. 13 no. 1 2023;
1 Scenario for Summer : Verses for Broadcasting Paul Kane , 2020 single work prose
— Appears in: Antipodes , vol. 34 no. 2 2020; (p. 169-177)
1 A Note on Anne Elder's Scenario for Summer Paul Kane , 2020 single work essay
— Appears in: Antipodes , vol. 34 no. 2 2020; (p. 167-168)

'For years the poet Anne Elder (1918–1976) was best known for the Anne Elder Award, a prominent literary prize for a first book of poems (similar in prestige to the Yale Younger Poets Prize in the United States). That obscuration of the poet herself has changed of late, with her inclusion in poetry anthologies (by Puncher and Wattmann and the University of New South Wales Press) and particularly with the joint publication in 2018 of a new selection of her poems, The Bright and the Cold (edited by her daughter, Catherine Elder), and a biography, The Heart's Ground (by Julia Hamer). Anne Elder's first career was as a ballet dancer in the Borovansky Company in Melbourne, but her debut collection of poems, For the Record (1972), marked her immediately as a poet of distinction. After her early death, a posthumous volume was published by Angus and Robertson, Crazy Woman and Other Poems (1977), though plans for a collected poems never materialized.' (Introduction)

1 In the Luxembourg Gardens i "The languid water of a fountain", Paul Kane , 2020 single work poetry
— Appears in: Australian Book Review , May no. 421 2020; (p. 16)
1 y separately published work icon Cursed : An Anthology of Dark Fairy Tales Marie O'Regan (editor), Paul Kane (editor), London : Titan , 2020 18688435 2020 anthology short story

'It's a prick of blood, the bite of an apple, the evil eye, a wedding ring or a pair of red shoes. Curses come in all shapes and sizes, and they can happen to anyone, not just those of us with unpopular stepparents...

'Here you'll find unique twists on curses, from fairy tale classics to brand-new hexes of the modern world - expect new monsters and mythologies as well as twists on well-loved fables. Stories to shock and stories of warning, stories of monsters and stories of magic.'

Source: Publisher's blurb.

1 y separately published work icon Wonderland: An Anthology Wonderland : An Anthology of Works Inspired by Alice's Adventures in Wonderland Marie O'Regan (editor), Paul Kane (editor), London : Titan , 2019 18690135 2019 anthology short story

'Join Alice as she is thrown into the whirlwind of Wonderland

'Within these pages you'll find myriad approaches to Alice, from horror to historical, taking us from the nightmarish reaches of the imagination to tales that will shock, surprise and tug on the heart-strings. So, it's time now to go down the rabbit hole, or through the looking-glass or... But no, wait. By picking up this book and starting to read it you're already there, can't you see?'

Source: Publisher's blurb.

1 1 y separately published work icon A Passing Bell : Ghazals for Tina Paul Kane , Talbot : White Crane Press , 2018 18433072 2018 selected work poetry

'This collection of Paul Kane's poetry, written after the death of Tina, his wife of thirty-six years, takes the reader through the deep process of grieving-in all its ebb and flow of emotion, its harrowing sorrow and sense of despair-to further stages of acceptance and self-recovery.

'Kane's poems (written as Persian ghazals) illuminate the pathways of this lonely pilgrimage and will resonate with those who have mourned the loss of a loved one.' (Publication summary)

1 Criticism in the Optative Mood : Antonella Riem’s A Gesture of Reconciliation Paul Kane , 2018 single work review
— Appears in: Le Simplegadi , November no. 18 2018; (p. 268-271)
In her Afterword to Antonella Riem’s magisterial A Gesture of Reconciliation, Riane Eisler – whose ideas provide much of the theoretical framework for Riem’s analyses – calls the book “a paean to the power of the creative word as a path to understanding and transformation” (212). In literary criticism we are used to seeing testaments to “the power of the creative word” (though perhaps less so now than in the past), and there is always the assumption, if not the outright declaration, that this leads to increased understanding. Knowledge and understanding, after all, are the coins of our particular realm. But except for manifestly polemical works, we don’t usually regard criticism as a path to transformation. And yet that is exactly what motivates Riem’s work, and has for over twenty years now, since she founded the Partnership Studies Group in Udine in 1998. As she says in her Introduction, “poetry, narration, music, and all other forms of art have a relevant role, because they influence our world-view and therefore our present and our future, and can even reconfigure our past beliefs and transform our lives” (12). Moreover, “if we consciously choose to focus our attention on peace, beauty, love, harmony, and art, this is what we creatively activate in our lives” (12). Literature, therefore, can help remake our world by changing us.' (Introduction)
1 4 y separately published work icon Renga : 100 Poems John Kinsella , Paul Kane , Melbourne : GloriaSMH , 2017 12995284 2017 selected work poetry

'Based on the Japanese collaborative poetic form, Renga: 100 Poems is a co-authored book by Australian poet John Kinsella and American poet Paul Kane. Each poem in the book, written across a decade, replies to a previous one by the other poet, creating a rich and layered texture of meaning and effect. 

'Using a call and response format, the two poets explore the similarities and differences encountered in their mirror lives, as each has spent years living in the other's country and is deeply engaged in both Australian and American literature. As both poets live in rural areas and have been concerned with ecological issues, many of the poems focus on the global environmental crisis, but the various thematic threads that make up this book weave a complex pattern that deepens and transforms over the course of the book.'  (Publication summary)

1 Chris Wallace-Crabbe, Descendentalist Paul Kane , 2014 single work criticism
— Appears in: Travelling Without Gods : A Chris Wallace-Crabbe Companion 2014; (p. 15-29)
1 A Light Breeze Is Best i "Pleasant is preferable to pleasure,", Paul Kane , 2014 single work poetry
— Appears in: The Turnrow Anthology of Contemporary Australian Poetry 2014; (p. 293)
1 Canada i "When Jacques Cartier passed with his three small ships", Paul Kane , 2014 single work poetry
— Appears in: The Turnrow Anthology of Contemporary Australian Poetry 2014; (p. 291-292)
1 Survival Plan i "For two days we lived", Paul Kane , 2014 single work poetry
— Appears in: The Weekend Australian , 13-14 December 2014; (p. 20)
1 Circling Back i "A day in the jet", Paul Kane , 2014 single work poetry
— Appears in: The Weekend Australian , 25-26 October 2014; (p. 20)
1 VFGA i "I cannot paint to save my life, but I will,", Paul Kane , 2014 single work poetry
— Appears in: Australian Book Review , May no. 361 2014; (p. 39) The Best Australian Poems 2014 2014; (p. 83-84)
1 Writing: Silence :: i "To mark the surface", Paul Kane , 2014 single work poetry
— Appears in: Cordite Poetry Review , 1 February no. 45.0 2014;
1 1 y separately published work icon Daylight Saving Robert Gray , Paul Kane (editor), New York (City) : George Braziller , 2013 7092595 2013 selected work poetry

'Robert Gray has been hailed as “one of the contemporary masters of poetry in English” (Les Murray). This selection of Gray’s finest poems demonstrates his extraordinary capacity to see the world in luminous detail, rendering it with radiant intensity. Both philosophical and sensuous, this is work of remarkable originality.

'Robert Gray is an award-winning poet, widely known throughout Australia and the rest of the world. This selection is of his finest poems spanning a forty-five year career. He lives in Sydney, Australia.' (Publication summary)

1 Worlds Apart i "The bottom fell out", Paul Kane , 2012 single work poetry
— Appears in: Mascara Literary Review , November no. 12 2012;
1 The Fire Sermon i "Here in the Drowned Lands", Paul Kane , 2012 single work poetry
— Appears in: Mascara Literary Review , November no. 12 2012;
X