AustLit

'These poems are unflinching in the face of death, yet suffused with the delights of living, from a potato harvest to a walk beside a river. They are in tune with the complexities of the modern world — the unseen environmental impact of war, an apocalyptic vision of a flooded city, a shocking glimpse of school bullying, the very ordinary dreams of refugees. An extended sequence, set during the Vietnam war, dramatises the confronting nature of combat and the way it comes back to haunt you, night after sleepless night. Finally, a fascination with the creativity of painters builds to the blazing farewell of an unknown artist.'

Source: Publisher's blurb.

'Dorothy Porter wanted to make poetry popular again, to bring r back into the mainstream and attract the readers that had abandoned it in the twentieth century, as the novel became the dominant literary form. She expressed that desire when discussing the mood and melancholia of T.S. Eliot's The Waste Land. She said, "I want to break away from that modernist fatigue. I want some green leaves to growl want poetry to get people intoxicated and drunk again. I want poem!' to be seen as something festive, fun and dangerous" (Digby 39). One way to capture some new ground for poetry was to challenge the relative domination of the lyric, which eventually resulted in Porter writing five verse novels. This chapter examines the successes and the limitations of these novels as narratives and as poetry.' (Introduction)

'This book is aimed at providing criticism of contemporary Australian poetry in a form that is accessible to general readers of poetry. It is intended to be the first in a series which will grapple with the bewildering diversity of the contemporary poetry scene. Part of the need for this scholarly collection is remedial; as we will argue, poetry review culture often lacks critical bite and the exigencies of academic research often bypass critical evaluation. The recent publication of Contemporary Australian Poetry (2016) highlighted the strength and vitality of the art form in Australia over the last quarter of a century. Feeding the Ghost I: Criticism on Contemporary Australian Poetry is intended to complement that body of work which has surprised so many readers with its vigour and depth. ' (Introduction)
 

'This book is aimed at providing criticism on contemporary Australian poetry in a form that is accessible to general readers. It is intended to be the first in a series which will grapple with the bewildering diversity of the contemporary poetry scene. Australian poetry deserves a criticism that accompanies the astonishing momentum and luminosity that has developed, which both elucidates the scale of poetic achievement and is also not afraid to evaluate that achievement through a rigorous and disinterested critical lens. Australian poets have been feeding the ghost with extraordinary energy and acumen over the last quarter of a century; it is now time for Australian poetry criticism to catch up.' (Introduction)

Author's note: After Grayson Perry

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