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Meredith Wattison Meredith Wattison i(A2390 works by)
Born: Established: 1963 ;
Gender: Female
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Works By

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1 The Loose Wild Grace Of It i "It came back to me, a false memory of falling out of a coral tree.", Meredith Wattison , 2022 single work poetry
— Appears in: Australian Poetry Journal , vol. 12 no. 1 2022; (p. 140-141)
1 1 I Start i "Perhaps it came in with the firewood;", Meredith Wattison , 2021 single work poetry
— Appears in: The Weekend Australian , 20 February 2021; (p. 18)
1 S(ub)lime i "Sometimes I lie on the sea bed like a flounder. I am the", Meredith Wattison , 2020 single work poetry
— Appears in: The Anthology of Australian Prose Poetry 2020; (p. 176)
1 1 y separately published work icon The Munchian O Meredith Wattison , Glebe : Puncher and Wattmann , 2020 21070272 2020 selected work poetry

'Wattison’s poems are always investigative, always humane. They are always willing to take risks. I know of no other Australian poet who writes quite like Meredith Wattison. She choreographs language in a way that is distinctive, deftly filtering moods and complex emotions through her uncanny vision as she aligns a deeply aesthetic mode of perception with the habitual and quotidian. Her language is sculptural and muscular, elegant and biting. Her music is both intense and playful, she can use the seductive registers of her voice to persuade and beguile, move and unsettle, but above all, her work is an enabling moral response to these complex times.
- from the Foreword by Judith Beveridge' (Publication summary)

1 Votive i "The ritual begins by filling a plastic basin with warm", Meredith Wattison , 2020 single work poetry
— Appears in: Australian Book Review , September no. 424 2020; (p. 45)
1 Wright Vociferous – ‘Birds’ and ‘Skins’ – Physiognomy, Identity and the Wild Spoken Word Meredith Wattison , 2018 single work criticism
— Appears in: Cordite Poetry Review , 1 February no. 84 2018;

'On 23 November, 2017 at the NSW Writers’ Centre in the Sydney suburb of Rozelle, poets Amanda Stewart, Nick Keys, Peter Minter, Michael Farrell and myself presented ‘The Centre For Deep Reading’s Talking Writing: Wrighting’ in the Judith Wright Room. Minter acknowledged this Wangal and Gadigal country. We each spoke for 15 minutes on Wright, and each did a mini-read of our own poems that reacted to or expanded on Wright’s work.' (Introduction)

1 The Munchian O i "Yes, that was me in the revolutionary belt, Che replicated, hung around my hips;", Meredith Wattison , 2017 single work poetry
— Appears in: Island , no. 151 2017; (p. 18)
1 A Peacock Sweeping Meredith Wattison , 2017 single work prose
— Appears in: Plumwood Mountain : An Australian Journal of Ecopoetry and Ecopoetics , February vol. 4 no. 1 2017;
1 Rewild i "I sit at table 8. I know this because there is a numbered disk hanging from a glass bead and wire monkey’s tail. It", Meredith Wattison , 2016 single work prose
— Appears in: Plumwood Mountain: An Australian Journal of Ecopoetry and Ecopoetics , August vol. 3 no. 2 2016;
1 Rewilding i "Down through the deep aisles of an organic grocer's is a wild foods cafe.", Meredith Wattison , 2016 single work poetry
— Appears in: Contemporary Australian Feminist Poetry 2016; (p. 53-54)
1 The Film Student's Shoes i "Under the sole of each size 12 shoe is a large egg-shaped hole. The lost layers", Meredith Wattison , 2015 single work poetry prose
— Appears in: Cordite Poetry Review , no. 50.0 2015;
1 6 y separately published work icon Terra Bravura Meredith Wattison , Glebe : Puncher and Wattmann , 2014 8360205 2014 selected work poetry

'Terra Bravura, began as short text messages sent to David Musgrave from the desert on the way to Broken Hill. He later described their poetic form thuis:'The poems are terrific. Vox clamantis in desierto. The lines are dense and staccato, with a kind of pinpoint-accurate mouthfulness of sound - hard to describe, but it seems to me that the rhythm is what makes it work so distinctively. There are words that leap out at you -'the eagle, canopic on tar, atop kangaroo smear, thrown furred corsets of white bone, confetti of road crows chroming a black storm' - this is inventive, musical and harsh, accurate and rich, with a vein of visionary dream, which I like.' The landscape of feral goats, idiosyncratic human markers, failed fences, becomes the distorted and detail-selective realm of memory. It was written in 2009, when the poet's father began to lose his memory; it is an exploration of oral tradition, the stuff of generational infamy, the coming, by ship in 1855, to Australia . 'That sick green sea/carrying/the little stone/to the orange square...'' (Publication summary)

1 Australia i "It slowly slunk towards me, weaving low,", Meredith Wattison , 2014 single work poetry
— Appears in: Plumwood Mountain : An Australian Journal of Ecopoetry and Ecopoetics , February vol. 1 no. 1 2014;
1 Sunlight and Finches i "Slipping through frosted", Meredith Wattison , 2013 single work poetry
— Appears in: Cordite Poetry Review , December no. 44.0 2013;
1 Armstrong’s Zeitgeist Visor i "The geese on our dinner plates", Meredith Wattison , 2013 single work poetry
— Appears in: Cordite Poetry Review , September no. 43.0 2013;
1 Dupain’s Proof Meredith Wattison , 2012 single work short story
— Appears in: Snorkel , October no. 16 2012;
1 Durer i "In this chereful mausoleum", Meredith Wattison , 2012 single work poetry
— Appears in: The Best Australian Poems 2012 2012; (p. 17)
1 Happiness i "Yes, I walked from Room 3", Meredith Wattison , 2011 single work poetry
— Appears in: The Best Australian Poems 2011 2011; (p. 177)
1 From 'Terra Bravura' i "I think of the cow in the dark dam;", Meredith Wattison , 2011 single work poetry
— Appears in: Island , Spring no. 126 2011; (p. 88)
1 The Presence of Animals i "Outside there is a chained monkey who bites. He lives", Meredith Wattison , 2011 single work poetry
— Appears in: Meanjin , Autumn vol. 70 no. 2 2011; (p. 197)
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