AustLit

Silversun follows the journey of the titular spacecraft, two years into a ninety-year journey to a distant, Earth-like planet, intended for colonisation. The colonists are in cryogenic status, and the ship's crew is largely teenagers, who will take over the primary roles as the adult crew ages.

The program's focus was a combination of the coming-of-age/interpersonal relationship storylines typical of a teenage show and the type of ethical dilemmas common to science-fiction story-telling. Among the latter were such issues as whether or not a crew member's clone was human, and what effect long-distance interstellar travel would have on the human mind and emotions.

Season two of the program ended on a cliffhanger, and no plans have been made to revive the program.

Fourteen-year-old Ben discovers that his seemingly staid country town of Werrinup, Western Australia, is actually the gateway to a number of parallel dimensions--where things are almost but not quite like his own world. Once he becomes aware of the parallel worlds, he also becomes aware that they are under threat, and he has to help protect them.

Parallax was created and produced by Paul D. Barron, who is also responsible for such programs as Wormwood, Stormworld, and Ship to Shore.

'Based on the popular books by Rose Impey, this comedy-drama series features five 12-year-old girls on their quest for identity, individuality, belonging, family, friendship and how to have the most fun while trying to deny the existence of boys.'

Source: Screen Australia. (Sighted: 3/12/2013)

Fifteen-year-old Kate and her two younger siblings, Nicholas and Sarah, are accidentally zapped inside Kate's current video-gaming obsession: Pirate Islands, a swashbuckling action-adventure game. Now the children--and the island's existing population of castaway children, led by the fearless Mars--must battle the fearsome Captain Blackheart if they wish to get back to their own world.

The program is structured around the generic conventions of video gaming: the protagonists must find a powerful object (the Golden Idol) in order to exit the game; the islands contain 'power ups', namely a jet-pack and magic boots, that give the protagonists super-human powers; and the location is divided into several distinct environments that the protagonists can explore (Castaway Island, Haunted Island, Plant Island, Main Island, and Secret Island).

The program has never been released on DVD in its entirety, but was cut down and released as two films.

A live-action puppet show, Li'l Horrors followed the misadventures of the students at a school run by Morbidda Bates, a retired horror-film actress. The students included examples of key monsters from horror films: vampires, Frankenstein's monster, gorgons, mummies, zombies, werewolves, and swamp creatures.

According to December Films' press release for the series:

Li'l Horrors is a children's puppet sitcom specifically produced for the 5-8 year old age group. This is an age group who are currently not well catered for. Much programming is made for pre-schoolers and for 9 year olds and above. Li'l Horrors is created for this in between age group. It does not talk down to its audience or aim over its head. It is, however, infused with enough wit and off-the-wall humour to engage an even wider audience. Aimed well at [its] target audience, it is modern, slick, sly, funny and irreverent.

The program also focuses strongly on difference, with each of the characters quite strongly physically different from one another, as well as widely different in behavious and characteristics.

When Rodney and Jessica witness two aliens crash landing on Earth, they undertake to protect them by roping them into joining the world's most unsuccessful children's television program, Kid's Breakfast (nicknamed Pig's Breakfast). Disguised as characters on the program, Grob and Meeba (and their pilot Queegle) are forbidden to reveal their real identities: the media believe them to be eccentric actors who prefer to stay in character (and costume). But the situation is complicated by the fact that the crashed spaceship was a school bus, and Grob and Meeba, although genuine aliens, are also genuine teenagers.

'Based on the stories of Paul Jennings, DRIVEN CRAZY follows the adventures of the Bourke family as they travel around Australia in their old Chevy wagon.'

Source: Screen Australia.

'Inspired by true events, Stingers reveals the shadowy and ambiguous world of undercover cops — people with covert lives and constantly changing identities. They are police who defeat crime from within the criminal world — always without a badge and frequently without protection. The series follows the lives of the operatives as they befriend and betray those on the other side of the law. For these select few, it is a deadly way of life.The undercover cops of Stingers are a unique breed. They must juggle their own lives — love, laughter, family and humanity — with the tension of the criminal personas they adopt in their passion for justice.'

Source: Australian Television Information Archive. (Sighted: 7/6/2013)

Home and Away is a television serial created by Alan Bateman and produced by the Seven Network. The idea for the series came to Bateman (then head of drama at Seven) after he stopped to buy ice-creams in a small country town in southern NSW. While chatting to some locals, he learned that the town was unhappy about plans to build a home for foster kids from the city. At that time, Channel Seven was still smarting from its decision to let Neighbours go to the Ten Network, where it had become hugely popular, and was looking to create another series to rival its success. Bateman saw in the idea that became Home and Away the potential for plenty of storylines and conflict by having streetwise city kids being relocated to a small regional environment,

In the beginning, the series focused on Pippa and Tom Fletcher, who, being unable to have children of their own, decide to become foster parents. When Tom is retrenched from his city job, the couple buy the rundown Summer Bay Caravan Park and move there with their five foster children. Soon after arriving, they also take in troublesome Bobby Simpson.

The series debuted in January 1988 with an hour-long telemovie. Although this rated well, the series itself took some while to develop an audience. Having learned their lesson from the Neighbours debacle, Network Seven gave its new show time, and its ratings gradually increased. As with Neighbours, the Home and Away series and performers became very popular in the United Kingdom.