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Luke Fischer Luke Fischer i(A139766 works by)
Born: Established: Sydney, New South Wales, ;
Gender: Male
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Works By

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1 Orphic Elegy V Luke Fischer , 2022 single work poetry
— Appears in: Best of Australian Poems 2022 2022; (p. 111)
1 y separately published work icon A Gamble for My Daughter Luke Fischer , Newtown : Vagabond Press , 2022 23670427 2022 selected work poetry

'A Gamble for my Daughter takes its title from the final poem in Luke Fischer’s third full-length collection, which addresses the dilemmas of raising a child in a world fraught with political unrest and environmental catastrophe. This contemporary situation is historically contextualised by other poems in the collection, including the five-part sequence ‘Orphic Elegy’ that opens the first section of the book. In its retelling and revision of myths about Orpheus, this poem sheds a unique light on the historical breakdown of a holistic vision of the universe in modernity and the resulting alienation of humanity from nature and the divine. Parts I and II reimagine ancient Orphism. Part III focuses on the integration of art and science in the Renaissance. Part IV centres on the twentieth century and addresses the question famously formulated by the philosopher Theodor Adorno about whether it is possible to write poetry after Auschwitz. Part V revises myths about Orpheus’s magical ability to charm animals (and his relationship to the dead), in connection with the mass extinction of animals that is currently taking place. The poems in the book’s second section speculate in a mythopoetic and embodied way on the possibilities of establishing new forms of interconnection between art and the environment, mind and nature. The third section addresses the human relationship to animals, the ecological crisis, and the violence of colonisation, and wrestles with questions about how to bring up a child in the face of the challenging future that she will inherit. This collection takes the synthesis of poetry and philosophy to a new level of sophistication, insight and empathy previously unseen in Australian poetry.' (Publication summary)

1 Absent Angel i "The Angel -", Luke Fischer , 2021 single work poetry
— Appears in: Axon : Creative Explorations , July vol. 11 no. 1 2021;
1 On the Organic Form of Art i "There are those who don’t believe you", Luke Fischer , 2020 single work poetry
— Appears in: PAN , no. 15 2020; (p. 64-66)
1 Our Times i "Who, with an open heart, unflinching gaze", Luke Fischer , 2020 single work poetry
— Appears in: PAN , no. 15 2020; (p. 63-64)
1 Mountainous Island i "You might think it nostalgic", Luke Fischer , 2020 single work poetry
— Appears in: PAN , no. 15 2020; (p. 61-63)
1 Coastal Idyll i "A crescent beach, flour-white sand,", Luke Fischer , 2020 single work poetry
— Appears in: PAN , no. 15 2020; (p. 60-61)
1 The Meaning of Life and the Pandemic Luke Fischer , 2020 single work autobiography
— Appears in: Mascara Literary Review , August no. 25 2020;
1 Textures of Language and Thought : Sarah Rice Luke Fischer , 2018 single work essay
— Appears in: Sydney Review of Books , March 2018;

'Sarah Rice and I first became friends when we were members of the same choir and toured Europe in 2003. Sarah had just completed a PhD in philosophy––on epistemic metaphors and ethics in Nietzsche and Levinas––and I was about to embark on my doctorate. Sarah went on to complete further post-graduate study in Visual Art and to lecture in Art Theory at the ANU. Some years after our choir tour Sarah and I reconnected through poetry. While Fingertip of the Tongue is Sarah’s first full-length collection, Sarah’s poems have been widely published and won a number of prizes.' (Introduction)

1 Stones i "We generally assume", Luke Fischer , 2017 single work poetry
— Appears in: The Best Australian Poems 2017 2017; (p. 68-69) Groundswell: The Overland Judith Wright Poetry Prize for New and Emerging Artists 2021; (p. 64-65)
1 An Intellectual and Emotional Complex Luke Fischer , 2017 single work essay
— Appears in: Rochford Street Review , July-September no. 23 2017;

'It is an honour and special pleasure to be given the role of launching (a little belatedly) Jakob Ziguras’s new and second book of poems The Sepia Carousel. Jakob and I will shortly converse about the book, and Jakob will then read a number of poems. However, to begin with I will say a few words as a way of introducing The Sepia Carousel.' (Introduction)

1 Luke Fischer’s Launch of Have Been and Are by Brook Emery Luke Fischer , 2017 single work essay
— Appears in: Mascara Literary Review , April no. 20 2017;
'Welcome everyone. For those of you who don’t know me, my name is Luke Fischer. I’m a poet and philosopher, and this afternoon I have the great pleasure and honour of launching Brook Emery’s splendid new book of poems, his fifth collection have been and are, published by the new Melbourne press Gloria SMH. Jacinta Le Plastrier, whom many of you would also know as the current director of Australian Poetry and who formerly worked at John Leonard Press, is the publisher and co-founder of Gloria SMH. At the outset I’d like to congratulate Jacinta and her colleagues on the beautiful production and design of this book.' (Introduction)
1 4 y separately published work icon A Personal History of Vision Luke Fischer , Crawley : UWA Publishing , 2017 10716447 2017 selected work poetry

'A Personal History of Vision expands on the concerns of Fischer’s acclaimed first collection Paths of Flight and embodies what Judith Beveridge has described as his ‘seemingly effortless ability to blend visual detail and imaginative vision.’ Intertwining the personal and the historical, the modern and the primeval, culture and nature, these poems explore vision in its many senses, often with reference to the visual arts. At their heart is a search for an enlarged awareness of ourselves and the world, in which the visible and the invisible, nature and spirit find one another. At the same time these poems are awake to inadequacies and the trials of death and suffering––personal, political, and ecological. Yet, even in the darkness (the focus of the second section) they detect possibilities of transformation.' (Publication summary)

1 Conversation/Collaboration Luke Fischer , Anthony Lawrence , Simeon Kronenberg , 2016 single work interview
— Appears in: Axon : Creative Explorations , vol. 6 no. 1 2016;
'Collaboration has a long history in the arts, especially in music. In poetry, Wordsworth and Coleridge produced the 'Lyrical Ballads' and Ezra Pound's editorial influence is widely regarded as an indelible (though uncredited) influence on TS Eliot's 'The Wasteland'. While most collaborations in verse involve a dialogue between two poets, this three-way 'Conversation' is intended to introduce and share a number of concerns and ideas that pertain to both composition and editorial practice. Consequently, our combined statements and reflections are intended as a foundation from which to step off into the actual writing process, and to offer potential readers a number of valuable insights into possible methodologies for a collaboration, in three voices.' (Publication abstract)
1 A Kind of Ritual i "This sundown gathering", Luke Fischer , 2016 single work poetry
— Appears in: Axon : Creative Explorations , vol. 6 no. 1 2016;
1 Epidaurus i "Amphitheatre", Luke Fischer , 2016 single work poetry
— Appears in: PAN , no. 12 2016;
1 Raven i "Turning from the path we catch", Luke Fischer , 2016 single work poetry
— Appears in: PAN , no. 12 2016;
1 Imagined Worlds : Luke Fischer Launches ‘Ghostspeaking’ by Peter Boyle Luke Fischer , 2016 single work
— Appears in: Rochford Street Review , October – December no. 20 2016;

— Review of Ghostspeaking Peter Boyle , 2016 selected work poetry
1 Metamorphosis i "I’ve woken from deep sleep and forgotten who I was, am. All I recall is an", Luke Fischer , 2016 single work poetry
— Appears in: Long Paddock , vol. 76 no. 1 2016;
1 Madonna of the Goldfinch (Raphael) i "The blue sky around her head,", Luke Fischer , 2016 single work poetry
— Appears in: Southerly , August vol. 76 no. 1 2016; (p. 209)
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