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Sarah Rice Sarah Rice i(A139471 works by)
Gender: Female
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Works By

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1 y separately published work icon Text/Ure Sarah Rice , Canberra : Recent Work Press , 2021 22004995 2021 selected work poetry

'If I could have given you a note 

In your time of silence,

It would have the shape

of my heart 

'Follow one poem’s journey through word, song, and visual art. How does the form of the poem trans-form across different media? What aspects of texture, tone, colour, shape, and line remain? This full colour book marks the culmination of the Text/ure project, a tribute to the collaborations and creative processes involved. With original poem ‘If I Could Have Given You A Note‘, full composers’ statements, interview excerpts, visual art, drawing statements, and all six concluding poems, it is a feast for eye and ear alike'

Source : publisher's blurb

1 Masked i "I cup your face in my palm", Sarah Rice , 2021 single work poetry
— Appears in: Not Very Quiet , March no. 8 2021;
1 Washing i "It is the day for it", Sarah Rice , 2020 single work poetry
— Appears in: FourW (New Writing) , no. 31 2020; (p. 194-196)
1 y separately published work icon Care Stop Sarah Rice , Canberra : Recent Work Press , 2020 20911042 2020 selected work poetry

'Care Stop is Sarah Rice’s poetic and photographic reflection on the vagaries of homelessness and the topography of empathy. The book begins with the poem ‘Care Stop’ and is followed by a series of altered images featuring the iconic ACT bus stop shelter. Care Stop is produced in a limited edition, and is proudly supported by artsACT.'

Source: Publisher's blurb.

1 To My Impossible Wife - Now Possible Sarah Rice , 2020 single work poetry
— Appears in: Australian Poetry Anthology 2020; (p. 113)
1 Fallacy of the Predicate i "Nietzsche warns:", Sarah Rice , 2019 single work poetry
— Appears in: Not Very Quiet , March no. 4 2019;
1 Down to the Line : Five Points Connected Up Sarah Rice , 2018 single work essay
— Appears in: Axon : Creative Explorations , May vol. 8 no. 1 2018;

'1In 2016, for the ‘Noted’ and ‘You Are Here’ Festivals, glass artist Harriet Schwarzrock and I collaborated on a project called ‘Light Lines’. This involved turning my poetry into lines of light made from heat-worked neon — the process helped align my visual and literary practices… ​' (Introduction)

1 Breakers i "Each wave", Sarah Rice , 2018 single work poetry
— Appears in: Axon : Creative Explorations , May vol. 8 no. 1 2018;
1 Diplopia i "My optometrist said", Sarah Rice , 2018 single work poetry
— Appears in: Axon : Creative Explorations , May vol. 8 no. 1 2018;
1 Nystagmus i "My eyes switch", Sarah Rice , 2018 single work poetry
— Appears in: Axon : Creative Explorations , May vol. 8 no. 1 2018;
1 Strabismus i "My left eye takes its job", Sarah Rice , 2018 single work poetry
— Appears in: Axon : Creative Explorations , May vol. 8 no. 1 2018;
1 Exotropia in Three Movements of the Eye Sarah Rice , 2018 sequence poetry
— Appears in: Axon : Creative Explorations , May vol. 8 no. 1 2018;
1 2 y separately published work icon Fingertip of the Tongue Sarah Rice , Crawley : UWA Publishing , 2017 11947102 2017 selected work poetry

'Praise for Fingertip of the Tongue

'In Fingertip of the Tongue we find a poetry of close observation of people and everyday objects, finding in them new and deeper implications. These poems are sometimes whimsical, sometimes deeply personal, always satisfying. Sarah Rice displays a fascination with form and a great skill in finding the startlingly apt word, the evocative insight. Hers is a poetry of mind and heart. RON PRETTY' 

1 Creative In-formation—a Per-formance or Possibly a List Poem—does It Matter? Back to the Drawing Board … Sarah Rice , 2017 single work criticism
— Appears in: TEXT Special Issue Website Series , no. 40 2017;
'This article performs the creative act of giving form to writing—whether that of an academic paper, poem or artwork. It is a demonstration of the ‘turn of the line’, watching itself turning from post-structuralist foundation through photographic essay to poetic performance. The ‘paper’ (existing only electronically) aims to capture the strange gathering of matter that constitutes the giving of form. By employing a philosophico-poetic approach, and drawing on ideas taken from philosophy, the history of art, and poetry (such as negative space, materiality, and material poetics), this article aims to capture creativity in the act.' (Publication abstract)
1 The Saying and the Said i "Timing and manner my mum would always say", Sarah Rice , 2016 single work poetry
— Appears in: States of Poetry : ACT 2016;
1 Song of Gratitude i "For the soft-handled horse-mane hair", Sarah Rice , 2016 single work poetry
— Appears in: States of Poetry : ACT 2016;
1 Self-Reliance i "No one is going to come and save you.", Sarah Rice , 2016 single work poetry
— Appears in: States of Poetry : ACT 2016;
1 Dad Sarah i "We would sit on the wings of his knees", Sarah Rice , 2016 single work poetry
— Appears in: States of Poetry : ACT 2016;
1 Climbing Sarah i "Life, like climbing, is best", Sarah Rice , 2016 single work poetry
— Appears in: States of Poetry : ACT 2016;
1 Mid-point i "Today they shot 8 people", Sarah Rice , 2016 single work poetry
— Appears in: Tremble : The University of Canberra Vice-Chancellor's International Poetry Prize 2016; (p. 110)
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