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Geoff Page Geoff Page i(A13884 works by) (a.k.a. Geoffrey Donald Page)
Born: Established: 1940 Grafton, Grafton area, Grafton - Maclean area, Mid North Coast, New South Wales, ;
Gender: Male
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Works By

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1 Drambuies of Poetry : A Well-turned Selection Geoff Page , 2024 single work review
— Appears in: Australian Book Review , January - February no. 461 2024; (p. 47)

— Review of Near the Border : New and Selected Poems Andrew Sant , 2023 selected work poetry

'Andrew Sant is a substantial yet somewhat elusive figure in contemporary Australian poetry. Born in London, he arrived in Melbourne with his parents at age twelve in 1962. Over the years, he has published at least eleven collections, co-founded the literary magazine Island, and been, for a time, a member of the Literature Board of the Australia Council. More recently, Sant has lived and worked in the United Kingdom, but he clearly retains links with Australia, particularly Tasmania, where he first became known as a poet.'(Introduction)            

1 y separately published work icon Penultima Geoff Page , World Square : Pitt Street Poetry , 2023 27277079 2023 selected work poetry

'Few Australian poets can equal Geoff Page's depth, variety and longevity. Twenty five collections published over the last fifty years. His influence on the Australian poetry landscape as writer, reviewer and convenor of poetry events continues to be perceptive, pervasive and profound. As he embraces his ninth decade the rich flow of uniquely Pageian observations, insights, meditations and word plays continues unabated.

'His new collection Penultima meanders musically from the Bach family to Lester Young, grounded by a lively basso pizzicato. A contemplative, self-knowing five poem sequence, The Misanthrope, counterpoints brief, artful sketches of some personal icons such as Jacob Rosenberg, Bishop John Hall of Norwich and saxophonist Lee Konitz. There are darker tones, as always in his work: American gun culture, the sins of the church. And finally, as always in the Geoff Page universe, love supervenes once again:

since late-life love is love discovered

just in time to get things right

a boundless summer afternoon . . .

before the cosmos flips the light.' (Publication summary)

1 Endings i "I like to think about the endings,", Geoff Page , 2023 single work poetry
— Appears in: Australian Book Review , November no. 459 2023; (p. 21)
1 A Suggestion of Ghosts Geoff Page , 2023 single work review
— Appears in: Quadrant , October vol. 67 no. 10 2023; (p. 90-92)

— Review of The Exclusion Zone Shastra Deo , 2023 selected work poetry ; Cranial Bunker Stephen Oliver , 2023 selected work poetry ; The Shadow Box Jean Kent , 2023 selected work poetry ; What If I Told You? Unlikely Love Poems on Several Occasions Michael Sharkey , 2023 selected work poetry
1 In Praise of Crows and Ravens i "Let’s not fuss about the difference;", Geoff Page , 2023 single work poetry
— Appears in: Quadrant , 1 July vol. 67 no. 7/8 2023; (p. 11)
1 Ah, How Justice i "inches forward,", Geoff Page , 2023 single work poetry
— Appears in: Quadrant , 1 July vol. 67 no. 7/8 2023; (p. 11) The Weekend Australian , 18-19 November 2023; (p. 13)
1 Last Bar i "Hardly bellbirds in a forest,", Geoff Page , 2023 single work poetry
— Appears in: Quadrant , 1 July vol. 67 no. 7/8 2023; (p. 11)
1 Plover's Lament : A Celebration of Continuity Geoff Page , 2023 single work review
— Appears in: Australian Book Review , August no. 456 2023; (p. 57)

— Review of Shore Lines Andrew Taylor , 2023 selected work poetry

'Andrew Taylor has been an important figure in the Australian poetic landscape since his first book, The Cool Change, appeared in 1971. Identified with no particular group or aesthetic tendency, he has worked as poet and academic in Melbourne, Adelaide, and Perth, and is now retired from teaching and based in Sydney.'  (Introduction)

1 Strange Gods i "To what strange gods do they give praise", Geoff Page , 2023 single work poetry
— Appears in: Eureka Street , 29 May vol. 33 no. 10 2023;
1 Cruise i "It’s been a blowsy sort of sunset.", Geoff Page , 2023 single work poetry
— Appears in: Eureka Street , 29 May vol. 33 no. 10 2023;
1 Darcy i "Who cares, he says, what Mr Darcy thinks?", Geoff Page , 2023 single work poetry
— Appears in: Eureka Street , 6 March vol. 33 no. 4 2023;
1 Initiations i "Surely I have written somewhere", Geoff Page , 2023 single work poetry
— Appears in: Eureka Street , 6 March vol. 33 no. 4 2023;
1 Webster i "Filling up the Webster-pak’s", Geoff Page , 2023 single work poetry
— Appears in: Eureka Street , 6 March vol. 33 no. 4 2023;
1 Gravel i "Sixty-three years on, still licensed, I’m driving on the old road home.", Geoff Page , 2022 single work poetry
— Appears in: The Weekend Australian , 12 November 2022; (p. 20) Australian Poetry Anthology 10 2023; (p. 40)
1 Second Amendment i "Eleven now, not too precocious,", Geoff Page , 2022 single work poetry
— Appears in: Authora Australis , no. 5 2022;
1 'Time to Be Grass Again' : Colorado Comes to Tasmania Geoff Page , 2022 single work review
— Appears in: Australian Book Review , November no. 448 2022; (p. 44)

— Review of Pacific Light David Mason , 2023 selected work poetry

'Poet, essayist, and librettist David Mason grew up in Washington State, worked for many years in Colorado (where he became the state’s poet laureate) and a couple of years ago moved to Tasmania. Pacific Light, his new collection, is largely about that transition and his getting to know the landscapes and cultures of his new country.'  (Introduction)

1 Foreshore i "A pair of pigeons tells the weather,", Geoff Page , 2022 single work poetry
— Appears in: Island , no. 165 2022; (p. 63)
1 Radio Dreams i "And now for poetry, she says.", Geoff Page , 2022 single work poetry
— Appears in: Quadrant , July/August vol. 66 no. 7/8 2022; (p. 73)
1 Les Arrivisters i "Do magpies still recall the Pliocene?", Geoff Page , 2022 single work poetry
— Appears in: Quadrant , July/August vol. 66 no. 7/8 2022; (p. 5)
1 Judith’s Dream i "A poem Judith might’ve dreamt", Geoff Page , 2022 single work poetry
— Appears in: Quadrant , July/August vol. 66 no. 7/8 2022; (p. 5)
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