| Text | Unit Name | Institution | Year |
|---|---|---|---|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Australian Crimes | Australian National University | 2014 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Australian Crimes: Crime narratives on page, stage and screen | Australian National University | 2016 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Black Writers | James Cook University | 2012 (Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Black Writers | James Cook University | 2015 (Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Black Writers | James Cook University | 2016 (Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Postcolonial Australian Literature | King's College London | 2009 (Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Postcolonial Australian Literature | King's College London | 2011 (Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Poetics of Transgression | La Trobe University | 2013 (Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Poetics of Transgression | La Trobe University | 2012 |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Dichotomies in Indigenous Imaging | Macquarie University | 2015 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Culture, Creation and Characters: Indigenous Australian Literature | Macquarie University | 2015 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Culture, Creation and Characters: Indigenous Australian Literature | Macquarie University | 2016 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Literary Studies: Literature and Law | University of Canberra | 2009 |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Novels | University of Melbourne | 2014 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Textual Revelations | University of Melbourne | 2016 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Post Colonial Literature | University of Newcastle | 2011 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Post Colonial Literature | University of Newcastle | 2012 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Australian Film and Literature | University of South Australia | 2011 (Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Australia Imagined: Identity and Diversity in Australian Film and Literature | University of South Australia | 2012 (Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Journeys of Healing | University of Sydney | 2010 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Australian Literature Honours B: Undisciplined Histories | University of Sydney | 2008 (Semester 1, Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Australian Literature Honours C: Journeys of Healing | University of Sydney | 2008 (Semester 1, Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Australian Literature Honours B: Undisciplined Histories | University of Sydney | 2009 (Semester 1, Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Australian Literature Honours A | University of Sydney | 2010 (Semester 1, Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Australian Literature 1988 to Present | University of Sydney | 2012 (Semester 2) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Introduction to Aboriginal Literature | University of Sydney | 2012 |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Journeys of Healing | University of Sydney | 2011 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Contemporary Writing | University of Western Australia | 2014 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Culture and Difference in Australia | University of Western Australia | 2009 |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Transnational Indigenous Literatures | University of Wollongong | 2015 (Semester 1) |
|
y
Benang : From the Heart
Fremantle
:
Fremantle Press
,
1999
Z135862
1999
single work
novel
(taught in 31 units)
'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
|
Transnational Indigenous Literatures | University of Wollongong | 2016 (Semester 1) |
| Text | Unit Name | Institution | Year |
|---|---|---|---|
|
y
The Best Australian Stories 2013
Kim Scott
(editor),
Collingwood
:
Black Inc.
,
2013
6049503
2013
selected work
short story
(taught in 4 units)
'In The Best Australian Stories 2013, Kim Scott selects the year’s most outstanding short fiction. Featuring established favourites alongside exciting new voices, this diverse collection is a perfect companion for summer and an ideal introduction to Australia’s best contemporary writing.' (Publisher's blurb) |
Writing Project A | Deakin University | 2014 (Trimester 1) |
|
y
The Best Australian Stories 2013
Kim Scott
(editor),
Collingwood
:
Black Inc.
,
2013
6049503
2013
selected work
short story
(taught in 4 units)
'In The Best Australian Stories 2013, Kim Scott selects the year’s most outstanding short fiction. Featuring established favourites alongside exciting new voices, this diverse collection is a perfect companion for summer and an ideal introduction to Australia’s best contemporary writing.' (Publisher's blurb) |
Writing Australia | University of Melbourne | 2014 (Semester 2) |
|
y
The Best Australian Stories 2013
Kim Scott
(editor),
Collingwood
:
Black Inc.
,
2013
6049503
2013
selected work
short story
(taught in 4 units)
'In The Best Australian Stories 2013, Kim Scott selects the year’s most outstanding short fiction. Featuring established favourites alongside exciting new voices, this diverse collection is a perfect companion for summer and an ideal introduction to Australia’s best contemporary writing.' (Publisher's blurb) |
Creative Writing Fiction Workshop | University of Sydney | 2014 (Semester 1) |
|
y
The Best Australian Stories 2013
Kim Scott
(editor),
Collingwood
:
Black Inc.
,
2013
6049503
2013
selected work
short story
(taught in 4 units)
'In The Best Australian Stories 2013, Kim Scott selects the year’s most outstanding short fiction. Featuring established favourites alongside exciting new voices, this diverse collection is a perfect companion for summer and an ideal introduction to Australia’s best contemporary writing.' (Publisher's blurb) |
Creative Writing: Fiction Workshop | University of Sydney | 2014 (Semester 1) |
| Text | Unit Name | Institution | Year |
|---|---|---|---|
|
y
Kayang and Me
Fremantle
:
Fremantle Press
,
2005
6962661
2005
single work
biography
(taught in 1 units)
From the award-winning author of Benang, and his Aunty Hazel, comes this monumental history of the south coast Noongar people of Western Australia. Kayang - meaning, respectfully, Old Lady - was born in 1925. Through her candid voice comes the story of her people and her country, interwoven with traditional tales. Award-winning novelist Kim Scott and his elder, Hazel Brown, have created a monumental family history of the Wilomin Noongar people. Kayang & Me is a powerful story of community and belonging, revealing the deep and enduring connections between family, country, culture and history that lie at the heart of Indigenous identity.' (Source: Publishers website) |
Australian Literature Honours B: Undisciplined Histories | University of Sydney | 2008 (Semester 1, Semester 2) |
| Text | Unit Name | Institution | Year |
|---|---|---|---|
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Further studies in Australian literature | Australian Catholic University - Brisbane Campus (McAuley at Banyo) | 2013 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Advanced Australian Literature | Australian Catholic University - Brisbane Campus (McAuley at Banyo) | 2015 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Advanced Australian Literature | Australian Catholic University - Brisbane Campus (McAuley at Banyo) | 2016 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature An Introduction | Australian Catholic University - Strathfield Campus (Mount Saint Mary) | 2013 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature An Introduction | Australian Catholic University - Strathfield Campus (Mount Saint Mary) | 2012 |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature: An Introduction | Australian Catholic University - Strathfield Campus (Mount Saint Mary) | 2014 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature: An Introduction | Australian Catholic University - Strathfield Campus (Mount Saint Mary) | 2015 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature - An Introduction | Australian Catholic University - Strathfield Campus (Mount Saint Mary) | 2016 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature | Deakin University | 2015 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature | Deakin University | 2016 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Fiction | Edith Cowan University | 2014 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Fiction | Edith Cowan University | 2012 |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Fiction | Edith Cowan University | 2015 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Fiction | Edith Cowan University | 2016 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Twentieth and Twenty-First Century Australian Literature: Inventing the Past | La Trobe University | 2013 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature | La Trobe University | 2014 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature | La Trobe University | 2016 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Pre-War Australia from Stage to Webpage | Macquarie University | 2014 (Session 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Contemporary Australian Writing | Royal Melbourne Institute of Technology (RMIT) | 2011 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Contemporary Australian Writing | Royal Melbourne Institute of Technology (RMIT) | 2012 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Issues and Themes in Contemporary Writing | Southern Cross University | 2015 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Issues and Themes in Contemporary Writing | Southern Cross University | 2016 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Historicising the Colonial Past | University of Melbourne | 2013 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Historicising the Colonial Past | University of Melbourne | 2014 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Historicising the Colonial Past | University of Melbourne | 2012 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Writing Australia | University of Melbourne | 2015 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Historicising the Colonial Mythscape | University of Melbourne | 2016 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature and the Postcolonial Challenge | University of Notre Dame | 2012 |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature And The Post Colonial Challenge | University of Notre Dame | 2015 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Current Issues in Australian Writing | University of Queensland | 2013 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Current Issues in Australian Writing | University of Queensland | 2011 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Current Issues in Australian Writing | University of Queensland | 2011 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Current Issues in Australian Writing | University of Queensland | 2012 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Society, Aboriginal Voices | University of South Australia | 2012 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Writing Australian Nature | University of Sydney | 2014 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Writing Australian Nature | University of Sydney | 2012 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Introduction to Aboriginal Literature | University of Sydney | 2012 |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literature and the Canonical Imaginary | University of Sydney | 2015 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Writing Australian Nature | University of Sydney | 2016 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Meaning and Medium | University of Western Australia | 2014 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Australian Literary Studies | University of Western Australia | 2014 (Semester 2) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Page and Screen: Fiction in the Digital Age | University of Western Australia | 2016 (Semester 1) |
|
y
That Deadman Dance
Sydney
:
Picador
,
2010
Z1728528
2010
single work
novel
historical fiction
(taught in 43 units)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers. 'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native. 'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.) |
Writing Across Borders | University of Wollongong | 2016 (Semester 1) |
| Text | Unit Name | Institution | Year |
|---|---|---|---|
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Introduction to Australian Literature | Australian National University | 2010 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Introduction to Australian Literature | Australian National University | 2009 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Introduction to Australian Literature | Australian National University | 2011 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Reading Across Time and Space: Literary Contexts | Australian National University | 2014 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Introduction to Australian Literature | Australian National University | 2012 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Reading across Time and Space: Literary Contexts | Australian National University | 2015 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
World Literature in English II: Australia, New Zealand and the Asia-Pacific | NYU - Sydney | 2014 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
World Literature in English II: Australia, New Zealand and the Asia-Pacific | NYU - Sydney | 2015 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
World Literature In English II | NYU - Sydney | 2016 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Aboriginal Writing | University of Melbourne | 2013 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Aboriginal Writing | University of Melbourne | 2009 |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Aboriginal Writing | University of Melbourne | 2010 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Aboriginal Writing | University of Melbourne | 2014 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Aboriginal Writing | University of Melbourne | 2011 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Aboriginal Writing | University of Melbourne | 2012 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Aboriginal Writing | University of Melbourne | 2016 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Indigenous Australia in Literature: Listenin' Up | University of Newcastle | 2011 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Indigenous Australia in Literature: Listenin' Up | University of Newcastle | 2012 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Twentieth-Century Australian Literature | University of Queensland | 2009 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Twentieth-Century Australian Literature | University of Queensland | 2008 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Twentieth-Century Australian Literature | University of Queensland | 2007 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Twentieth-Century Australian Literature | University of Queensland | 2006 (Semester 2) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Australian Literature: Traditions and Revisions | University of Queensland | 2010 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Australian Literature: Traditions and Revisions | University of Queensland | 2011 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
The Australian Novel | University of Southern Queensland | 2014 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
The Australian Novel 1975-2010 | University of Southern Queensland | 2011 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
The Australian Novel 1975-2010 | University of Southern Queensland | 2012 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Law and Literature | University of Southern Queensland | 2015 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Law and Literature | University of Southern Queensland | 2016 (Semester 1) |
|
y
True Country
Fremantle
:
Fremantle Press
,
1993
Z165486
1993
single work
novel
(taught in 30 units)
'Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.' (Source: Fremantle Press website)
|
Intro to Indigenous Australian Writing | University of Sydney | 2008 (Semester 1) |
