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Brenda Croft Brenda Croft i(A123364 works by) (a.k.a. Brenda L. Croft; Brenda L. Croft Nangari)
Born: Established: 1964 Perth, Western Australia, ;
Gender: Female
Heritage: Aboriginal ; Aboriginal Gurindji ; German ; Irish
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Works By

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1 Who’s Your Mob? : An Indigenous Australian Dictionary of Biography Shino Konishi , Julie Andrews , Odette Best , Brenda Croft , Stephen Kinnane , Greg Lehman , John Whop , 2023 single work essay
— Appears in: Australian Book Review , October no. 458 2023; (p. 24-26)

'In his 1968 Boyer Lectures, After the Dreaming, anthropologist W.E.H. Stanner lamented that Aboriginal and Torres Strait Islander Peoples had been omitted from narratives of the nation’s past. Contending that this omission was ‘a structural matter’, he likened Australian history to ‘a view from a window which has been carefully placed to exclude a whole quadrant of the landscape’. He proposed that the kinds of stories which could bring Indigenous history into view for Australian readers would focus on the lives of individuals.' (Introduction)

1 y separately published work icon Karu : Growing up Gurindji Violet Wadrill , Biddy Wavehill Yamawurr Nangala , Topsy Dodd Ngarnjal , Felicity Meakins , Connie Ngarmeiye Nangala , Theresa Yibwoin Nangala , Pauline Ryan Naminja , Rosemary Johnson Namija , Sarah Oscar , Serena Donald Larrpingali Nimarra , Desmarie Morrison Dobbs Napurrula , Rachael Morris Namitja , Narelle Morris Nampin , Brenda Croft , Violet Wadrill (editor), Biddy Wavehill Yamawurr Nangala (editor), Topsy Dodd Ngarnjal (editor), Felicity Meakins (editor), Mission Beach : Spinifex Press , 2019 16668661 2019 multi chapter work autobiography short story non-fiction Indigenous story

'Gurindji country is located in the southern Victoria River in the Northern Territory of Australia. Gurindji people became well known in the 1960s and 1970s due to their influence on Australian politics and the Indigenous land rights movement. They were instrumental in gaining equal wages for Aboriginal cattle station employees and they were also the first Aboriginal group to recover control of their traditional lands. In Karu, Gurindji women describe their child-rearing practices. Some have a spiritual basis, while others are highly practical in nature, such as the use of bush medicines. Many Gurindji ways of raising children contrast with non-Indigenous practices because they are deeply embedded in an understanding of country and family connections. This book celebrates children growing up Gurindji and honours those Gurindji mothers, grandmothers, assistant teachers and health workers who dedicate their lives to making that possible.  (Publication summary)

1 Blackwoman i "Blackwoman", Brenda Croft , 2019 single work poetry
— Appears in: Cordite Poetry Review , 1 February no. 89 2019;
1 y separately published work icon Songs from the Stations : Wajarra as Performed by Ronnie Wavehill Wirrpnga, Topsy Dodd Ngarnjal and Dandy Danbayarri at Kalkaringi Felicity Meakins , Myfany Turpin , Sydney : Sydney University Press , 2019 15888745 2019 selected work lyric/song

'The Gurindji people of the Northern Territory are perhaps best-known for their walk-off of Wave Hill Station in 1966, protesting against mistreatment by the station managers. The strike would become the first major victory of the Indigenous land rights movement. Many discussions of station life are focused on the harsh treatment of Aboriginal workers.

'Songs from the Stations portrays another side of life on Wave Hill Station. Amongst the harsh conditions and decades of mistreatment, an eclectic ceremonial life flourished during the first half of the 20th century. Constant travel between cattle stations by Indigenous workers across north-western and central Australia meant that Wave Hill Station became a cross-road of desert and Top End musical styles. As a result, the Gurindji people learnt songs from the Mudburra who came further east, the Bilinarra from the north, the Nyininy from the west, and the Warlpiri from the south.

'This book is the first detailed documentation of wajarra, public songs performed by the Gurindji people in response to contemporary events in their community. Featuring five song sets known as Laka, Mintiwarra, Kamul, Juntara, and Freedom Day, it is an exploration of the cultural exchange between Indigenous communities that was fostered by their involvement in the pastoral industry.' (Publication summary)

1 Aboriginal Australia’s Smash Hit That Went Viral Myfany Turpin , Brenda Croft , Clint Bracknell , Felicity Meakins , 2019 single work column
— Appears in: The Conversation , 20 March 2019;

'In a time before radio or even gramophones, songs were shared between Aboriginal groups at large social gatherings. Some songs were so popular they spread enormous distances.

'One such song known as Wanji-wanji has travelled some thousands of kilometres. Incredibly, the lyrics have remained unchanged over this distance and the past 150 years it has been sung.' (Introduction)

1 Retrac(k)ing Country and (s)kin : Walking the Wave Hill Walk Off Track (and Other Sites of Cultural Contestation) Brenda Croft , 2016 single work essay
— Appears in: Westerly , vol. 61 no. 1 2016; (p. 76-82)
1 Lisa Marie Bellear - Large of Heart and Soul Brenda Croft , 2016 single work prose
— Appears in: Close to You : The Lisa Bellear Picture Show 2016; (p. 38-42)
1 Today I Walked for My Mother i "Today I walked for my mother", Brenda Croft , 2016 single work poetry
— Appears in: Narrative Witness 2 2016;
1 Shut/Mouth/Scream Brenda Croft , 2016 single work essay
— Appears in: Narrative Witness 2 2016;
'‘Your mouth’ (silver gelatin proof) is the earliest image I have sourced of my grandmother, a proof sheet from the archives of the South Australian Museum in Adelaide in the Cecil J. Hackett Collection. Hackett was a doctor who studied diseases among Aboriginal communities in the Northern Territory and my grandmother was one of his subjects. ...'
1 Still in My Mind : An Exploration of Practice-led Experimental Research in Progress Brenda Croft , 2015 single work criticism biography
— Appears in: Cultural Studies Review , March vol. 21 no. 1 2015; (p. 230-248)
'I pay my sincere respects and acknowledgments to the traditional custodians of Mbantwe/Alice Springs, the Arrernte peoples. I thank you for having me on your country as a Gurindji/Malgnin/Mudpurra person on my father's side, from the Victoria River region of Limbunya, west of Wave Hill. ...'
1 Signs of the Times Brenda Croft , 2015 single work prose
— Appears in: The Intervention : An Anthology 2015; (p. 162-178)
1 Brenda Croft : Who Are Our people? Brenda Croft , 2012 single work autobiography
— Appears in: National Indigenous Times , 15 August no. 277 2012; (p. 15)
1 y separately published work icon Michael Riley : Sights Unseen Brenda Croft , Canberra : National Gallery of Australia , 2006 Z1584329 2006 single work bibliography
1 A Date With Destiny Brenda Croft , 2004 single work essay
— Appears in: Destiny Deacon: Walk and Don't Look Blak 2004; (p. 50)
1 Wuganmagulya (Farm Cove) Brenda Croft , 2002 single work essay
— Appears in: Life in Gadigal Country 2002; (p. 28-31)

'Sydney is a place of many histories, some acknowledged, others hidden. The multi-layered Indigenous histories of Warrang (today, Sydney) are seldom heard...'

1 Cultural Signposts : Whose Heritage Is Protected Anyway? Brenda Croft , 2002 single work life story
— Appears in: Life in Gadigal Country 2002; (p. 20-27)
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