AustLit

'A heart-warming debut about finding out what love and life is all about.

'At seven years old, Millie Bird realises that everything is dying around her. She wasn't to know that after she had recorded twenty-seven assorted creatures in her Book of Dead Things her dad would be a Dead Thing, too.

'Agatha Pantha is eighty-two and has not left her house since her husband died. She sits behind her front window, hidden by the curtains and ivy, and shouts at passers-by, roaring her anger at complete strangers. Until the day Agatha spies a young girl across the street.

'Karl the Touch Typist is eighty-seven when his son kisses him on the cheek before leaving him at the nursing home. As he watches his son leave, Karl has a moment of clarity. He escapes the home and takes off in search of something different.

'Three lost people needing to be found. But they don't know it yet. Millie, Agatha and Karl are about to break the rules and discover what living is all about.' (Publication summary)

'Don Tillman is a forty-year-old geneticist with undiagnosed Aspergers. When he wants to find a partner, he approaches the project the only way he knows - systematically. He creates a questionnaire designed to find the perfect woman - a punctual, non-drinking, non-smoking female who will fit in with his regimented lifestyle. When Rosie appears on the scene, she fits none of Don's criteria - but she does turn his life upside down.'

Source: Wheeler Centre website,
Sighted: 28/05/2012

'It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger and her younger brother are being taken by their mother to live with a foster family outside Munich. Liesel's father was taken away on the breath of a single, unfamiliar word - Kommunist - and Liesel sees the fear of a similar fate in her mother's eyes. On the journey, Death visits the young boy, and notices Liesel. It will be the first of many near encounters. By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordion-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found. But these are dangerous times. When Liesel's foster family hides a Jewish fist-fighter in their basement, Liesel's world is both opened up, and closed down.'

[Source: Libraries Australia. Sighted 30/10/08]