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Decima Wraxall Decima Wraxall i(A118909 works by)
Gender: Female
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Works By

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1 Life Sentence i "She can't take a step without two sticks.", Decima Wraxall , 2023 single work poetry
— Appears in: The Mozzie , June vol. 30 no. 9 2023; (p. 15)
1 Brave Decision i "Why did we buy a second-hand tall boy", Decima Wraxall , 2023 single work poetry
— Appears in: The Mozzie , July vol. 31 no. 1 2023; (p. 15)
1 Floating i "Luminescent room", Decima Wraxall , 2023 single work poetry
— Appears in: The Mozzie , December vol. 31 no. 4 2023; (p. 8)
1 Rouge and Noir i "Lifetimes hijacked. Young, old. Mum with infant", Decima Wraxall , 2023 poetry
— Appears in: The Mozzie , May vol. 30 no. 8 2023; (p. 13)
1 y separately published work icon The Infinite Mystery of Being Decima Wraxall , Port Adelaide : Ginninderra Press , 2023 26603721 2023 selected work short story

''This collection blends candid and personal worlds, short stories, allegories and vignettes. The warmth of "Knight in Shining Chain Mail" moves to the chilling short story "Undertow", with its secrets, to heart-rending "The Broken Windmill". Decima does not shy away from reality, with all its twists and turns of family angst, defiant love, jealousy, betrayal, blackmail and the ache of the road not taken, balanced by the humour of light-hearted stories such as "Pop-up Author" and "Guest of Honour". The great strength of Decima's writing is her ability to hook the reader into a story. Her pared-back, often lyrical language keeps one involved until the denouement, one which often lingers long after the last full stop. I am still pondering "Burning Sixpence". What did I just experience? Enjoy a wonderful feast of language and ever-changing images.' - Colleen Keating' (Publication summary)

1 Elm Woods Encounter i "I stroll home. Twilight ebbs into night", Decima Wraxall , 2023 single work poetry
— Appears in: The Mozzie , January vol. 30 no. 6 2023; (p. 13)
1 y separately published work icon Conspiracy of Silence Decima Wraxall , Port Adelaide : Ginninderra Press , 2023 25747298 2023 selected work short story 'What better way for a family to start the trip of a lifetime to Europe than the magic of Disneyland? Tales of dark deeds shiver at the Tower of London. The excitement at Hamleys toys gives way to a campervan odyssey. Think Dover Castle and Roman ruins. Friends from every country play with Neville and Clara’s children, language differences not a problem. All too soon, Clara’s life twists from love, to loss and grief. An advanced Alliance Française French class helps her brave the lows of widowhood with a new man, Antoine. At Montpellier, France, Marcel Odier guides them on a cobblestone walk through a medieval village. His daughter, Solenne, is strangely silent – a puzzle to Antoine, given the teenager’s usual vivacity. Cholet offers a sound and light spectacular. Horses in caparisons, a castle in flames and a merry-go-round spinning on a lake. Florence brings a fifteenth century football match with colourful costumes, a game the likes of which they’d never seen before… An incomprehensible tragedy lurks in the wings.' (Publication summary) 
1 [Untitled] i "Can't recall the name", Decima Wraxall , 2022 single work poetry
— Appears in: The Mozzie , October vol. 30 no. 4 2022; (p. 3)
1 Scratched i "Foam and roar", Decima Wraxall , 2022 single work poetry
— Appears in: The Mozzie , September vol. 30 no. 3 2022; (p. 10)
1 y separately published work icon Glimmers of Light Decima Wraxall , Port Adelaide : Ginninderra Press , 2022 24289993 2022 selected work poetry

'"In Glimmers of Light, Decima Wraxall gives us an array of poems graphically written, as she says, with the 'struggle to understand our troubled society and who we might be'. The dark moments of our world, the injustices, disorder, struggles and losses of the past few years are loud, with many poems on the Covid attack. Masks and hospitals add narrative detail from Decima's medical background. The title conveys that in the darkness there is light even if it be only pinpricks in a black sky or a bruised horizon at dawn, 'stopping for the warble of a magpie' in the poem 'A Fountain Dances', 'the delight of an introspective Sauvignon blanc' in 'I am Lived', or 'sharing billy tea under whispering casuarinas' in 'Defiance'. We know that as with Vermeer paintings it is only the light that remains. Delve in, and be surprised with many gems on travel, love and history." -Colleen Keating'   (Publication summary)

1 y separately published work icon Mists of Time Colleen Keating , Decima Wraxall , Port Adelaide : Ginninderra Press , 2020 21048715 2020 selected work poetry
1 y separately published work icon Flame Decima Wraxall , Port Adelaide : Ginninderra Press , 2020 20838688 2020 selected work poetry

'‘A second gratifying collection of poems from Decima Wraxall. Flame is an odyssey of diverse themes from nature, history, anxiety, loss, love, transcendence. Always a liminal struggle from the certainty of staircase houses and hedges clipped into obedienceto being on the thresholds lit by firefly light, gardens taking golden sun baths before dark, a miracle clasped in loving arms, the surge of one melds with ripples of the other, I am reminded of Kahlil Gibrans words: the selfsame well from which your laughter rises was oftentimes filled with your tears. Delight in poems that speak to the paradox of dreams, courage, and spirituality, a cornucopia of the poetic emotional spectrum. Enjoy the marvels of the natural world, the honesty of family and the joys and trials of international travel.’ – Colleen Keating' (Publication summary)

1 y separately published work icon Stolen Fruit Decima Wraxall , Port Adelaide : Ginninderra Press , 2020 19796593 2020 single work autobiography 'Stolen Fruit is a saga that breaks rules. It’s a raw and real tale of pioneer life in the Australian bush against a background of World War Two. A time in which citizens lived daily with the fear of invasion. This Babushka Doll of a book reveals stories within stories. It flies back and forth between past, present and future. Magic shares the stage with brutality. It’s a social history, family drama and romance. Gold-mining days melt into nuclear clouds. It explores struggle, courage, heartbreak, addiction, coming of age, and more.' (Publication summary)
1 Choking i "for decades experts had called for action", Decima Wraxall , 2020 single work poetry
— Appears in: I Protest! Poems of Dissent 2020; (p. 73)
1 Jagged i "curved wall yellow lilies", Decima Wraxall , 2019 single work poetry
— Appears in: Mountain Secrets 2019; (p. 88)
1 y separately published work icon Bloom Decima Wraxall , Port Adelaide : Ginninderra Press , 2019 15962515 2019 selected work poetry

'Decima Wraxall’s poems mirror moods of the natural world and humanity in a rich diversity of themes and settings. Visit the magnificent and sacred monolith of Uluru in Central Australia, share its secrets. In Peru, fly over the Nazca Lines, ponder on the huge icons of a lost civilisation. Savour moving paeans, paying tribute to the courage of those facing their own mortality. Share the pain of saying goodbye, juxtaposed against the frantic dating dance - alone - by a woman past her prime. Ageing is explored in its many dimensions, with a side dish of exuberance from the very young. Reflect on hardships of the frontier days. Imagine the dispossessed watching civilisation emerge with swords and muskets, indigenous rituals and ceremonies ignored as savage. Above all, the universal shines through in this thoughtful collection.'   (Publication summary)

1 y separately published work icon Going Home Decima Wraxall , Dundas Valley : Raxa Books , 2018 14649666 2018 single work novel historical fiction war literature
1 y separately published work icon Letters from a Digger Decima Wraxall , 2018 Dundas Valley : Raxa Books , 2018 14649601 2018 series - author novel historical fiction war literature
1 Gallipoli i "shattered femur splintered skull", Decima Wraxall , 2017 single work poetry
— Appears in: The Mozzie , April May vol. 25 no. 3 2017; (p. 11)
1 Summer Untamed i "tang of old oil", Decima Wraxall , 2017 single work poetry
— Appears in: The Mozzie , October vol. 25 no. 8 2017; (p. 7)
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