AustLit logo

AustLit

Adam Gall Adam Gall i(A116401 works by)
Gender: Male
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 [Review] Into the Loneliness: The Unholy Alliance of Ernestine Hill and Daisy Bates Adam Gall , 2022 single work review
— Appears in: Australian Historical Studies , vol. 53 no. 2 2022; (p. 358-359)

— Review of Into the Loneliness : The Unholy Alliance of Ernestine Hill and Daisy Bates Eleanor Hogan , 2021 single work biography

'Eleanor Hogan’s Into the Loneliness is a detailed and engaging biographical work. It will be of great interest to academic and professional historians – and members of the wider public – concerned with twentieth-century Australian cultural history and the settler-colonial inheritance in (and beyond) Australia. As well as being an important addition to the literature on Daisy Bates, Hogan’s book makes two other, major contributions: it represents the most comprehensive piece of biographical research on journalist and travel writer, Ernestine Hill; it is also the most thoroughgoing appraisal of the nature, circumstances and products of the collaboration between Bates and Hill (which produced the ‘My Natives and I’ articles and The Passing of the Aborigines).' (Introduction)

1 Form, Experience, and Desire : Frank Moorhouse’s 1970s Cycles as Experimental Writing Adam Gall , 2016 single work criticism
— Appears in: Antipodes , June vol. 30 no. 1 2016; (p. 89-102)
'Toward the end of Frank Moorhouse's 1977 collection Tales of Mystery and Romance, there is a scene where the narrator-protagonist argues with his would-be lover and rival, Milton, over apparently esoteric matters. The dispute hinges on the possibility of mystical experience, which, according to Milton, is out of reach for the protagonist because he is immature and overly dependent on an unreflective skepticism. Milton is accusatory: "You never experience anything, do you" (122). Milton tells the protagonist that he is "way back on the path of personal development" (127). The protagonist muses, in contrast, that Zen is a cop-out because experience is an unresolved problem that cannot be addressed by "reconstructing the mind" (126). As the pair argue, the protagonist becomes distracted by sexual jealousy, seeing a photograph of Milton and a young man as evidence of the kind of intimacy that he had himself sought with his friend. The scene ends with a displacement of these conflicts as the protagonist confronts some Hare Krishnas in the street, having with them the argument he could not resolve with Milton. Rather than leading to any sort of resolution, this displacement exacerbates the tense ambiguity of the book's central relationship.' (Introduction)
1 [Review] Calling the Shots : Aboriginal Photographies Adam Gall , 2015 single work review
— Appears in: Journal of Australian Studies , September vol. 39 no. 3 2015; (p. 430-431)

— Review of Calling the Shots : Aboriginal Photographies 2014 anthology criticism
1 Worlding the Island-Continent : The Spatial-Cultural Logics of Interwar Historical Fiction Adam Gall , 2014 single work criticism
— Appears in: Journal of the European Association for Studies of Australia , vol. 5 no. 1 2014;

The naturalisation of the Australian continent and its imaginary closure have long formed an important component of Australia’s culture of nationalism. This spatial dimension has been bound up with, but analytically separable from, figurations of Australian identity which were dependent upon imposing racialised boundaries. The culture of Australian nationalism thus depends in its formation upon exemplary instances of an “island-continental” perspective in some of its most prized narratives. This article turns to a specific moment in the cultural history of Australian nationalism—at the end of the interwar period—to examine some influential narratives that construct such a perspective. It analyses elements in two historical novels, Eleanor Dark’s The Timeless Land and Ernestine Hill’s My Love Must Wait, which appeared in 1941, as war in the Pacific loomed. By addressing Dark and Hill’s parallel projects, it will elaborate on how this nationalist spatial imaginary mediates an Australian national modernity that is also about difference and distinction from its metropolitan models. This is a project of worlding the nation, creating in narrative a meaningful background for spatial politics. These novels show us how Australian modernity finds a point of difference precisely in what Suvendrini Perera refers to as the “massivity” of the island-continent, Australia. [From the journal's website]

1 Ernestine Hill and the North : Reading Race and Indigeneity In the Great Australian Loneliness and The Territory Adam Gall , 2013 single work criticism
— Appears in: Journal of Australian Studies , 1 June vol. 37 no. 2 2013; (p. 194-207)
'This article examines the work of Ernestine Hill (1899–1972), an Australian journalist, travel writer, and broadcaster. It begins by elaborating some of the ways in which Hill's life and work have been given scholarly treatment previously, and then it proposes a reading of her work in terms of the themes of race and belonging—in particular, the relationship between whiteness and indigeneity in her written depictions of Australia's far north. The article draws upon the conceptual framework developed by Terry Goldie and Penelope Ingram to read Hill's collection of travel pieces,The Great Australian Loneliness (1937), and her historical writing in The Territory (1951).' (Authors abstract)
1 Untitled Adam Gall , 2011 single work review
— Appears in: Australian Book Review , September no. 334 2011; (p. 41)

— Review of Berlin Syndrome Melanie Joosten , 2011 single work novel
1 White Aborigines. Re-Imagining Australian Modernity : Performative and Non-Performative Indigenisation in Three White Australian Cultural Texts Adam Gall , 2010 single work criticism
— Appears in: Frontier Skirmishes : Literary and Cultural Debates in Australia after 1992 2010; (p. 217-230)
1 Untitled Adam Gall , 2010 single work review
— Appears in: Australian Book Review , September no. 324 2010; (p. 65)

— Review of Australian Literary Studies vol. 24 no. 2 2009 periodical issue
1 [Review Essay] The Byron Journals Adam Gall , 2010 single work review
— Appears in: Australian Book Review , June no. 322 2010; (p. 61)

— Review of The Byron Journals Daniel Ducrou , 2007 single work novel
1 Ways of Reading Adam Gall , 2009 single work correspondence
— Appears in: Australian Book Review , July-August no. 313 2009; (p. 5)
1 1 Taking / Taking Up: Recognition and the Frontier in Grenville's The Secret River Adam Gall , 2008 single work criticism
— Appears in: JASAL , Special Issue 2008; (p. 94-104)
'This article examines some aspects of the cultural politics of Kate Grenville's novel, The Secret River (2005), especially with respect to the problematic of Aboriginal and settler possession. Beginning with Grenville's own account, put forward in her writing memoir Searching for The Secret River (2006), and proceeding via the criticisms offered by historian Inga Clendinnen, the article is concerned with the position and operation of the frontier in contemporary settler-colonial culture in Australia. From this perspective, Grenville's novel is read critically as a literary reflection of that culture.' (Author's abstract)
X