AustLit

'#1 New York Times bestselling author Candice Fox delivers a compulsive new crime thriller, which sees Ted Conkaffey once again teaming up with an unlikely partner – this time the father of the girl he was accused of abducting . . .

'When former police detective Ted Conkaffey was wrongly accused of abducting thirteen-year-old Claire Bingley, he hoped the Queensland rainforest town of Crimson Lake would be a good place to disappear. But nowhere is safe from Claire’s devastated father.

'Dale Bingley has a brutal revenge plan all worked out – and if Ted doesn’t help find the real abductor, he’ll be its first casualty.

'Meanwhile, in a dark roadside hovel called the Barking Frog Inn, the bodies of two young bartenders lie on the beer-sodden floor. It’s Detective Inspector Pip Sweeney’s first homicide investigation – complicated by the arrival of private detective Amanda Pharrell to ‘assist’ on the case. Amanda’s conviction for murder a decade ago has left her with some odd behavioural traits, top-to-toe tatts – and a keen eye for killers.

'For Ted and Amanda, the hunt for the truth will draw them into a violent dance with evil. Redemption is certainly on the cards – but it may well cost them their lives . . .' (Publication summary)

'This is what we long for: the profound pleasure of being swept into vivid new worlds, worlds peopled by characters so intriguing and real that we can't shake them, even long after the reading's done. In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.

'In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain–a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.' (Publication summary)

'"The body you are wearing used to be mine."

'So begins the letter Myfanwy Thomas is holding when she awakes in a London park surrounded by bodies all wearing latex gloves. With no recollection of who she is, Myfanwy must follow the instructions in a series of letters her former self left behind to discover her identity and track down the agents who want to destroy her.

'She soon learns that she is a Rook, a high-ranking member of an MI5ish secret organisation called the Checquy that battles the many supernatural forces at work in Britain (who knew?). She also discovers that she possesses a rare, potentially deadly supernatural ability of her own.

'In her quest to uncover which member of the Checquy betrayed her and why, Myfanwy encounters such wacky folk as a person with four bodies, an aristocratic woman who can enter her dreams, a secret training facility where children with bizarre traits are transformed into Checquy operatives, and a conspiracy more vast than she ever could have imagined.' (From the publisher's website.)

'Based on Elliot Perlman's award-winning novel, THREE DOLLARS tells the story of an honest, compassionate man who finds himself, at the age of 38, with a wife, a child and three dollars.'

Source: Screen Australia. (Sighted: 16/12/2013)

'At once a psychological thriller and a social critique, Seven Types of Ambiguity is a novel of obsessive love in an age of obsessive materialism.

'Following years of unrequited love, an out-of-work schoolteacher decides to take matters into his own hands, triggering a chain of events no one could have anticipated.

'This is a story of impulse and paralysis, of empty marriages, lovers and a small boy, gambling and the market, of adult children and their parents, of poetry and prostitution, psychiatry and the law.'

Source: Publisher's blurb (Faber ed.).