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Cardboard Incarceration single work   poetry   "This cardboard prison they call an archive"
Issue Details: First known date: 2016... 2016 Cardboard Incarceration
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Publication Details of Only Known VersionEarliest 2 Known Versions of

Alternative title: कार्डबोर्ड कारावास
First line of verse: "अभिलेख भनिने यो कार्डबोर्डको जेल"
  • Appears in:
    y separately published work icon Cordite Poetry Review Dalit/Indigenous no. 55.1 October 2016 10414368 2016 periodical issue 2016
    Note: Translated from the English to the Nepali

Works about this Work

Gathering : The Politics of Memory and Contemporary Aboriginal Women's Writing Jeanine Leane , 2017 single work criticism
— Appears in: Antipodes , December vol. 31 no. 2 2017; (p. 242-251, 460)

'This article explores stories of rewriting Australian history by Aboriginal women through literature. My focus is on the narrative poetry and prose testimonials by Aboriginal women writers that interact with the archive, using the term archive as Derrida defined it: as something that is much broader than but including storehouses of official paper work and records and that evokes voices from the past that recall and re-member trauma and resilience through "blood memory" (see Allen) and the Aboriginal body-particularly the bodies of Aboriginal women. Our bodies are an archive where memories are etched, stored, and anchored. This is the living archive that I inherit, and my mind and body becomes a repository of my family's Aboriginal history-even before it was told to me and even now as some of it still remains untold or is still missing. Thus, for me, the politics of memory is to remember a dismembered but still living past as it haunts, pervades, and lives in the present.' (Publication abstract)

Gathering : The Politics of Memory and Contemporary Aboriginal Women's Writing Jeanine Leane , 2017 single work criticism
— Appears in: Antipodes , December vol. 31 no. 2 2017; (p. 242-251, 460)

'This article explores stories of rewriting Australian history by Aboriginal women through literature. My focus is on the narrative poetry and prose testimonials by Aboriginal women writers that interact with the archive, using the term archive as Derrida defined it: as something that is much broader than but including storehouses of official paper work and records and that evokes voices from the past that recall and re-member trauma and resilience through "blood memory" (see Allen) and the Aboriginal body-particularly the bodies of Aboriginal women. Our bodies are an archive where memories are etched, stored, and anchored. This is the living archive that I inherit, and my mind and body becomes a repository of my family's Aboriginal history-even before it was told to me and even now as some of it still remains untold or is still missing. Thus, for me, the politics of memory is to remember a dismembered but still living past as it haunts, pervades, and lives in the present.' (Publication abstract)

Last amended 6 Oct 2017 10:15:41
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