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'Set designer Stephen Curtis says the best of his work supports the actors and solves problems, but warns in a new essay on his work that it’s also easy to be glib and rely on old tricks rather than create an original ‘visual signature’.' (Publication abstract)
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Last amended 15 Feb 2016 12:20:18
The Set's the Thing : How the Stage Helped The Secret River Come Alive
The Guardian Australia
The Guardian Australia
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