Issue Details: First known date: 2016 2016
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'Set designer Stephen Curtis says the best of his work supports the actors and solves problems, but warns in a new essay on his work that it’s also easy to be glib and rely on old tricks rather than create an original ‘visual signature’.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 15 Feb 2016 12:20:18
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