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Maria Lewis Maria Lewis i(9162872 works by)
Born: Established: 1988
c
New Zealand,
c
Pacific Region,
;
Gender: Female
Heritage: Maori
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BiographyHistory

Sydney-based author and radio presenter.

Born in Arrowtown, New Zealand, Maria Lewis later moved to the Gold Coast with her mother and grandparents. She holds a Bachelor of Journalism from Bond University, but began her journalism career as a sixteen-year-old cadet at the Gold Coast Bulletin, covering the crime and police beat. She later worked for the Daily Telegraph and Sunday Telegraph, as well as the Daily Mail Australia, this time as an entertainment and show-business reporter. She has also worked as a freelance writer for a wide range of publications, as well as a television panellist and podcaster, with a particular focus on film and television (especially queer representation and feminism in film).

Lewis's debut novel, Who's Afraid, was published in July 2016: the first sequel (of a planned series of five) was released in January 2017. Her standalone mermaid/merman horror novel, It Came from the Deep, was published in late 2017. In June 2018, it was announced that she had signed for two further books with Piatkus, the first of which, The Witch Who Courted Death, is due for release at Hallowe'en 2018.

Most Referenced Works

Personal Awards

2022 winner AWGIE Awards Audio Non-Fiction for 'Fanyoman', an episode of The Phantom Never Dies podcast.
2022 winner Aurealis Awards for Excellence in Australian Speculative Fiction Peter McNamara Convenors' Award for podcast 'The Phantom Never Dies'.
2019 finalist Australian Shadows Award Non-fiction for 'Horror Movies that Mean Something and Childhood Trauma Manifested', published on flicks.com.au

Awards for Works

y separately published work icon The Graveyard Shift Nottingham : Datura Books , 2023 26958155 2023 single work novel thriller

'Tinsel Munroe has busted her tits to get where she is. Yet her dream of working in radio hasn’t turned out to be everything she hoped it would. Sure, she has her own show – the aptly titled The Graveyard Shift – where she celebrates the sounds of horror-cinema. It’s a pop cultural oasis for the niche audience she has cultivated, but the wage is barely enough to cover her rent and the midnight hours are putting a strain on her relationship with tattooist boyfriend, Zack. After three years at Melbourne’s coolest station, she’s seemingly no closer to a prime-time slot.

'That is, until someone is murdered live on air.

'Mistaking it for a Halloween prank at first, a visit from police informs Tinsel that the hysterical call was – in fact – the real deal. She’s freaked out by the horrible incident, but her true-crime obsessed sister Pandora is fascinated by it.

'While detectives assure them the killer will soon be caught, the bodies continue to drop with the killer striking at locations tied to Australian film history in increasingly gruesome ways. With a growing, macabre audience to her radio show, that potentially includes the killer, Tinsel begins receiving strange messages over the text lines. Her home and her workplace suddenly aren’t the sanctuaries she once thought they were.

'Tinsel and her sister are left no choice but to team up with Detective James as they race to find the connection between her and the culprit. The people she thought she could trust are now those she should fear the most. In order to survive, Tinsel is going to have to listen to more than just the airwaves…'

Source: Publisher's blurb.

2023 finalist Australian Shadows Award Novel
2023 finalist Aurealis Awards for Excellence in Australian Speculative Fiction Horror Division Novel
The House that Hungers 2021 single work short story horror
— Appears in: Aurealis , no. 146 2021;
2022 shortlisted Ditmar Awards Best Short Story
2021 finalist Aurealis Awards for Excellence in Australian Speculative Fiction Horror Division Short Story
y separately published work icon The Rose Daughter London : Piatkus , 2021 21457020 2021 single work novel fantasy

'She never meant to be a hero . . . 

'In fact, Dreckly Jones has made a point her whole life to be exactly not that. The daughter of a forbidden union between an earth elemental and a selkie, her rare powers have meant she has always had a target on her back.

'So Dreckly – a 40-something oyster shucker according to her fake documents, 140-something sprite if you’re going to get all nit-picky about it – has become an expert at many things. Chief amongst them: hiding. 

'When she meets a determined group of rebels who desperately need her help, she finds herself wanting to stick her neck out for the first time in a long while. Yet is she ready to be noticed? Is Dreckly willing to use her powers to stand up when it could cost her everything?'

Source: Publisher's blurb.

2022 shortlisted Ditmar Awards Best Novel
2021 finalist Aurealis Awards for Excellence in Australian Speculative Fiction Fantasy Division Novel
Last amended 25 May 2020 14:46:25
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