AustLit logo
Issue Details: First known date: 2015... 2015 Dissident Laughter : Historiographic Metafiction as Parodic Intervention in Benang and That Deadman Dance
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Benang: From the Heart and That Deadman Dance are both seminal examples of postcolonial historical novels by Kim Scott that consider ‘how much speaking’ and ‘what sort of speaking’ can occur in relation to portrayals of Indigenous subjects and traumatic histories of dispossession. Both Scott’s novels differently recruit a range of parodic narrative techniques to critique the monologistic language of colonialism. This essay examines how Scott recruits historiographic metafiction in Benang: From the Heart and That Deadman Dance to generate new metaphors of colonial power relations within the novel as heteroglossic text.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 13 Nov 2015 12:02:12
http://nla.gov.au/nla.arc-10069-20160717-0026-www.textjournal.com.au/speciss/issue33/content.htm Dissident Laughter : Historiographic Metafiction as Parodic Intervention in Benang and That Deadman Dancesmall AustLit logo TEXT : Special Issue Website Series
X