Issue Details: First known date: 2009 2009
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Notes

  • Epigraph:

    Tensions between internationalism and nationalism, between globalism and parochialist ethnocentrism, betwen universalism and class privileges were never far from the surface.

    —- David Harvey, “Modernity and Modernism”

    The assertion of identity inevitably requires construction of an “other”…The protagonists may tend towards “essentialism”. That is, they may invoke the essential and ineradicable cultural traits of their group, and denounce the culture and values of the outsiders as inherently evil or dangerous.

    —-Geoffrey Stokes, The Politics of Identity in Australia

    He (Keneally) has never thought of Australia as anything but part of one world, where we are all in the same boat, or ark, and where we all hang together.

    —-Peter Pierce, “‘The Critics Made Me’”

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y From Fixity to Fluidity : The Theme of Identity in Thomas Keneally's Fiction Xiaojin Zhou , Qindao : China Ocean University Press , 2009 Z1741824 2009 multi chapter work criticism

    'Born into an Irish Catholic family in Sydney, Thomas Keneally published his first novel, The Place at Whitton, in 1964, four years after he abandoned his study for priesthood. The success of that gothic horror set in a seminary triggered a successful writing career of over forty years, in which he produced 25 novels, while making frequent and fruitful incursions into the world of nonfiction. Today Keneally is Australia’s best-known writer and Australia’s living treasure. Although Spielberg’s Schindler’s List became a media event and a household word in the 1990s, it hardly qualified Keneally as an overnight sensation. By that time, Keneally was already a widely acclaimed writer in Britain and America, truly “international”, as the Australians would like to put it, since he had publishers on both sides of the Atlantic and had won the 1982 Booker Prize. Despite discernible changes in his earlier and later works, it’s almost impossible, even as a critical expediency, to divide Keneally’s writing career into clearly marked stages. Writing on both “Australian” and “international” themes, and constantly shifting between past and present, Keneally failed to follow the normal path of arrival, growth and maturity, much to the disappointment of some Australian critics, who eagerly delighted in anticipating the destination of his literary journey...' (Author's introduction)

    Qindao : China Ocean University Press , 2009
    pg. 177-189
Last amended 18 Sep 2015 07:41:53
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