Identity and Modernity single work   criticism  
Issue Details: First known date: 2009 2009
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AbstractHistoryArchive Description

'It seems commonplace, in contemporary academia, to stress that our world is undergoing an identity crisis. Finding its way into a wide spectrum of disciplines, the concept of identity becomes the axis around which many far-reaching academic discussions and debates have evolved: globalization and localization, modernity and tradition, gender studies, diaspora, multiculturalism and others. Besides, it’s increasingly common, even in our daily life, to hear identity fumbled for, fretted over 1 and frowned upon, by Chinese employees complaining about corporate culture, by English learners attempting to express what is local in a foreign language, by overseas returnees twice dislodged from a familiar ambience and culture, and by Chinese youngsters reveling in Korean soap operas, Japanese songs and American blockbusters.' (1)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y From Fixity to Fluidity : The Theme of Identity in Thomas Keneally's Fiction Xiaojin Zhou , Qindao : China Ocean University Press , 2009 Z1741824 2009 multi chapter work criticism

    'Born into an Irish Catholic family in Sydney, Thomas Keneally published his first novel, The Place at Whitton, in 1964, four years after he abandoned his study for priesthood. The success of that gothic horror set in a seminary triggered a successful writing career of over forty years, in which he produced 25 novels, while making frequent and fruitful incursions into the world of nonfiction. Today Keneally is Australia’s best-known writer and Australia’s living treasure. Although Spielberg’s Schindler’s List became a media event and a household word in the 1990s, it hardly qualified Keneally as an overnight sensation. By that time, Keneally was already a widely acclaimed writer in Britain and America, truly “international”, as the Australians would like to put it, since he had publishers on both sides of the Atlantic and had won the 1982 Booker Prize. Despite discernible changes in his earlier and later works, it’s almost impossible, even as a critical expediency, to divide Keneally’s writing career into clearly marked stages. Writing on both “Australian” and “international” themes, and constantly shifting between past and present, Keneally failed to follow the normal path of arrival, growth and maturity, much to the disappointment of some Australian critics, who eagerly delighted in anticipating the destination of his literary journey...' (Author's introduction)

    Qindao : China Ocean University Press , 2009
    pg. 1-5
Last amended 18 Sep 2015 06:07:46